Chris Tolley talks to playwright and performer Akosua Amo-Adem about her hit play Table for Two, a funny, candid, and deeply relatable look at modern dating. Set in Toronto and centred on Abby, a hopeful romantic navigating apps, expectations, and one bad date after another, the play explores the search for connection in a world that can feel both hyper-connected and isolating.

Akosua shares how the play grew out of real observations and research into dating-app culture, why humour is essential to telling this story, and what audiences respond to most when they see Abby onstage. Together, they talk about vulnerability, rejection, desire, and the pressure to find love on a timeline that doesn’t always match real life.

Table for Two by Akosua Amo-Adem.

Still carrying the sting of a major breakup, Abby is trying to reset and move forward, but it feels like her best friend’s love life is racing ahead while she remains stuck in the same exhausting dating cycle. With pressure building from family, friends, and her own expectations, Abby puts her hope in a promising new match and a long-awaited dinner at Lucia’s, a night that just might shift everything.

Cast: Bola Aiyeola, Ryan Allen, Meghan Swaby and Akosua Amo-Adem

Table for Two by Akosua Amo-Adem. 

If you’re interested in hearing more plays by Black female playwrights, check out the hit show Da Kink in My Hair by Trey Anthony, available on our feed.

“Ghanaian parents don’t talk about sex, and when they do, it’s not very helpful.”

Abena Ohemaa Frimpong is thirty-five, accomplished, and dating in Toronto. A Ghanaian Canadian woman with an impressive resume and a dating history that has taught her to manage expectations, Abby still shows up hoping this time might be different.

On the night she is meant to meet JD45, a man she has grown cautiously excited about, Abby arrives early and waits. As the table stays empty, the evening slips into memories of first love, missed timing, and the quiet pressure of a best friend’s engagement and a mother who wants answers. Faith, family, and romantic history all press in as the minutes stretch.

Abby sits with her phone in hand, the chair across from her untouched, and the possibility of connection hanging by a thread.

Cast: Bola Aiyeola, Ryan Allen, Meghan Swaby and Akosua Amo-Adem

Table for Two by Akosua Amo-Adem

If you’re interested in hearing more plays by Black female playwrights, check out the hit show Da Kink in My Hair by Trey Anthony, available on our feed.

Playwright Ins Choi joins Laura Mullin to talk about Kim’s Convenience, the play that eventually became the hit television series. Choi shares why he started writing the play, what it was like to spend years facing rejection, and how one chance meeting transformed the story he thought he was telling. He reflects on being a first-time playwright thrown into television, the full-circle moment of playing Appa after writing from the son’s perspective, and on Toronto’s talent that is often underestimated. It is a candid conversation about writing for the stage, adapting for TV, and how a small play became a cultural phenomenon.

Kim’s Convenience by Ins Choi

The Kim family is forced to face some uncomfortable realities. Appa confronts retirement after decades running the convenience store, while his daughter Janet refuses to follow his plans for her future. At church, Umma makes an unexpected connection that changes things for the family. When Janet's old friend shows up at the store and complicates matters, Appa's attempts to help predictably blow up in everyone's faces. This Kim's Convenience episode balances comedy with family drama as the Kims reach a crossroads they can't ignore much longer.

Cast: Ins Choi, Brandon McKnight, Esther Chung, Ryan Jinn, Kelly Seo

Kim’s Convenience by Ins Choi

One of the most iconic plays of its generation, Kim's Convenience by Ins Choi opens inside a Toronto corner store run by a Korean Canadian family. Later adapted into the global hit CBC and Netflix series, the play introduces Appa Kim, who rules his shop with stubborn pride, sharp opinions, and a deep belief that the store is the centre of the community.

As customers come and go, we meet Janet, his fiercely independent photographer daughter, whose life and ambitions sit at odds with her father's expectations. When an unexpected offer to buy the store appears, it quietly destabilizes everything Appa thought was certain. Meanwhile, Janet reconnects with Alex, a police officer who was once best friends with her brother Jung, whose long absence begins to take on new significance.

Featuring Ins Choi in the titular role of Appa, the comedy crackles even as deeper family tensions begin to surface.

Cast: Ins Choi, Brandon McKnight, Esther Chung, Ryan Jinn, Kelly Seo

Kim’s Convenience by Ins Choi

Listen to Prodigal, Paolo Santalucia's explosive family drama about power and privilege here.

PlayME is back with a major new season of audio drama, hosted by Laura Mullin and Chris Tolley.

Five acclaimed plays. Big performances. Theatre you can binge anytime, anywhere.

Leading the season is Kim’s Convenience by Ins Choi, one of the most celebrated plays of its generation. Set inside a Toronto corner store, this iconic family comedy is warm, funny, and deeply moving, exploring immigration, generational clash, and belonging through the lives of a Korean Canadian family. Adapted into a global CBC and Netflix hit, Kim’s Convenience is a modern classic.

Also featured this season is Table for Two by Akosua Amo-Adem, a sharp and relatable romantic comedy about dating and self-worth. The Drawer Boy by Michael Healey returns as a beloved classic exploring memory, trauma, and the power of storytelling. New by Pamela Mala Sinha is an urgent contemporary drama about love, family expectations, and identity. Rounding out the season is The Neighbours by Governor General’s Award winner Nicolas Billon, a gripping psychological thriller that asks how good people can become complicit in acts of cruelty.

Each audio drama is paired with exclusive conversations with the playwrights, offering insight into the stories behind the scripts.

Press play for unforgettable stories, powerful performances, and theatre made to listen.

Hosts Laura Mullin and Chris Tolley transform PlayME into an audio gala celebrating the Playwrights Guild of Canada’s Tom Hendry Awards, honouring the writers shaping the future of Canadian storytelling.

This special episode reveals the 2025 shortlists and features conversations with leading voices in the arts, including The Globe and Mail’s Aisling Murphy, composer and lyricist Kevin Wong, Young People’s Theatre Artistic Director Herbie Barnes, director and mentor Jillian Keiley, and National Arts Centre English Theatre Artistic Director Nina Lee Aquino.

Together, they explore the creative process, emerging trends, and why live storytelling continues to matter in a digital world.

Whether you love theatre or simply great writing, this episode offers an inspiring look at the people and ideas defining Canada’s cultural landscape.

Playwright Makram Ayache joins Chris Tolley to talk about growing up queer in rural Alberta. Hear about how the loss of Ayache's father influenced his acclaimed play The Green Line, and what it means to write from a place of “in-betweenness." 

The Green Line, nominated for a Governor General’s Award, is a lyrical journey through love, loss, and the legacy of queer identity across generations.

A poetic and heartbreaking story of intergenerational queer history in Lebanon begins. In present-day Beirut, Rami, a twentysomething queer Lebanese Canadian, returns to bury his father. Grieving and searching for meaning, he finds himself drawn to a queer nightclub—where a drag queen named Fifi, dressed as a phoenix, awakens a sense of connection. At the same time, we flash back to 1978, when a young man named Naseeb tries to flee Beirut’s civil war with his sister, Mona. But Mona is in love—and refuses to leave.

Featuring: Makram Ayache, Filsan Dualeh, Bahareh Yaraghi, Waseem Alzer, and Antoine Yared

“Ayache’s dialogue is decidedly lyrical . . . There are some truly beautiful images not just in the monologues but in simple exchanges.”- Louis B. Hobson, Calgary Herald

“An affecting, well-written piece by Edmonton playwright Makram Ayache . . . that travels to a surprisingly wide variety of places . . . a universal, first-class [play] more than worthy of your attention.”- Alan Kellogg, 12thnight

The Green Line by Makram Ayache.