I interviewed Meta XR producer Ryan Genji Thomas at Venice Immersive 2023. Check out all of the Quill pieces, narrative apps, and Horizon worlds that Ryan has produced down below and check out more context in the rough transcript below as well.



Narrative animation experiencesYearTitleStudio/Creator2019The RemedyDaniel Martin Peixe2020Tales from Soda Island - Chapter 1: The Multiverse BakeryStudio Syro2020The ReservoirMaiden InteractiveRic Carrasquillo2020Cube Farm (ep 1)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Cube Farm (ep 2)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Cube Farm (ep 3)Two Trick PonyDir. Tory Stanton, Scott McCabe2020Tales from Soda Island - Chapter 2: The Neon JungleStudio Syro2020Goodbye Mr. OctopusAtlas V x Studio GepettoDir. Amaury Campion2020The BeastBlue Zoo AnimationDir. Grant Berry, Dave Winn2020Lifetime AchievementParade AnimationDir. Yonatan Tal2020Four StoriesNick Ladd2020Tales from Soda Island - Chapter 3: The Quantum RaceStudio Syro2021Peace of MindBlue Zoo AnimationDir. Ben Steer2021Kteer TayyebSamia Khalaf2021Tales from Soda Island - Chapter 4: The Golden RecordStudio Syro2021RebelsFederico Moreno Breser2021NightMara Ep.1So Meta StudiosDir. Gianpaolo Gonzalez2021_HELLOSamuel Klughertz, Nicolas Capitane2021Tales from Soda Island - Chapter 5: The School TripStudio Syro2021NamooBaobab StudiosDir. Eric Oh2022Lustration Ep.1New CanvasDir. Ryan Griffen2022Lustration Ep.2New CanvasDir. Ryan Griffen2022Lustration Ep.3New CanvasDir. Ryan Griffen2022Lustration Ep.4New CanvasDir. Ryan Griffen2022Mescaform HillEdward Madojemu2022NightMara Ep.2So Meta StudiosDir. Gianpaolo Gonzalez2022Tales from Soda Island - Chapter 6: SilenceStudio Syro2022Tales from Soda Island - Chapter 7: The First IngredientStudio Syro2023ReImagined - Volume I: NyssaVery CavaliereDir. Julie Cavaliere2023ReImagined - Volume II: MahalVery CavaliereDir. Michaela Ternasky Holland



NARRATIVE APPSYearTitleCreator(s)2017Dear AngelicaOculus Story StudioDir. Saschka Unseld2017Baba YagaBaobab StudiosDir. Eric Darnell2023Wallace & Gromit in "The Grand Getaway"Atlas V x AardmanDir. Finbar Hawkins, Bram Ttwheam2023(confidential)(confidential)



HORIZON WORLDSYearTitle2022Creepy Cabin2022Dead End Drive-In2022Neon Arena2022Shaqtacular Spectacular2023(confidential)2023(confidential)2023(confidential)











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Music: Fatality

#1300: Prolific Meta XR Producer Ryan Genji Thomas on VR Storytelling Innovations with Animation

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The 77th edition of the Cannes Film Festival is featuring an inaugural Immersive Competition with eight pieces in competition along with six pieces outside of competition. I had a chance to speak with Elie Lavasseur, the Head of Immersive Competition Festival de Cannes, to get a bit more context for how this came about, their curatorial intention, and an overview of the program. I've had a chance to see 5 out of the 8 pieces in competition, and all 6 of the non-competition pieces curated by Atlas V in an exhibition titled "exhibition 'exhibition 'Cinema Beyond the Frame: An Introduction to Virtual Reality'. I'll link my Voices of VR podcast coverage down below.




https://www.youtube.com/watch?v=uh7XTZNtzGs




Immersive Competition for Festival de Cannes:




Evolver -- #1104: Tribeca XR: “Evolver” is an Awe-Inspiring Fluid Dynamics Simulation of Human Blood Flow Giving an Embodied Experience of Interbeing



