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@pocketofstories | In conversation with Artist Sujatha Mohan
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"Chinese brush painting was something very new and was very liberating because you never knew where the ink went and where the paints went. So like you said, you know, it was always a happy accident if you got it right. If the accident was good, it was. The painting turned out beautiful. So I think in Singapore I, I think I was like really passionate. I wanted to Those are the days when I was contemplating becoming like, a professional artist, maybe."
"Chinese brush painting was something very new and was very liberating because you never knew where the ink went and where the paints went. So like you said, you know, it was always a happy accident if you got it right. If the accident was good, it was. The painting turned out beautiful. So I think in Singapore I, I think I was like really passionate. I wanted to Those are the days when I was contemplating becoming like, a professional artist, maybe."
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By swellcast.com/pocketofstoriesClick here to reply to @pocketofstories
"Chinese brush painting was something very new and was very liberating because you never knew where the ink went and where the paints went. So like you said, you know, it was always a happy accident if you got it right. If the accident was good, it was. The painting turned out beautiful. So I think in Singapore I, I think I was like really passionate. I wanted to Those are the days when I was contemplating becoming like, a professional artist, maybe."
"Chinese brush painting was something very new and was very liberating because you never knew where the ink went and where the paints went. So like you said, you know, it was always a happy accident if you got it right. If the accident was good, it was. The painting turned out beautiful. So I think in Singapore I, I think I was like really passionate. I wanted to Those are the days when I was contemplating becoming like, a professional artist, maybe."