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Wednesday Notes | Ps 89:1-18
O Lord, open our lips and our mouths will declare Your praise.
The Scripture for today is Psalm 89:1-18.
Let’s prepare our hearts to hear from God’s word as we listen to I Will Sing by Leslie Jordan and Sandra McCracken. Relaxed piano chords and atmospheric percussion provide the backdrop for the vintage-sounding vocals. Brief and simple verses give way to a joyful, uplifted chorus–a song that feels appropriate for a sunny afternoon of praise, with modernized text inspired by the original psalm.
With my mouth I will tell of Your faithfulness
I will sing of the Lord's great love forever
Lord You are the glory of all our strength
Oh Lord God Almighty who is like You
Of His great love I will sing
1 I will sing of the steadfast love of the LORD, forever;
5 Let the heavens praise your wonders, O LORD,
Musical Reflection:
“Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach
The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers.
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Wednesday Notes | Ps 89:1-18
O Lord, open our lips and our mouths will declare Your praise.
The Scripture for today is Psalm 89:1-18.
Let’s prepare our hearts to hear from God’s word as we listen to I Will Sing by Leslie Jordan and Sandra McCracken. Relaxed piano chords and atmospheric percussion provide the backdrop for the vintage-sounding vocals. Brief and simple verses give way to a joyful, uplifted chorus–a song that feels appropriate for a sunny afternoon of praise, with modernized text inspired by the original psalm.
With my mouth I will tell of Your faithfulness
I will sing of the Lord's great love forever
Lord You are the glory of all our strength
Oh Lord God Almighty who is like You
Of His great love I will sing
1 I will sing of the steadfast love of the LORD, forever;
5 Let the heavens praise your wonders, O LORD,
Musical Reflection:
“Air on the G String” from Orchestral Suite No. 3 in D Major by J.S. Bach
The slow, descending bass line creates musical “steps” in an elegant fashion while a suspended melody several octaves above creates a satisfying combination of sound registers.