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Let's put on a show! It's season 8 for Paul and Corey Cross the Streams, and this season we're watching musicals. It's a singular art form with a dynamic history, and we get to listen to a lot of cast recordings...
For his first episode, Corey chose the international smash-hit, the Tollywood (India) film, RRR (2022). Directed and written by S. S. Rajamouli, the film is a fictional and fictionalized account of the meeting of two Indian revolutionaries, Komaram Bheem and Alluri Sitarama Raju, during the British Raj.
The film is a blast: action-packed, singing and dancing, compelling drama, excellent VFX, brilliant (fight) choreography, and more, as it tells the exciting story of rising up against colonial oppression. But. The film exists in a political and economic context, specifically the current rule of Hindu nationalism and the long-established caste system in India, that international viewers might not know or understand. And for as much fun as it is to root for our protagonists in their fight against racist imperialism and colonialism, the film may not be as progressive in its political positions on oppression and exploitation as it purports.
It's a nuanced and interesting conversation on a thrilling film.
By Fanbase Press5
55 ratings
Let's put on a show! It's season 8 for Paul and Corey Cross the Streams, and this season we're watching musicals. It's a singular art form with a dynamic history, and we get to listen to a lot of cast recordings...
For his first episode, Corey chose the international smash-hit, the Tollywood (India) film, RRR (2022). Directed and written by S. S. Rajamouli, the film is a fictional and fictionalized account of the meeting of two Indian revolutionaries, Komaram Bheem and Alluri Sitarama Raju, during the British Raj.
The film is a blast: action-packed, singing and dancing, compelling drama, excellent VFX, brilliant (fight) choreography, and more, as it tells the exciting story of rising up against colonial oppression. But. The film exists in a political and economic context, specifically the current rule of Hindu nationalism and the long-established caste system in India, that international viewers might not know or understand. And for as much fun as it is to root for our protagonists in their fight against racist imperialism and colonialism, the film may not be as progressive in its political positions on oppression and exploitation as it purports.
It's a nuanced and interesting conversation on a thrilling film.