For anyone looking to get into the VFX business, it’s a good idea to have a realistic picture of what the day-to-day job involves. No one knows this more than a VFX supervisor for television. The “golden age” of TV has brought bigger sets, larger casts and gigantic budgets. Handling daily problems in-house or on set is what VFX sups do best. We talk with FuseFX supervisor, Jon Massey about the practical challenges of getting the right shots to make successful shows like Turn: Washington’s Spies, Hemlock Grove and True Blood.