<p>Continuing yesterday’s podcast post about communication, I would like to focus on a crucial point that I see might well be one of the greatest misunderstandings of communication in art — syntax does not equal semantics.</p>

Continuing yesterday’s podcast post about communication, I would like to focus on a crucial point that I see might well be one of the greatest misunderstandings of communication in art — syntax does not equal semantics.

Perception and communication Part II

The art world is a magical place full of complex conversations about unmade beds, buttered-up chairs and urinals, but nobody seems to want to talk about how it actually works. I want to change that.

So, welcome to Surviving Art, a safe place where trigger words like job security and pension fund are strictly forbidden.

But what isn’t, is making sense of the art market; how to price your work, approach galleries and get exhibitions, as well as tips and strategies on how to sell your art directly to collectors and get your creative message across.

Arts

Visual Arts

The art world is a magical place full of complex conversations about unmade beds, buttered-up chairs and urinals, but nobody seems to want to talk about how it actually works. I want to change that. So, welcome to Surviving Art, a safe place where trigger words like job security and pension fund are strictly forbidden. But what isn’t, is making sense of the art market; how to price your work, approach galleries and get exhibitions, as well as tips and strategies on how to sell your art directly to collectors and get your creative message across.

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Perception and communication Part II

Perception and communication Part II