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Podcast: Christian Bök’s process
I conduct experiments through language.
Christian Bök
Poetry in Process podcast, July 2019Hello poets and readers,
We’re
delighted to be able to bring you our second podcast, with experimental poet Christian
Bök. Christian’s approach to poetry is scientific. He uses experiments in
poetry to test ideas and capacities, unsure of outcomes. He has dedicated
himself to ‘formalistic innovations’ and ‘exploratory procedures,’ which means
that his work is intimately bound up with process.
Bök extends poetry’s range. His first book, Crystallography, ‘misreads the language of poetics through the conceits of geology’ (156). The geological processes described in the sequence ‘Geodes’, for example, includes self-reflexive injunctions and statements which create a form of process poetry – where the act of creating becomes part of the content. Scientific vocabulary is gathered for our aesthetic pleasure. If, in Wilfred Owen’s experience, the poetry is in the pity, in Bök’s it lies in the fluorescent algae mimicking constellations in a cave, where the author attempts to ‘saturate with new meaning / the dead layers of rock’ (48).
His
second book Eunoia has been hugely
successful, despite being a determinedly avant-garde collection. It has sold
over 20,000 copies and been reprinted 20 times. It uses extreme technical
constraints to test the boundaries or ‘limit cases’ of language in a way that
ultimately celebrates what language can achieve.
His most recent collection The Xenotext, Book 1 explores the encoding of genetic sequences into cells which ‘read’ a poem and become a machine for generating their own poem. This work further develops Bök’s relationship with the natural world in the context of taking ‘instructions’ from molecules and genetic sequences for the composition of poetry. Each of Bök’s projects have been years in the making and demonstrate the work of a poet committed to both craft and the future development of poetry.
Reference
Christian Bök, Crystallography (Coach House Books, 2003)
Christian Bök is the author of Eunoia (2001), a bestselling work of
experimental literature, which has gone on to win the Griffin Prize for Poetic
Excellence. Bök is currently working on The
Xenotext — a project that requires him to encipher a poem into the genome
of a bacterium capable of surviving in any inhospitable environment. Bök is a
Fellow in the Royal Society of Canada, and he teaches at Charles Darwin
University.
View all episodes
By Owen BullockI conduct experiments through language.
Christian Bök
Poetry in Process podcast, July 2019Hello poets and readers,
We’re
delighted to be able to bring you our second podcast, with experimental poet Christian
Bök. Christian’s approach to poetry is scientific. He uses experiments in
poetry to test ideas and capacities, unsure of outcomes. He has dedicated
himself to ‘formalistic innovations’ and ‘exploratory procedures,’ which means
that his work is intimately bound up with process.
Bök extends poetry’s range. His first book, Crystallography, ‘misreads the language of poetics through the conceits of geology’ (156). The geological processes described in the sequence ‘Geodes’, for example, includes self-reflexive injunctions and statements which create a form of process poetry – where the act of creating becomes part of the content. Scientific vocabulary is gathered for our aesthetic pleasure. If, in Wilfred Owen’s experience, the poetry is in the pity, in Bök’s it lies in the fluorescent algae mimicking constellations in a cave, where the author attempts to ‘saturate with new meaning / the dead layers of rock’ (48).
His
second book Eunoia has been hugely
successful, despite being a determinedly avant-garde collection. It has sold
over 20,000 copies and been reprinted 20 times. It uses extreme technical
constraints to test the boundaries or ‘limit cases’ of language in a way that
ultimately celebrates what language can achieve.
His most recent collection The Xenotext, Book 1 explores the encoding of genetic sequences into cells which ‘read’ a poem and become a machine for generating their own poem. This work further develops Bök’s relationship with the natural world in the context of taking ‘instructions’ from molecules and genetic sequences for the composition of poetry. Each of Bök’s projects have been years in the making and demonstrate the work of a poet committed to both craft and the future development of poetry.
Reference
Christian Bök, Crystallography (Coach House Books, 2003)
Christian Bök is the author of Eunoia (2001), a bestselling work of
experimental literature, which has gone on to win the Griffin Prize for Poetic
Excellence. Bök is currently working on The
Xenotext — a project that requires him to encipher a poem into the genome
of a bacterium capable of surviving in any inhospitable environment. Bök is a
Fellow in the Royal Society of Canada, and he teaches at Charles Darwin
University.