First encountering Bethan Huws' work during the degree show at the Royal College of Art in 1988, Phyllida Barlow recalls how, ever since then, it has had an impact on her own approach to sculpture. Phyllida joins Ned McConnell for a discussion of Huws' work, how sculpture has a sensory language and what her own relationship to collecting and objects is.

First encountering Bethan Huws' work during the degree show at the Royal College of Art in 1988, Phyllida Barlow recalls how, ever since then, it has had an impact on her own approach to sculpture. Phyllida joins Ned McConnell for a discussion of Huws' work, how sculpture has a sensory language and what her own relationship to collecting and objects is.

First encountering Bethan Huws' work during the degree show at the Royal College of Art in 1988, Phyllida Barlow recalls&nbsp;how,&nbsp;ever since then,&nbsp;it has had an impact on her&nbsp;own&nbsp;approach to sculpture. Phyllida joins Ned McConnell for a discussion of Huws' work, how sculpture has a sensory language and what her own relationship to collecting and objects is.

Phyllida Barlow on Bethan Huws

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We invite artists, cultural practitioners and other thinkers to discuss themes connected to the Roberts Institute of Art (previously DRAF) programme and works in the David and Indrė Roberts Collection. Through dialogue, research and personal stories this podcast series dives into those elements that shape contemporary culture and the ways we see the world.

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A place to explore, reimagine and exchange ideas about culture through conversations. We invite artists, cultural practitioners and other thinkers to discuss themes connected to the Roberts Institute of Art (previously DRAF) programme and works in the David and Indrė Roberts Collection. Through dialogue, research and personal stories this podcast series dives into those elements that shape contemporary culture and the ways we see the world.

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Phyllida Barlow on Bethan Huws

Phyllida Barlow on Bethan Huws