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Paul Maddox, known for his work across Tidy Trax, hard house, hard dance and studio engineering, joins me for a deep conversation about music production, ghost production, sound engineers, AI, the changing club scene, and why so many roles in electronic music are misunderstood.
We start with one of the biggest misconceptions in dance music: ghost producers and engineers are not the same thing. Paul explains where the confusion comes from, why people get defensive about it, and how professional records are often made through collaboration, technical support, and very different skill sets.
From there, we go deep into Paul’s own story. We talk about starting out as a producer before DJing, learning the craft in the late 90s, working with basic gear, discovering dance music through Radio 1, handing demo CDs to DJs, and eventually breaking through with the Tidy Boys and landing an in-house engineering role.
We also get into:
• the difference between engineering, co-production and ghost production
00:00 Intro: The Maddox & Glazby Connection
This is a proper behind-the-scenes conversation with someone who has lived it from the inside. If you are into hard house, dance music production, club culture, studio work, or the real mechanics of how tracks get made, this one will land.
The Dexter Jones Podcast explores the stories, people and realities behind dance music, Ibiza culture, production, DJing and the electronic music industry.
By Dexter JonesPaul Maddox, known for his work across Tidy Trax, hard house, hard dance and studio engineering, joins me for a deep conversation about music production, ghost production, sound engineers, AI, the changing club scene, and why so many roles in electronic music are misunderstood.
We start with one of the biggest misconceptions in dance music: ghost producers and engineers are not the same thing. Paul explains where the confusion comes from, why people get defensive about it, and how professional records are often made through collaboration, technical support, and very different skill sets.
From there, we go deep into Paul’s own story. We talk about starting out as a producer before DJing, learning the craft in the late 90s, working with basic gear, discovering dance music through Radio 1, handing demo CDs to DJs, and eventually breaking through with the Tidy Boys and landing an in-house engineering role.
We also get into:
• the difference between engineering, co-production and ghost production
00:00 Intro: The Maddox & Glazby Connection
This is a proper behind-the-scenes conversation with someone who has lived it from the inside. If you are into hard house, dance music production, club culture, studio work, or the real mechanics of how tracks get made, this one will land.
The Dexter Jones Podcast explores the stories, people and realities behind dance music, Ibiza culture, production, DJing and the electronic music industry.