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Get Through the Suck: The First 50 Episodes
Martin sits down with Phil Better (Phil Lemire), host of The Podcast Mogul’s Playbook, for a wide-ranging chat about what makes podcasting work. They argue for audio-first over the video push and talk about why post-production is where most shows fall over. Phil explains how to market a show without burning out, why he wears a “Phil Better” mask, and where AI helps and where it doesn’t. There are tangents on Kevin Smith, Kiki Palmer and Joe Rogan’s Spotify deal. Stick around to the end, where listeners get an official name.
Key takeaways
Mentioned in this episode
Connect
Find Your Own Style: Ignoring Podcasting's Common Wisdom with Matt Bliss -
In this episode, Marv talks with podcast producer, mentor and self-described philosopher Matt Bliss about how podcasting has changed since the pandemic pivot, and why he thinks the best advice is often the advice you tailor to yourself. Matt argues that "common wisdom" from the internet is mostly noise, that editing should serve the person and the subject rather than a standard of perfection, and that a podcast doesn't need to be defined by its technology. They also dig into the "video-first" debate, accessibility (including sign language in podcasting), and why Matt thinks AI is still a dumb intern that needs a human supervisor. Along the way, Matt shares the podcasts he loves and what he's building next.
Find Matt
Find Pods Like Us
The Heads, the Lawsuit, and the Long Road Back. How an Instagram Account Spooked a Band Reunion.
This time on Pods Like Us, Marv sits down with Rod Gordon, the man behind the podcast This Must Be Talking Heads, to talk all things Talking Heads — and the story behind the show itself.
Rod shares how an "unofficial" Instagram account he started in 2019 accidentally spooked the band into setting up their own page, the fallout from the divisive The Heads/No Talking, Just Head saga, and how the band's decades-long freeze finally began to thaw around the Stop Making Sense 40th anniversary reissue.
They dig into the "Big Band" era and Remain in Light, why Jerry Harrison might be the most underrated member of the group, the shift from the punk scene into new wave, and what it's actually like landing interviews with band members like Chris Frantz and Jerry Harrison. Rod also talks through the challenges of recording and editing a long-running podcast, designing the show's artwork, and the advice he'd give to anyone thinking about starting their own.
Whether you're a lifelong Talking Heads fan or just curious where to start, this one's a fun, deep dive into the band, the fandom, and the podcast built around it.
Find Rod and This Must Be Talking Heads at thismustbetalkingheads.com and on Instagram @thismustbetalkingheads.
Engaged Views and Disengaged Truths -
Pods Like Us Chronicles — Episode Show Notes
Host: Martin "Marv" Quibell
Episode Summary
Marv opens with a look at the World Humanoid Robot Games in Beijing (kicking off Saturday 22 August 2026), including a robot smashing Usain Bolt's 100m record and a musing on what happens when you put an LLM inside a humanoid robot. Then it's on to the week's podcast industry news: audiobook/podcast crossover, YouTube's changing definition of a "view," Spotify's new ad and skip-ahead features, AI's growing role in podcast discovery (and its occasional gaslighting), a tribute to John C. Dvorak, and more.
In This Episode
Industry Reads
Platform & Business News
Podcasting Craft & Community
Comicbook Nation Corner
Liquid Content, Skip Buttons, and a Memory Walk -
Episode Summary
This week Marv shares a personal reflection on a memory walk marking one year since his mum's passing, then runs through a jam-packed week in podcasting news — TrueFans, Spotify's skip button backlash, YouTube's tougher monetisation rules, a new AI voice platform, African podcast monetisation struggles, Disney's deal with The Overlap, and more. Plus: Marv reveals he used Claude AI to help tighten this week's script.
Timestamps
(Timestamps are approximate, taken from the transcript's minute markers — worth a quick check against the actual audio before publishing.)
Mentioned This Week
Credits
Distributed and sponsored by RSS.com. Find "Pods Like Us" wherever you get your podcasts, and all links at themarvzone.org
Risk, Rears, and Reverb
Marv reunites with two old friends from the Nottinghamshire music scene — Dolby Atmos mixing engineer Kurt Martinez and music educator/dementia-charity worker Rob Huskinson — for a wide-ranging chat about immersive audio, career risk-taking, and what it actually means to teach music in 2026.
Kurt walks through how he backed into podcast/audio-drama mixing via Audible's early Atmos launch, why documentaries and scripted drama get treated completely differently in the mix (stage-setting vs. free-roaming immersion), and the gunshot-and-bullet-trajectory example that shows just how precisely spatial audio storytelling can get. He also talks through mixing Kylie Minogue's latest album in Atmos — commuting with it on AirPods Max, checking it on a Sonos speaker while doing housework, and revisiting it recently on 7.1.4 headphones to see how it's held up.
Rob brings the conversation into music education, talking about designing a curriculum that starts from what's relevant to students now rather than working backwards from music history, and his work with Open Door, a Nottinghamshire dementia day service, where he helps organise carer support events (money management, physiotherapy, nutrition) alongside the day-to-day group sessions. There's also a candid stretch on ADHD, time management, and the different but complementary ways Kurt and Rob each work in a studio.
The three of them close on the value of informal networking ("smooshy events"), the risks each of them took to build a freelance/portfolio career, and what's next for each — including Season 2 of I Am Not Nicholas, out now.
In this episode:
Guests:
The Skip Heard Around the Podcasting World -
Spotify's "Skip Forward" fallout The big story of the week: Spotify's new ad-skipping option for premium users, first flagged by James Cridland (PodNews) and picked up by Elsie Escobar and Rob Walch on In and Around Podcasting. Marv unpacks why it's such a headache for ad-supported podcasters, traces it back to Spotify's 2018 "Active Media" experiment in Australia, and previews Neil Veglio's upcoming Podmastery episode (Monday 10th August) on how creators might respond — including making shows "less skippable."
