10.21.2016 - By The Clark Hulings Fund
Sabin Howard is a classical figurative sculptor with over 33 years of experience. Known for his works of heroic scale, including Hermes, Aphrodite, and Apollo, the New Criterion has called him a “sculptor who’s work radiates a startling presence, while finding its roots in the classical past.” He’s part of the winning design team for the National World War I Memorial in Pershing Square Park, Washington DC, and he also offers drawing and design webinars in a digital format. Topics Include:
World War I Commission:
* The application process for public art commissions
* Public art as a part of a sustainable business
* Process for designing and creating a 75 foot-long bronze wall that represents World War I with 45 figures in a processional composition
* Communicating an idea in a way that will resonate with the general public
Collaboration:
* Learning to collaborate as a form of communication
* The process of rebuilding and ripping things a part
* An elevation of the compositional process
Art as a Business:
* “If I didn’t have a really, really high end product and I hadn’t spent 50,000 hours in front of a model over 33 years, no shortcuts … I wouldn’t have a business.”
* “As an independent artist, you have to decide how to create your own life.”
* “There is a creative aspect to entrepreneurship and business that I really wish more artists could see that.”
* “I have to do the business to drive the art.”
* Teaching drawing as a way of breaking the art market system.
Marketing & PR:
* “It’s about making an energetic connection with other people and talking about my mindset.”
* “Your greatest skill is your craft, but you’ve got to learn how to present yourself.”
* “Artists need to be able to share with people and create a value for that special talent that they have.”
* “As an artist, you need to go out and show that there’s a different version, there’s a different vision that is available and possible.”
* “It’s important that an artist be involved in showing their work and takes ownership of what he makes rather than have somebody else take over his business.”
Art World & Galleries:
* “You have this thing called “the art world”, art world is run by the status quo.”
* “Art is seen as a commodity. It’s seen as something that a lot of people will buy because it’s like a stock that will go up in value.”
* “The gallery system did function once, but it doesn’t anymore because the gallerist would encourage and push artists through the sales.”
* Started his own gallery for 7 months to sell his work publicly.
To continue receiving more critical educational material like this:
* Subscribe to our podcast on iTunes or Stitcher, or visit our Podcast Courses page. You’ll gain direct access to incredibly valuable insights and information from artists, collectors, and art-industry experts.
* Express your thanks with a gift to the Clark Hulings Fund, and help artists grow self-sustaining businesses that contribute to our economy and fill our world with art.
* Sign up (it takes less than a minute) for periodic updates on our courses and content.
* Write a review of the podcast on iTunes or <a href="http://www.stitcher.