We talk with Stuart Wilson about his work as Production Mixer on the extremely challenging set of Sam Mendes' epic film 1917.  The films long continuous shots presented new and unique obstacles (both physical and technical).  He also worked on two other recent films in The Two Popes and Star Wars: The Rise of Skywalker.  Since we recorded this interview Stuart Wilson has won the Best Sound Mixing Oscar for his work on 1917.

126 - Production Mixer Stuart Wilson on 1917

Tonebenders is a Sound Design podcast dedicated to covering the worlds of sound editing, field recording and audio post production for film, television and gaming.  Through interviews and experiments we delve into everything from foley to plugins.  Check us out at www.tonebenderspodcast.com

TV & Film

This show hits hard! Invincible may be an animated series, but it is definitely not for young kids.  There are real consequences here, characters die, battles leave marks.  The sound design has to be big and impactful to match the powers of the super heroes going toe to toe on screen.  Punches are huge, explosions really go BOOM.  Blood rains down.  Supervising Sound Editor Brad Meyer, Re-Recording Mixer Jeff Shiffman and Sound Effects Editor Katie Jackson tell us the secrets behind the sound design of the punches, the endless blood, inter-dimensional portals and lots more.
Show Notes: https://tonebenderspodcast.com/265-invincible/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

265 - Invincible

How do you use sound to amplify feelings of awkwardness and discomfort? In The Curse the sound design is tasked with making the viewers skin crawl in a very unusual way. The series is not horror, but there are times you feel you have to look away. Long silences (that are never actually silent!) lead to unexpected emotions in both the characters on screen and those watching at home. The show's main characters, played Emma Stone, Benny Safdie and Nathan Fielder, lie to themselves and each other while their lives spiral as a result. It is quite a ride. Re-recording mixers Tim Hoogenakker and Larry Benjamin are joined by Production Sound mixer Phillip Bladh to explain how they captured and sculpted the sound to be an emotion driving force for the series.
Show Notes: https://tonebenderspodcast.com/264-the-curse/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

264 - The Curse

How much Fun would it be to have the opportunity to record one of the few working B17 "Flying Fortress" planes that are still operational? The sound team from AppleTV's "Masters Of The Air" got to do just that.  They were able put 60 microphones all over the B17, to record every part of it that made a noise.  Then they took those sounds back to the sound editorial team and turned the recordings into to the amazing sound design of the intense air battles featured in the series.  Supervising sound editor Jack Whittaker and re-recording mixers Michael Minkler & Duncan McRae tell us all about the challenges this series presented and the ways they met them.
Show Notes: https://tonebenderspodcast.com/263-masters-of-the-air/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

263 - Masters Of The Air

Today marks the opening weekend for Furiosa: A Mad Max Saga, a prequel for the character first introduced in MadMax: Fury Road.  So it seemed like a perfect time to reach into our archives and go back to May of 2015, when we did an episode with Oliver Machin about his work on Fury Road. Hear his amazing story of how the sounds of the vehicles used in the film, were recorded in the African desert days before they were destroyed in principle photography. It is one of my all time favourite Tonebenders episodes. As a bonus, Mark Mangini makes a short appearance discussing how important these recordings were to the final soundscape of the film.  Make sure to go to our website to this episode's homepage (link below) to see dozens of fascinating pictures of Oliver recording the vehicles.
Show Notes: https://tonebenderspodcast.com/262-mad-max-fury-road-with-oliver-machin-re-podcast/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Hosts This Episode: Timothy Muirhead & René Coronado

262 - Mad Max: Fury Road with Oliver Machin (Re-Podcast)

How do you tackle sound design for a massive car chase scene, that has a fist fight happening on top of the vehicles? For director David Leitch's new film, The Fall Guy, the sound editorial team had their hands (ears?) full to make the movie sound as good as it looked.  In this conversation they go down the road, on how to make a car crash sound impactful, what tools they use for cleaning up tricky dialog and how they deliver the reverb treatments for their sound design to the mixing stage. After that (37:40) Lewis Thompson joins to talk about the upcoming AIrCon virtual audio conference happening from June 10th-14th, 2024. For more info go to www.airwiggles.com
Show Notes: https://tonebenderspodcast.com/261-the-fall-guy-sound-editorial-team/

Podcast Homepage:  https://tonebenderspodcast.com

Tonebenders Host This Episode: Timothy Muirhead

126 - Production Mixer Stuart Wilson on 1917

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