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In this episode percussionist, artistic director and documentarist Ross Karre talks about his education from the Oberlin Conservatory and the University of California San Diego; about his work with The International Contemporary Ensemble in NYC, about how the idea of musical taste is a social construct, about the lack of social awareness in his own education, and about issues that engages him as as a curator.
The musical excerpts are taken from his recording 10.67 cycles, which you may purchase here.
In an episode of Soundmaking Ross talks about the making of this recording.
Hosted on Acast. See acast.com/privacy for more information.
By Håkon Mørch Stene and Henrik Knarborg LarsenIn this episode percussionist, artistic director and documentarist Ross Karre talks about his education from the Oberlin Conservatory and the University of California San Diego; about his work with The International Contemporary Ensemble in NYC, about how the idea of musical taste is a social construct, about the lack of social awareness in his own education, and about issues that engages him as as a curator.
The musical excerpts are taken from his recording 10.67 cycles, which you may purchase here.
In an episode of Soundmaking Ross talks about the making of this recording.
Hosted on Acast. See acast.com/privacy for more information.