Sodajerker Songwriting Lab — quick announcement A special one-day workshop from Bri and Si of Sodajerker on Songwriting, Friday 4th September at the Royal Birmingham Conservatoire, with songwriters Sacha Skarbek and Ben Parker. Small groups, hands-on writing, open to songwriters of any level. Details and booking: sodajerker.com/lab
Meta's $942 million New Mexico ruling A New Mexico judge has ordered Meta to pay $567 million on top of an earlier $375 million penalty, bringing the total to $942 million over harm to children and teens on Facebook and Instagram. The ruling also mandates stronger age verification, safety education, and deletion of under-13 user data. Marv connects this to the wider question of platform design and engagement, and what it might mean for podcasters who rely on social media for discoverability.
Musical tangent: Yazoo, Alison Moyet, and Prefab Sprout Prompted by a Stephanie Fuccio Substack post about the band Yazoo (Yaz in the US) and singer Alison Moyet ("Alf"), Marv goes down a musical trivia rabbit hole — including a nod to Paddy McAloon of Prefab Sprout, whose reported perfectionism has allegedly kept several albums unreleased.
Around the podcasting Substacks
Housekeeping An apology for a missed Wednesday episode due to a tricky multi-part edit, plus thanks to sponsor RSS.com.
After the sign-off A trailer for Keep the Flame Alive, the Olympics and Paralympics podcast.
Marv opens with a trailer for the podcast, But You Can't Stay Here, about a move from the US back to Lima, Peru in 2024 and the pull between two homes as their three-year anniversary approaches. He follows with two bonus clips: a 2025 conversation with Arielle Nisenblatt about her podcast-listening habits, and a fresh chat with old bandmates Rob and Kurt about mixing immersive/Atmos audio for podcasts. The rest of the episode is Marv's usual week-in-review of the podcasting world — new gear patches, industry layoffs, newsletter drama, and a stack of recommended listens.
Shows & People Mentioned
• But You Can't Stay Here
• WTF with Marc Maron, On with Kara Swisher, Daily Zeitgeist, The Brian Lehrer Show, Secretly Incredibly Fascinating, Today Explained, The Puzzler
• Earbuds Podcast Collective newsletter — Arielle Nisenblatt
• I Am Not Nicholas (Audible/BBC)
• Podnews Daily — James Cridland
• The Download — Sounds Profitable, Gavin Gaddis
• Ken Michael's Radio Hour
• Toppermost of the Poppermost (Marv, Ed, Kit)
• Open Door (dementia support charity)
• Podbites newsletter
• Royal Swindle — Blanchard House, Becky Milligan
• Stephanie Fuccio / GeoPats podcast
• Comicbook Nation
• Into the Podverse — Tony Doe
• Belief in the Future
• AI Girls Club
• Jacob Reed and Me
• The Good Quest
Links
• themarvzone.org
• newsletter.earbuds.audio
On the Tip of My Tongue: Jonathan Hirons on Aphasia, Advocacy, and Podcasting
This episode, Marv sits down with Jonathan Hirons, host of the podcast On the Tip of My Tongue, to talk about aphasia — a communication disorder that affects language but not intelligence or memory — and how it shaped his life and work.
Jonathan shares the story of the sudden stroke that left him with aphasia, the speech and language therapy that followed, and the vital role his wife played early on using flashcards to help rebuild his vocabulary. He and Marv discuss why aphasia remains so poorly understood despite affecting more people than Parkinson's disease, and why groups and community support make such a difference for people relearning to communicate.
The conversation also traces how Jonathan's aphasia documentary evolved into a podcast, why he brought on co-host Rob Edwards to handle scripted segments, and how the show balances lived experience with expert insight. They wrap up comparing notes on production workflows, episode artwork, and the "teaser hook" technique both shows use to draw listeners in.
In This Episode
● What aphasia is, and why it's known as a "hidden disability"
● Jonathan's personal story: sudden onset, hospitalization, and diagnosis
● The road through speech therapy and relearning to read, write, and speak
● Why community groups are key to rebuilding confidence
● How a documentary film became a podcast
● Behind-the-scenes: recording with Zoom, editing in Reaper, publishing via Buzzsprout
● The importance of podcast artwork and episode "teasers"
● Where to find On the Tip of My Tongue and how to support the show
Links & Contact
On the Tip of My Tongue: tipofmytonguefilm.com
Email Jonathan: [email protected]
Find Jonathan on Instagram, Facebook, and LinkedIn
Pods Like Us
Contact: [email protected]
All links and socials: themarvzone.org
Mercedes vs. Ford: The Great Podcast Artwork Debate -
Marv (Martin Quibell) rounds up a busy week in podcasting, featuring a special roundtable on episode artwork with NJ Belenky (PodBiz) and Neil Veglio (PodKnows, Podmastery), plus the usual roundup of podcasting news, links, and listens.
Panel: Should You Change Your Episode Artwork? (The "Mercedes vs. Ford" Question) Marv is joined by NJ Belenky and Neil Veglio for the first in an occasional series answering listener questions. Kevin Brown (host of Seaside Pod Review, The Tom Petty Project, and Ultimate Catalog Clash) asks whether shows should use one consistent piece of artwork ("Mercedes approach") or unique artwork per episode ("Ford approach").
Trailer A trailer for Creatures of the Wind, created as part of the July Podcast Prompt Challenge, plays out the episode.
Links & Mentions
Get in touch: Questions for future roundtable episodes → [email protected] Find the show: themarvzone.org Sponsor: RSS.com
From the publisher's feed
Martin 'Marv' Quibell talks to different podcasters each week about their different shows.