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Paintings by Jackson Pollock and Mark Rothko
The evocation of the infinite is evident in both Jackson Pollock’s Untitled (Green Silver) (c.1949) and Mark Rothko’s Untitled (1947).
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By National Gallery of Victoria
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The evocation of the infinite is evident in both Jackson Pollock’s Untitled (Green Silver) (c.1949) and Mark Rothko’s Untitled (1947).
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