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When I first visited Kay Ogilvie’s studio, the diversity of her work immediately caught my attention. I loved the massive bats hanging upside down – as they would, of course – but what really stood out was how varied everything was. If you spread her pieces across a gallery floor without any labels, you’d be forgiven for thinking they were made by a group of different artists. In my humble opinion, that’s part of Kay’s magic.
www.coromind.nz
By CoromindWhen I first visited Kay Ogilvie’s studio, the diversity of her work immediately caught my attention. I loved the massive bats hanging upside down – as they would, of course – but what really stood out was how varied everything was. If you spread her pieces across a gallery floor without any labels, you’d be forgiven for thinking they were made by a group of different artists. In my humble opinion, that’s part of Kay’s magic.
www.coromind.nz