<p>We talk to Roise Goan, director of <a href="https://dublintheatrefestival.ie/dtf-news/roise-goan-announced-as-artistic-director-chief-executive-of-dublin-theatre-festival/">Dublin Theatre Festival</a> about the practical challenges of being a producer in the realm of theatre, the economic issues in play, criticality, how administration can creative, and trusting audiences.</p>

We talk to Roise Goan, director of Dublin Theatre Festival about the practical challenges of being a producer in the realm of theatre, the economic issues in play, criticality, how administration can creative, and trusting audiences.

<p>We talk to Roise Goan, director of <a href="https://dublintheatrefestival.ie/dtf-news/roise-goan-announced-as-artistic-director-chief-executive-of-dublin-theatre-festival/" rel="noopener noreferrer">Dublin Theatre Festival</a> about the practical challenges of being a producer in the realm of theatre, the economic issues in play, criticality, how administration can creative, and trusting audiences.</p>

PS - Roise Goan: the practicalities of producing

In Producing Strategies an academic and curator talk to experts from creative spheres (including art, writing, theatre, dance) about how they produce things. We often find that when talking abour creativity things like form and content are what are mostly discussed. In Producing Strategies we consider the other work that goes on when producing things and which is sometimes overlooked.

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PS - Roise Goan: the practicalities of producing

PS - Roise Goan: the practicalities of producing