Colored --  #1251: From Book to Play to AR Installation, “Colored” Explores the Forgotten Segregation History of Claudette Colvin



Maya: The Birth Of A Superhero -- #1244: “Maya: The Birth” Animation Uses Mythic Symbols & Magical Realism to Explore Menstrual Taboos as well as #1379: “Maya: The Birth of a Superhero” Evolves Storytelling Grammar with Magical Realism, Dream Logic, & Interactive Embodiment



Traversing The Mist -- #1325 End of Tung-Yen Chou’s Gay Sauna Trilogy with “Traversing the Mist”



Human Violins: Prelude (Multi-user Version)



En Amour



Telos I



The Roaming




Immersive Selection of Non-competitive works:




Notes on Blindness (2016) -- #1068: “Notes on Blindness” VR Experience Receives a Legacy Peabody Award for Interactive Storytelling



Battlescar (2018) -- Unpublished interviews coming soon 



Spheres (2018) -- #617: Journey into a Black Hole with “SPHERES: Songs of Spacetime”



Gloomy Eyes (2019) -- Unpublished interview coming soon 



Missing Pictures: Naomi Kawase (2022) -- #1103: Tribeca XR: Translating Unmade Films into Spatialized VR Story Treatments with “Missing Pictures”



Emperor (2023) -- #1276: Beautiful “Emperor” Explores Aphasia Communication Gaps with Compelling Interactions

#1390: First Edition of Cannes Film Festival Immersive Competition with Elie Lavasseur

One of the most common ways to describe the experience of VR is through the lens of presence, and in this episode I'm going to do a deep dive into the existing academic literature of presence in order to more fully contextualize my approach to it. This is my Storycon 2022 keynote where I elaborate on my elemental approach to presence as well as my thoughts on experiential design and immersive storytelling. I use the four archetypal elements to break down presence into four primary components where fire represents active presence, air represents mental and social presence, water represents emotional presence, and earth represents embodied and environmental presence. And I use the lens of quality, context, character, and story to explore the fundamental components of experiential design.



I started to develop my approach to presence through a number of Voices of VR podcast interviews in the fall and winter of 2016, and I was then introduced to the work of Dustin Chertoff, whose presence work from 2008-2010 draws upon the field of experiential marketing. He similarly boils presence down into the components of Active Presence, Cognitive Presence, Relational Presence, Affective Presence, and Sensory Presence. When I interviewed Chertoff in February 2017, we agreed that our approaches to presence were functionally identical. I then went on to present my preliminary ideas on presence at a Silicon Valley Virtual Reality conference keynote in March 2017, and I've continued to develop these ideas over the past 5-7 years.



I gave this Storycon Keynote on May 5, 2022, which happened to be the 8th-year anniversary of the Voices of VR podcast. Now two years later, I'm celebrating my 10-year Voices of VR podcast anniversary in part by airing this talk as well as a few others. I consistently refer folks to it as one of my more fully-formed and rigorous elaborations that I've given of my elemental theory of presence. I not only contextualize it with Chertoff's work, but also with the broader body of academic presence research and it's history. 



I would often find there were would be different presence theories talking about some of the same concepts, but using different terminology. In this talk, I take an archetypal approach that synthesizes these different frameworks through an archetypal lens. At times it can be a bit laborious reciting an archetypal complex of keywords, and there are definitely sections of this talk that are probably better off read than spoken. So I'd highly recommend also checking out the video version as well as the PDF of the slides, and/or the fully-annotated transcript in the shownotes that includes the embedded slides and linked citations. 



That all being said, be warned that this is still probably way too dense for an hour-long talk, as it's more like an entire semester's worth  of material. It's also probably closer to a Ph.D. defense than a synthesized book or practical handbook that's ready for prime time. As with many other aspects of XR, many theoretical aspects are still developing, emerging, boundaries being pushed, and rules being broken. So it's in that spirit that this is my latest fully-formed iteration of these ideas.



