Rhythm is then always vital, for it always departs from metre and measure to link those critical moments of passage when things unfold while in metamorphosis, and when the process of tuning oneself consists in finding not only the transitional pitch necessitated at a given moment – motion – but also one's own (many-and/in-one-) pitch – rest.

The struggle of positionalities may in the end be said to depend upon the accurate tuning of one's many selves.

–– TRỊNH THỊ MINH HÀ / AN ACOUSTIC JOURNEY

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