Rachel Dickstein, Artistic Director of Ripe Time, takes us through her experience with Center Theatre Group’s completion commission for their adaptation of SLEEP. She also spotlights some necessary and helpful relationships with tour presenting partners, the Association of Performing Arts Professionals, as well as champion and friend Diane Rodriguez.

Process Performances and the Completion Commission

Focused on collaboratively creative performance companies, From the Ground Up connects with theatremakers to understand the artistic, financial, and social sustainability of physical, devised, and ensemble-based processes. Previous topics include hands-on devising practices, aesthetic principles, financial oversight, academic and community partnerships, nonprofit and philanthropic navigation, social justice, festival culture, and touring. To showcase examples for American ensemble practitioners, this podcast documents the individual roadmaps and efforts of makers from around the world.

This series draws upon Host/Producer Jeffrey Mosser’s experience as ensemble creator, director, and producer, and his passion for this form as a vital part of the theatrical landscape.

Arts

Performing Arts

Focused on collaboratively creative performance companies, From the Ground Up connects with theatremakers to understand the artistic, financial, and social sustainability of physical, devised, and ensemble-based processes. Previous topics include hands-on devising practices, aesthetic principles, financial oversight, academic and community partnerships, nonprofit and philanthropic navigation, social justice, festival culture, and touring. To showcase examples for American ensemble practitioners, this podcast documents the individual roadmaps and efforts of makers from around the world. This series draws upon Host/Producer Jeffrey Mosser’s experience as ensemble creator, director, and producer, and his passion for this form as a vital part of the theatrical landscape.

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Process Performances and the Completion Commission

Process Performances and the Completion Commission

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