Brad, realizing he hadn't programmed a show entirely of cover versions in quite a while, heads to the Senior Baseball League's season opener, leaving behind a whole gaggle of cover versions to be played by the AI Song Generator, Chat BTO,. . . requests, of course, encouraged . . . 

With unfound broken pipes flooding most of the basement boiler room, Brad dons his waders and heads downstairs. Meanwhile, wonderful singer-songwriter Abigail Lapell spends a bit of time talking with Brad about maternity, fertility, and parenting . . . plus her amazing songs . . . 

Brad, fed-up with the dark, dreary, dismal, dank, and damp weather, decides to test drive the new Holographic Room and surround himself with a virtual English countryside. As well, comedian Eric Andrews drops in for a short visit . . . 

Famed musician and swell guy, Ken Whiteley, drops by the Inn to talk about his birthday bash next week. As well, Brad visits the stockyard in the West Side of the Inn to see how his cattle are doing. They're fine . . . 

On a beautiful sunny day, Brad decides to captain his bowling team - the Knights of the Flaming Arrow - in the Senior Bowling Round Robin Tournament. Then, lo and behold, a surprise visit from Dave O'Rama, in from Lovecast Island and bringing a ray of sunshine . . . 

Once again, folk music icon, Tom Rush, comes and visits the Inn for a spell, with stories and memories abounding. How fitting since the show examines and celebrates the music and artists of the 1960s Folk Revival . . . 

June Millington, amazing guitarist from the seminal and iconic rock band, Fanny, comes for a visit and a splendid conversation ensues. Afterwards, Brad is compelled to play a long set of music in connection to the NO KINGS global rallies . . . 

In a continuing effort to help quell the drums of war and pestilence, Brad summons the voices of angels . . .   

After much technical difficulties (damn you, Zoom !!!), Brad finally connects with famed and funny comedian Jeremy Hotz comes for a short visit to the Inn. Ther rest of the time we spend playing comic music, comics standing up, and bad jokes as a means to deflect the miserable reality the world has become . . . a splendid time guaranteed for all . . . 

Because rough beats keep slouching towards Bethlehem, Brad decides the afternoon needs music that a uplifting and life-affirming. Oh yeah - plus a visit by the director and editor of the amazing documentary "Nash the Slash Rises, Again".