The maker’s mark and emotive gesture are typically dispensed with in Minimalist art and both White Flower (1960) and Untitled No.14 (1977) exemplify Agnes Martin’s mature expression of this style.
The maker’s mark and emotive gesture are typically dispensed with in Minimalist art and both White Flower (1960) and Untitled No.14 (1977) exemplify Agnes Martin’s mature expression of this style.