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In the past weeks we have been getting some questions from our listeners, which are very much appreciated. Unfortunately we did not have the time to dedicate the time to them as they deserve, so #43 is a catch-up on those unanswered questions.
A wide variety of topics came up, from ISO to stitching panoramas, assembling and printing books on-demand, comparing kit lenses to more expensive ones, Lightroom and bird photography.
To help us with the task, we invited Aggie Villanueva and Joan Hunt to join us on the call. Thanks gals, it was a pleasure.
And here are the questions that we’ve tried to answer:
Isabella Campbell: When I shoot several images from one location intending to stitch them together for a panorama, I get the usual distortion on the sides. What is best, to compensate for the distortion on PS or shoot from different locations trying to get all the frames "front facing"?
William Watson: Hello photonetcast crew and listeners. I’ve noticed that you don’t approach too much the subject of printing on the show. It would be good to dedicate one show to the topic as I’m sure many listeners would like to know more about it. The question i have for you is, for fine art prints, what paper do you use/recommend? Is there a main brand you use? What about whitening substances, do they affect the outcome of the print?
Selected from the Web
In the past weeks we have been getting some questions from our listeners, which are very much appreciated. Unfortunately we did not have the time to dedicate the time to them as they deserve, so #43 is a catch-up on those unanswered questions.
A wide variety of topics came up, from ISO to stitching panoramas, assembling and printing books on-demand, comparing kit lenses to more expensive ones, Lightroom and bird photography.
To help us with the task, we invited Aggie Villanueva and Joan Hunt to join us on the call. Thanks gals, it was a pleasure.
And here are the questions that we’ve tried to answer:
Isabella Campbell: When I shoot several images from one location intending to stitch them together for a panorama, I get the usual distortion on the sides. What is best, to compensate for the distortion on PS or shoot from different locations trying to get all the frames "front facing"?
William Watson: Hello photonetcast crew and listeners. I’ve noticed that you don’t approach too much the subject of printing on the show. It would be good to dedicate one show to the topic as I’m sure many listeners would like to know more about it. The question i have for you is, for fine art prints, what paper do you use/recommend? Is there a main brand you use? What about whitening substances, do they affect the outcome of the print?
Selected from the Web