In this episode, Resettlement and Integration Counselor, Natalia Ibañez sits down with artist and entrepreneur, Hiba Yassin.
The two discuss how Hiba got into working with yarn, how she incorporates her Palestinian identity into her work, and what its like being an entrepreneur!
To learn more about Hiba's work, visit: https://www.instagram.com/gharze_o_darze/

In this episode, Resettlement and Integration Counselor, Natalia Ibañez sits down with artist and entrepreneur, Hiba Yassin. The two discuss how Hiba got into working with yarn, how she incorporates her Palestinian identity into her work, and what its like being an entrepreneur! To learn more about Hiba's work, visit: https://www.instagram.com/gharze_o_darze/

Point of Entry into We are More (2/2)

The Refugee Centre presents Point of Entry, which explores the experiences and challenges faced by many newcomers at various stages in their journey. Transcending borders, this podcast offers an exclusive into the voices behind the numbers and the policies behind the actions. Travel alongside The Refugee Centre (therefugeecentre.org) as our alternating hosts and guests discuss resettlement in Canada and the inner workings of grassroots organizations.

Created in partnership with The Innovation Institute (tiicanada.org) and sponsored by the Canadian Race Relations Foundation (crrf-fcrr.ca)

Society & Culture

The Refugee Centre presents Point of Entry, which explores the experiences and challenges faced by many newcomers at various stages in their journey. Transcending borders, this podcast offers an exclusive into the voices behind the numbers and the policies behind the actions. Travel alongside The Refugee Centre (therefugeecentre.org) as our alternating hosts and guests discuss resettlement in Canada and the inner workings of grassroots organizations. Created in partnership with The Innovation Institute (tiicanada.org) and sponsored by the Canadian Race Relations Foundation (crrf-fcrr.ca)

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Point of Entry into We are More (2/2)

Point of Entry into We are More (2/2)

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