In Psalm 119:163, the psalmist urges us to ask: Do I love truth and hate falsehood and want my life and beliefs to conform more and more with the truth? Or do I have some presuppositions and views that are simply non-negotiable?

Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

This episode is not meant to make any definitive statement about the location of the Tower of Babel. It is merely meant to help listeners to think critically about common assumptions made about its location. It also gives us an opportunity to pray for those who are considered experts in the field of Scripture studies.

Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Can you imagine stumbling upon great spoils or treasure of some kind, so that you were suddenly, instantly rich? How much joy would that give you? Do you realize that you already have an even greater treasure the provides a source of even greater joy?

Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

What did the Lord’s confusion of human language accomplish, apart from the physical result of scattering humanity over the face of the whole earth? What good came out of it?

Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

We’ve made it to the twenty-first stanza of Psalm 119. The psalmist begins this stanza by confronting us with the question: Whom do you fear more—mortal earthly rulers or the eternal God of the universe?

Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

God did not just confuse everyone’s language randomly and form the people into new groups arbitrarily. He still let the people taste of his mercy.

Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The psalmist concludes the twentieth stanza of Psalm 119 by stating, literally, that “the head of [God’s] word is truth.” What does he mean by that?

Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

To put a stop to humanity’s rebellion against him, the Lord came down and confused their language. Can you imagine the creative potential for a director if this were adapted for the big screen? What did this confusion look like?

Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

In Psalm 119:159, the psalmist contrasts what he sees in others, which he mentioned in vs. 158, with what he is confident God will see in him. Yet that is not the basis on which he wants God to deal with him.

Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4

When God saw what was happening in Shinar, his response almost makes it sound like he is worried that humans might pose a threat to his authority. But God is concerned about humans, not himself. That’s why he imposed limitations on their project and abilities.

Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).