It’s not just modern interpreters who poke fun at distinguished personages of the mythic past.  In the mid-nineteenth century, Jacques Offenbach turned the Orpehus and Euridice story on its head in his smash-hit, Orpheus in the Underworld. This work, in addition to giving us the infamous “Can-Can,” started an international craze for toe-tapping, fun-loving operettas.  Join us for raucous fun with ancient gods and heroes.  
Hosted by Pat and guest co-host Rosie Brooks.

Ep. 86 Orpheus In The Underworld By Offenbach

Opera for Everyone is a radio show and podcast that makes opera understandable, accessible, and enjoyable for all.  Pat Wright hosts the show, inviting guest co-hosts to participate in the mission she and Keely Herron developed after lively discussions of operas they had enjoyed seeing together.  Music soars.  Epiphanies abound.  Hilarity ensues.

The show airs Sundays from 9.00 a.m. to 11.00 a.m. on 89.1 KHOL in Jackson, Wyoming. 

Cover artwork by illustrator Rosie Brooks (www.rosiebrooks.com)

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Music Commentary

Was it only a dream?
Baroque composer Henry Purcell was on his way to establishing a national operatic tradition based on the dramatic and musical traditions of the English, when, alas, his life was cut short after just 36 years.  Join us as we explore Purcell’s musically and emotionally rich “The Fairy Queen,” a delightful twist on the Bard’s “A Midsummer Night’s Dream.” Shakespeare was content to end his tale with ambiguity, and so must we content ourselves with what Purcell has given us, and not indulge in the fantasy of what might have been had he enjoyed additional years composing.
Hosted by Pat and Kathleen
For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 117 The Fairy Queen by Henry Purcell

Where passion joins with music and poetry we find opera. In this sweet spot, we also find What We Need Is Here, the most recent project by accomplished musician and singer, Lisa Reagan. Lisa joins us to talk about creating an album of songs for classic poems that have been meaningful to her life.
Lisa Reagan spent twenty years singing with the Washington National Opera and her first performance there was in Verdi’s La Forza del Destino, an opera of epic scope and dramatic extremes. Join Pat, Kathleen and Lisa for a close look at this powerful opera and the varieties of human experience it explores.
Hosted by Pat and Kathleen, with special guest Lisa Reagan
For more on Lisa Reagan and her album What We Need Is Here, visit lisareagan.com
For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 116 Verdi's La Forza del Destino & Lisa Reagan's What We Need Is Here

Two things never go out of fashion: opera and mystery.  In this episode, mystery writer and former opera violinist Erica Miner talks with us about her opera mystery series and Lulu, Berg’s high-body-count melodrama.  Lulu, which features prominently in Erica’s new novel, centers on a beautiful young woman whose admirers descend into obsession.  Join us for a fascinating discussion of the nuts and bolts of opera, how it has informed Erica’s writings, and a close look at Berg’s masterpiece.
Erica Miner is the author of Prelude to Murder, the second book in the Julia Kogan Opera Mystery Series.  For more on Erica, visit ericaminer.com

Ep. 115 Berg's Lulu & Erica Miner's Prelude to Murder

In Amahl and the Night Visitors, a young boy and his mother unexpectedly play host to the Magi on their way to meet the infant Jesus.  Originally written for television, this opera uniquely bridges the ancient and modern in a heartfelt exploration of the meaning of hospitality.
In the second half of this episode, we are joined by Grant to talk about the role of Epiphany in the Christmas story, and enjoy some of the more beloved songs associated with the timeless story of the Magi.
Hosted by Pat and Kathleen.
For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

Ep. 114 Amahl and the Night Visitors

By turns funny, serious, and seriously funny, L’Italiana in Algeri is a fascinating assembly of romantic tropes: a spurned wife, a shipwrecked lover, a pirate king, and a daring escape.  At the same time, it deals with serious themes of agency, power, and silence.  Set in a world that is both alien and familiar, this opera has something to say to all of us.
Guest co-host Emily Cohen, executive director of Opera For Everyone’s home station KHOL, joins us for an opera in which she once performed!

Ep. 86 Orpheus In The Underworld By Offenbach

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