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Pinch, there it is; googly eyes on the train, and yes, we are on our 37th career this year
Dogs are Smarter Than People/Write Better Now
Last week, we talked about pinch points both on the podcast and on the blog, and honestly? Nobody seemed super into it, but we’re finishing up this week. This post is going to be a bit more about the first part of act two of a three-act story, focusing on the time from the first pinch point to the midpoint.
Pause for a plea: Look, I know plot structure isn’t sexy the way character development or drama and obstacles and conflict are, but it’s super important. It makes a difference in your book wooing readers and in it wooing agents.
K.M. Weiland has a really lovely graphic that we’ve included in the podcast notes about where to put those pinch points.
Weiland is a bit of a goddess about structure and what she says about this first pinch point is this:
- It comes about 37% of the way into the story.
Right after this big and important pinch point, the hero of your story aka your protagonist moves into the section of the book that comes before the book’s halfway point or midpoint. Weiland calls this space from 37% to 50% a realization place and scenes for your character growth. The protagonist understand what’s going on a bit more. She starts to react with that knowledge informing her reactions and then her actions. Cool, right?
She writes, “In itself, the First Pinch Point does not reveal the true nature of the conflict to the protagonist. Rather, it foreshadows it by providing a peek at facts the protagonist has barely grasped as yet.”
She uses the movie ALIEN a lot to explain this. At the first pinch point, the crew realizes that the alien creature isn’t what they were thinking it was. Their choices start to be informed by that until the midpoint, which Weiland calls the MOMENT OF TRUTH.
At the midpoint in ALIEN that alien smashes its way out of one of the crew’s chest.
The truth of what they are dealing has exploded in the ship and on the screen (and on your novel’s page).
“It’s instructive when watching movies to observe the protagonist’s facial expressions prior to the Moment of Truth and then afterward. Before the Midpoint, he’ll often look baffled as he struggles to keep up with the conflict. Then the light dawns in his eyes at the Midpoint, and from that moment on, there’s a look of knowing determination on his face,” she writes.
Larry Brooks defines pinch points as “An example, or reminder, of the nature and implications of the antagonist force, that is not filtered by the hero’s experience.”
DOG TIP FOR LIFESometimes in life, your defining moments don’t come at the midpoint. - Mr. Murphy
So, what he’s saying is don’t think that there are certain points and ages in your life where you have to get things done. Life is not a book and it doesn’t need to be a three-act structure.
PLACE TO SUBMITThese are via Authors’ Publish.
Bannister Press: Other – the 2024 fantasy short story anthology
Bannister Press specializes in supernatural and fantasy stories loved by adults and young adults. For this fiction anthology, they only want submissions from writers who identify as women. “We are seeking international short story submissions by writers who identify as women for an anthology with a focus on what it means to be on the outside looking in, or comfortably or uncomfortably out of step with the world(s) at large, and with a fantasy element (either subtle or writ large). The story can be visually focused, or character/narrative focused, as long as it leaves the reader thinking about the story long after closing the book. We don’t want a lesson, we want an experience that makes us come alive. Humour is fine as long as it’s not about the mic drop.”
Deadline: 31 July 2024 (extended)
Length: Up to 3,500 words
Pay: $0.08/word
Details here.
DarkLit Press: In the Gallows Wake – A Pirate Horror Anthology
This is a fiction anthology of “piratical horror stories that are certain to plunge readers into the heart of darkness on the high seas, where cursed pirates and spectral ships reign with terror and betrayal, promising no soul safe passage through their nightmarish waters.” And, “Diverse voices in pirate stories transform the high seas into a vibrant canvas of human experience, weaving a rich tapestry that blends historical accuracy with untold narratives, ensuring every wave and whisper carries the weight of authenticity and boundless imagination. This approach not only breathes life into the sails of traditional tales but also charts a course toward a more inclusive and multifaceted exploration of freedom, identity, and adventure.”
They also accept reprints.
Deadline: 1 August 2024
Length: 4,000-6,000 words
Pay: $0.01/word
Details here.WRITING EXERCISE
This one comes from Studio Binder:
“Here are a list of dialogue prompts. It doesn’t matter if you don’t know who the characters are yet, or which character a certain line would be good for. Try not to think about how this could fit into your already existing story, or what scene this should belong in, just write:
- “Why didn’t you answer before? I called you three times. Now you’re pretending like nothing happened.”
NYT
LINKS TO LEARN MORELarry Brooks, Story Engineering
https://heathercoxrichardson.substack.com/p/june-27-2024
SHOUT OUT!The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.
Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.
WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It's pretty awesome.
We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.
Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That's a lot!
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By Carrie Jones and Shaun Farrar
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Dogs are Smarter Than People/Write Better Now
Last week, we talked about pinch points both on the podcast and on the blog, and honestly? Nobody seemed super into it, but we’re finishing up this week. This post is going to be a bit more about the first part of act two of a three-act story, focusing on the time from the first pinch point to the midpoint.
Pause for a plea: Look, I know plot structure isn’t sexy the way character development or drama and obstacles and conflict are, but it’s super important. It makes a difference in your book wooing readers and in it wooing agents.
K.M. Weiland has a really lovely graphic that we’ve included in the podcast notes about where to put those pinch points.
Weiland is a bit of a goddess about structure and what she says about this first pinch point is this:
- It comes about 37% of the way into the story.
Right after this big and important pinch point, the hero of your story aka your protagonist moves into the section of the book that comes before the book’s halfway point or midpoint. Weiland calls this space from 37% to 50% a realization place and scenes for your character growth. The protagonist understand what’s going on a bit more. She starts to react with that knowledge informing her reactions and then her actions. Cool, right?
She writes, “In itself, the First Pinch Point does not reveal the true nature of the conflict to the protagonist. Rather, it foreshadows it by providing a peek at facts the protagonist has barely grasped as yet.”
She uses the movie ALIEN a lot to explain this. At the first pinch point, the crew realizes that the alien creature isn’t what they were thinking it was. Their choices start to be informed by that until the midpoint, which Weiland calls the MOMENT OF TRUTH.
At the midpoint in ALIEN that alien smashes its way out of one of the crew’s chest.
The truth of what they are dealing has exploded in the ship and on the screen (and on your novel’s page).
“It’s instructive when watching movies to observe the protagonist’s facial expressions prior to the Moment of Truth and then afterward. Before the Midpoint, he’ll often look baffled as he struggles to keep up with the conflict. Then the light dawns in his eyes at the Midpoint, and from that moment on, there’s a look of knowing determination on his face,” she writes.
Larry Brooks defines pinch points as “An example, or reminder, of the nature and implications of the antagonist force, that is not filtered by the hero’s experience.”
DOG TIP FOR LIFESometimes in life, your defining moments don’t come at the midpoint. - Mr. Murphy
So, what he’s saying is don’t think that there are certain points and ages in your life where you have to get things done. Life is not a book and it doesn’t need to be a three-act structure.
PLACE TO SUBMITThese are via Authors’ Publish.
Bannister Press: Other – the 2024 fantasy short story anthology
Bannister Press specializes in supernatural and fantasy stories loved by adults and young adults. For this fiction anthology, they only want submissions from writers who identify as women. “We are seeking international short story submissions by writers who identify as women for an anthology with a focus on what it means to be on the outside looking in, or comfortably or uncomfortably out of step with the world(s) at large, and with a fantasy element (either subtle or writ large). The story can be visually focused, or character/narrative focused, as long as it leaves the reader thinking about the story long after closing the book. We don’t want a lesson, we want an experience that makes us come alive. Humour is fine as long as it’s not about the mic drop.”
Deadline: 31 July 2024 (extended)
Length: Up to 3,500 words
Pay: $0.08/word
Details here.
DarkLit Press: In the Gallows Wake – A Pirate Horror Anthology
This is a fiction anthology of “piratical horror stories that are certain to plunge readers into the heart of darkness on the high seas, where cursed pirates and spectral ships reign with terror and betrayal, promising no soul safe passage through their nightmarish waters.” And, “Diverse voices in pirate stories transform the high seas into a vibrant canvas of human experience, weaving a rich tapestry that blends historical accuracy with untold narratives, ensuring every wave and whisper carries the weight of authenticity and boundless imagination. This approach not only breathes life into the sails of traditional tales but also charts a course toward a more inclusive and multifaceted exploration of freedom, identity, and adventure.”
They also accept reprints.
Deadline: 1 August 2024
Length: 4,000-6,000 words
Pay: $0.01/word
Details here.WRITING EXERCISE
This one comes from Studio Binder:
“Here are a list of dialogue prompts. It doesn’t matter if you don’t know who the characters are yet, or which character a certain line would be good for. Try not to think about how this could fit into your already existing story, or what scene this should belong in, just write:
- “Why didn’t you answer before? I called you three times. Now you’re pretending like nothing happened.”
NYT
LINKS TO LEARN MORELarry Brooks, Story Engineering
https://heathercoxrichardson.substack.com/p/june-27-2024
SHOUT OUT!The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.
Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.
WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It's pretty awesome.
We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.
Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That's a lot!
Subscribe