PodCastle

PodCastle 778: A Thousand Echoes in One Voice

03.14.2023 - By Escape Artists FoundationPlay

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* Author : Deborah L. Davitt

* Narrator : Dave Robison

* Host : Matt Dovey

* Audio Producer : Devin Martin

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Previously published by The Overcast

Rated PG-13

A Thousand Echoes in One Voice

by Deborah L. Davitt

 

You’ve snuck through doors that should have been locked to get here. Here, the subway station is silent, the kind of silence that comes deep underground, isolated from the hum of the human hive overhead. No electric lights. No neon. No vibrations. No voices. Not even a breath of moving air.

You’ve been in many such stations before; you’re ready, prepared. Heavy backpack of gear digging into your shoulders. Fingerless gloves, a frayed duster, steel-toed boots, the tread of which echoes back dully from the walls.

Sunlight streams in through skylights overhead, leaded panes set in loops and whorls like fleur-de-lis. The gold of the ancient brickwork warms to your touch, and the tunnel curves off into the distance like the spine of a living creature.

But the tracks lead into darkness. They always do, except when you’re on the trains.

You dig out the map you’ve been working on. As frayed around the edges as your duster. As your sanity sometimes feels. You check the red line against the violet one. Past and future, twining around each other. Check it against the faded map on the wall. The actual metro line map wouldn’t have been a help, but others have been through here. Others like you. They’ve left paint on the map, sketching in the track lines that they’ve mapped. Some of them tally with your own. Others trail off towards destinations that might not even exist. Some trackers are like that — they set up false trails. Give false information, to keep others away from what they’ve really found. You’ve done it yourself, once or twice.

And of course, some destinations that used to exist, don’t anymore. It’s the way things are.

This station’s been unused for decades, or so it seems. It’s a piece of the past, locked down forever. You can’t see signs of anything more recent than 1955. No debris, no crumpled beds of old newspapers used by rats or bums.

The few homeless that have broken past the locked access doors never make it far into the system. It’s from one of them that you first heard about the abandoned tunnels. You remember it as if it were yesterday, and in a real way, it was — a yesterday that’s lasted a thousand years. Wild, disordered hair, concealing the face beneath a nondescript hat. A checked shirt, probably picked up at a Goodwill, or from an unmonitored donation bin — you’ve worn the same, many times. An overcoat so weathered its original color had faded to gray, swallowing the figure. The clothes, the miasma of homelessness, erasing, effacing, all signs of identity.

But tight fingers caught your wrist. “You’d best be careful which stations you get off at, down there. Set a step wrong, and you’ll find yourself far from home.”

No request for loose change. No smell of booze on the breath. No reek of week-old sweat. Bright eyes suddenly peering from beneath that curtain of unkempt hair.

You’d pulled your hand back, detesting this invasion of your space. “I can find my way home just fine.”

“I know who you are. I know what you are. If you’re not careful, you’ll turn out just like me, you hear?” The hands had trembled. “Don’t get obsessed with finding the ones who built the secret tunnels.

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