This talk also leans more into the theoretical parts, and some of the more practical applications often come within the context of individual interviews where the context is a lot more bounded to a specific situation, experience, or story. Be sure to check out my 30+ hours of coverage from Venice 2023 as an example for how I've put these ideas into practice. 







It's been through many invited lectures and keynotes around the world where I've been able to develop these ideas by engaging with audiences and interviewing thousands of creators over the past decade. At some point,

#1389: Elemental Theory of Presence + Primer on Experiential Design& Immersive Storytelling

May of 2024 marks the ten-year anniversary of the Voices of VR podcast, and I wanted to air a featured session that I presented at SXSW 2023 called "The Ultimate Potential of VR: Promises and Perils." This is a 45-minute talk that distills down the biggest insights from my 3-hour episode #1000 of the Voices of VR podcast, which aggregated 120 of the best answers to the question of "What is the ultimate potential of VR, and what it might be able to enable?" This talk synthesizes all of the most exciting potentials as well as scariest perils, and provides an annotated roadmap of my coverage over the past decade on the Voices of VR podcast.



Back in 2016, I synthesized the first 400 answers to the question of the ultimate potential of VR in order to map out the contextual domains of virtual reality within a Silicon Valley Virtual Reality conference talk. I also use the same contextual mapping within my XR Ethics Manifesto talk in 2019, which a summary can be seen in my Landscape of XR Ethics talk that I featured in the previous episode. I provide a lot more background to this archetypal mapping of contexts in a forthcoming paper titled "Privacy Pitfalls of Contextually-Aware AI: Sensemaking Frameworks for Context and XR Data Qualities" that will hopefully be published sometime in 2024.



This Ultimate Potential of VR talk combines both the promises and perils exploring both the benefits and risks of XR through these different contextual domains. I have also added a categories section on my VoicesofVR.com website that uses this same contextual framework as a taxonomy to classify over 1000 episodes. I'm still in the process of tagging my entire backlog, but this talk should provide a good overview to this contextual taxonomy if you want to dive deeper into more episodes across any of the different areas. Again, you can explore these different sections by navigating to the categories section of my website.



I also just uploaded a new video version of this talk with some updated slides and citations. Because I do rely heavily on about 140 slides throughout this talk, then I do highly recommend either watching the video version, listening along with the PDF of slides, or reading through the show notes afterwards where you'll find a full transcript with all 140 slides embedded throughout the transcript as well as links to over 170 of the footnotes and citations with hyperlinks.  The podcast version and write-up will also include the Q&A; session that happened after the talk at SXSW.  



I also wanted to elaborate on one other point about my motivation in putting together this talk. Over the past decade, there's been a persistent cycle where each year there's some journalist or tech pundit who pre-maturely declares the death of virtual reality. Now there have not been very many clear objective metrics to help quantify what's been happening in the broader XR industry to the outside world, which has made it difficult to establish a broad consensus as where the XR industry is at and how it might be evolving. But it's also also fostered an environment where skepticism about XR generally has been able to persist. 



After conducting over 2000 oral history interviews with XR creators over the past decade, it's given me many insights about the underlying affordances of the XR medium across many different contextual domains, which can be difficult to summarize or even communicate. That's what I hope to do in this talk. I wanted to lay out the evidence for why I believe virtual reality and spatial computing more broadly is a compelling enough medium to persist throughout these cycles of skepticism, and eventually find real utility throughout the full spectrum of the human experience. I actually have no idea when virtual reality may become a mass medium that's completely ubiquitous,

#1388: Ultimate Potential of VR: Promises & Perils Featured Session from SXSW 2023

This is a 19-minute talk that I gave at Laval Virtual 2023 that is summarizing the work that I've done on XR Ethics over the past ten years. There's around 60 slides in this talk, and so you may prefer watching the video version over on YouTube for the full multi-modal experience, or this audio-only podcast version includes the Q&A; session at the end. And you can also check out the show notes for this episode that has each of the slides embedded within the full transcript along with all of the linked footnotes in case you'd like to dig into the full context of any one of these topics. 




https://www.youtube.com/watch?v=-bab0CM7zK4




There's a lot of ground that I attempt to cover within my 15-20 minute allotted time slot at Laval Virtual 2023, but this should provide a high-level roadmap to how I see the landscape of XR ethics. The landscape of XR ethical considerations is also an ever-expanding area, and so this is far from a complete treatment, but hopefully covers some of the major issues that I've been covering on the Voices of VR podcast over the past decade. 



