The Contrapasso in Inferno vs. corrective punishment in Purgatorio.  The proud bent down, the envious blinded.  Sapia's guess that Dante can see: but she's not envious of him for it.  Virgil's exposition of love at the very center of the Divine Comedy in Purgatorio 17.  T.S. Eliot's Dantesque imitation in Little Gidding.

The Contrapasso in Inferno vs. corrective punishment in Purgatorio. The proud bent down, the envious blinded. Sapia's guess that Dante can see: but she's not envious of him for it. Virgil's exposition of love at the very center of the Divine Comedy in Purgatorio 17. T.S. Eliot's Dantesque imitation in Little Gidding.

The Contrapasso in Inferno vs. corrective punishment in Purgatorio.&nbsp; The proud bent down, the envious blinded.&nbsp; Sapia's guess that Dante can see: but she's not envious of him for it.&nbsp; Virgil's exposition of love at the very center of the Divine Comedy in Purgatorio 17.&nbsp; T.S. Eliot's Dantesque imitation in Little Gidding.

Purgatorio part two

New for 2023: Victorian Poetry

Scroll back for previous courses on Shakespeare, Eighteenth Century Poetry, Close Reading, Various film genres, Film and Philosophy,  the Western Canon, Early Romantics, 17th Century Poetry, etc.

Education

Courses

New for 2023: Victorian Poetry Scroll back for previous courses on Shakespeare, Eighteenth Century Poetry, Close Reading, Various film genres, Film and Philosophy, the Western Canon, Early Romantics, 17th Century Poetry, etc.

Share Purgatorio part two

Sign up to save your podcasts

Purgatorio part two

Purgatorio part two