Jake discusses three elements of One Night in Miami: the way the screenplay lands its political message, the slightly old fashioned way it uses exposition (it’s not perfect), and the simple power of a character’s secret as a tool for building structure.

One Night in Miami: Writing for Political Change

Rather than looking at movies in terms of "two thumbs up" or "two thumbs down" Award Winning Screenwriter Jacob Krueger discusses what you can learn from them as a screenwriter. He looks at good movies, bad movies, movies we love, and movies we hate, exploring how they were built, and how you can apply those lessons to your own writing.  More information and full archives at WriteYourScreenplay.com
831588

TV & Film

Rather than looking at movies in terms of "two thumbs up" or "two thumbs down" Award Winning Screenwriter Jacob Krueger discusses what you can learn from them as a screenwriter. He looks at good movies, bad movies, movies we love, and movies we hate, exploring how they were built, and how you can apply those lessons to your own writing. More information and full archives at WriteYourScreenplay.com 831588

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One Night in Miami: Writing for Political Change

One Night in Miami: Writing for Political Change