This talk at Laval Virtual was on Apr 13, 2023, which was a month after my Featured Session at SXSW on March 12, 2023 about The Ultimate Potential of VR: Promises & Perils. That talk explored both the exalted potentials of XR as well as the more troublesome perils, and this talk was focusing on just the perils. They both use a contextual framework that I elaborate more on within an upcoming paper titled "Privacy Pitfalls of Contextually-Aware AI: Sensemaking Frameworks for Context and XR Data Qualities" that was written for the Existing Law and Extended Reality Symposium at Standford Cyberpolicy Center in January 2023, and will hopefully be published later this year. 



So with that, let's go ahead and dive right in!







[1]



My name is Kent Bye, and I do the Voices of VR podcast. And today, I'm going to be doing a tour in the landscape of the XR moral dilemmas and ethical considerations.







And I'm attempting to cover all of the XR ethical moral dilemmas within the next 15 to 20 minutes [obviously not all of them, but a high-level sampling]. And so it's pretty ambitious. I do have the slides available with lots of footnotes.`







I've been doing the Voices of VR podcast since 2014. And so I've recorded over 2,000 interviews and published over 1,200 of them, so just over 2 thirds of them that I've recorded.







[2]



And in the process of talking to a lot of folks within the XR community, there's naturally been a lot of different ethical and moral dilemmas. And so this is like a broad overview of the landscape of XR ethical and moral dilemmas. And so I'll be diving into each of these, but this is just to give you a bit of a sense of the landscape.







[3]



And it actually takes me back to Laval Virtual back in 2019, where I was brought out to brainstorm with a group of folks…







[4]



some of the different ethical and moral dilemmas. And so we have lots of these post-it notes. And so we're struggling with how do we start to organize the whole landscape of all these different ethical and moral dilemmas.







[5], [6]



And so In SVVR in 2016, I had given a presentation trying to map out the ultimate potentials of virtual reality of all the different domains and industry verticals and potentials. And so I asked people at the end of every podcast,

#1387: Landscape of XR Ethics: A Retrospective Presentation by Kent Bye

The contributing editor and co-founder of fxguide Mike Seymour invited me onto his fxpodcast to share some of my thoughts on the Apple Vision Pro, the ecosystem differences between the Quest and Vision Pro, the potential for different killer apps, and where we see it going in the future. This is a rebroadcast of fxpodast episode #368, but with some additional context about Seymour's work with digital humans as well as the training application that he's developing on the Apple Vision Pro.



I still see the Vision Pro primarily as a developer kit, but there are certainly many productivity & screen replacement as well as media consumption use cases. I'm hoping to do some more coverage of the Vision Pro here soon, including airing an interview with Resolution Games' Tommy Palm about their development of the Game Room application produced by Apple. 



Apple announced yesterday that they'll be announcing some new products on May 7th likely including the Apple Pencil 3 given Tim Cook's X/Twitter post saying "Pencil us in for May 7! ✏️ #AppleEvent, and also "revamped versions of the iPad Pro and Air, according to people familiar with the matter" per Bloomberg's Mark Gurman. I expect more Apple Vision Pro updates and news to be given at WWDC on June 10-14, and a first-look at how the broader XR industry is adopting the Apple Vision Pro at Augmented World Expo (AWE) on June 18-20, which I unfortunately will not be able to attend due to a family medical situation. 











This is a listener-supported podcast through the Voices of VR Patreon.



Music: Fatality

#1300: Prolific Meta XR Producer Ryan Genji Thomas on VR Storytelling Innovations with Animation

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