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What happens when you're writing up your program for your concert and realize that you programmed the same arranger/composer over and over again across groups (or even in the same group)? Is this a problem, are there ways around it? Veronica posits it's okay to hang out in Sweeneytown as its the music thats most important.
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What happens when you're writing up your program for your concert and realize that you programmed the same arranger/composer over and over again across groups (or even in the same group)? Is this a problem, are there ways around it? Veronica posits it's okay to hang out in Sweeneytown as its the music thats most important.