A stranger to none in our corner of the musical world, Qeone has quickly become one of those must listen labels for each release that comes by our proverbial desks. Fantastic sound design, jazz-like tempos and improvisation mean molds are constantly being broken and rebuilt in the artists’ imagination. This focus on experimentation and fresh ears has laid the groundwork for a hotbed of creativity. A label is very much a reflection of those that run it, to the surprise of none Polygonia aka Lindsey Wang heads the imprint, and I can’t think of a better example of this concept. Simply her production chops, curatorial skills, work ethic, and attention to detail are all constantly on display with this project. Not even to mention the artwork, which she also creates for each release.

For Qeone’s sixth and final release of 2025, Lindsey looks to Mexico City via Berlin based Viiaan and her forthcoming EP titled ‘Taiko’. Japanese for drum, the four tracker is a raucous affair, with bright percussion leading the way through syncopated tempos and an upbeat energetic atmosphere that gets the body moving.

Rounding out the EP is Azkhar, a four minute wild ride through esoteric melodies and what seems like a molding of genres. Is it half-time, is it breaks, is it tribal bass, who knows. The results speak for themselves as heavy bass elements rumble under as the label states, ‘rhythmical chopped reese drones and flowing tribal grooves.’

Azkhar and the remainder of the Taiko release will be out on the 4th of December.

@viiaan

@qeone

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www.instagram.com/qeone.rec/

Write up by @huedj

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