https://soundcloud.com/industryofmachines

As a buyer, writer, and salesman at various record shops in NYC and as the curator, graphic designer, and resident DJ of Industry of Machines, as well as a published critic for The Quietus, Bandcamp, RA, and others, Albert Freeman has been one of the leading advocates for harder, more experimental, and more industrial strains of dance music in NYC since 2010.

Beginning in the Midwest in the late ‘90s studying music academically while digging into massive record libraries doing shows on public radio, he developed a strong interest in electroacousic music, industrial music, and the then-cutting edge innovations in techno, dub, house, experimental electronic music and IDM. This interest continued and intensified through spells in the UK, in Montreal during the peak of its experimental minimal era, and then in New York, which was circa 2010 undergoing its own renaissance in dance music and related experimental sounds. Continuing to the present as a critic, writer, DJ and promoter, as well as an avid buyer and commentator on contemporary electronic music, this history informs his tastes and fight against the many strains of complacency now overtaking the industry.

https://daily.bandcamp.com/2019/04/18/drexciya-album-guide/

https://www.facebook.com/IndustryOfMachines