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اپیزود دوازدهم: فوتبال و موسیقی
در این اپیزود از پادکست کلاسیکباز، همزمان با جام جهانی فوتبال ۲۰۲۶، به رابطهٔ فوتبال و موسیقی کلاسیک میپردازیم. از صدای تماشاگران در استادیوم شروع میکنیم و در ادامه چند نمونهٔ شناختهشده از پیوند فوتبال و موسیقی را بررسی میکنیم: You’ll Never Walk Alone و جایگاه آن در فرهنگ هواداری لیورپول، موسیقی لیگ قهرمانان اروپا و الهام آن از Zadok the Priest اثر هندل، آریای Nessun Dorma از اپرای Turandot پوچینی و ارتباط آن با جام جهانی ۱۹۹۰ ایتالیا، و همچنین Abide with Me و Yma o Hyd بهعنوان نمونههایی از آوازهای جمعی در فوتبال
نسخهٔ تصویری این اپیزود در یوتیوب EasyWonder در دسترس است.
اینستاگرام پادکست: classicbaz.podcast
Music / Audio Credits
This episode includes musical works and recorded performances discussed in the context of commentary, criticism, education, and cultural analysis:
* “You’ll Never Walk Alone” Music by Richard Rodgers, lyrics by Oscar Hammerstein II. From the musical Carousel (1945). Performed by The Melbourne Gay & Lesbian Chorus, conducted by Drew Downing. Discussed in relation to football supporters’ collective singing and Liverpool fan culture.
* Ludwig van Beethoven — Symphony No. 9 in D minor, Op. 125, “Choral” — Final Movement Performed by The London Symphony Orchestra and London Symphony Chorus, conducted by Leopold Stokowski. Discussed in relation to the role of the chorus as a collective voice in classical music.
* George Frideric Handel — “Zadok the Priest” Performed by The Netherlands Baroque Orchestra, conducted by Sir David Willcocks. Discussed in relation to the musical inspiration behind the UEFA Champions League music.
* UEFA Champions League music Composed by Tony Britten, inspired by Handel’s Zadok the Priest. Discussed as one of the best-known examples of classical-style music in modern football culture.
* Giacomo Puccini — “Nessun Dorma” from Turandot Performed by Jerald Treston, with The Tower Symphony Orchestra of Italy, conducted by Francesco Mungoletto. From the album Bravissimo! released by Everest Records. Discussed in relation to the memory of the 1990 FIFA World Cup in Italy.
* “Abide with Me” Lyrics by Henry Francis Lyte; music commonly sung to the tune “Eventide” by William Henry Monk. Performance by Mary-Jess, with The Band of the Blues and Royals, from the 2012 FA Cup Final at Wembley Stadium. Discussed in relation to football tradition, collective memory, and the FA Cup Final.
* “Yma o Hyd” Written and performed by Dafydd Iwan. Discussed in relation to Welsh football supporters, collective identity, language, culture, and stadium singing.
Copyright / Fair Dealing Notice
This episode is produced for educational, critical, and cultural commentary purposes. The musical works, recordings, performances, images, and audiovisual materials referred to or included in this episode are discussed as part of an analysis of the relationship between football, collective singing, classical music, opera, and cultural memory.
All rights remain with their respective composers, lyricists, performers, publishers, record labels, broadcasters, organisations, and copyright holders. Any use of copyrighted material is intended to support commentary, criticism, review, teaching, and cultural analysis. Attribution is provided for identification and documentation purposes.
No ownership is claimed over third-party copyrighted material. If any rights holder has concerns about the use of their material in this episode, please contact us so the matter can be reviewed.
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By رضا طاهری Reza Taheriدر این اپیزود از پادکست کلاسیکباز، همزمان با جام جهانی فوتبال ۲۰۲۶، به رابطهٔ فوتبال و موسیقی کلاسیک میپردازیم. از صدای تماشاگران در استادیوم شروع میکنیم و در ادامه چند نمونهٔ شناختهشده از پیوند فوتبال و موسیقی را بررسی میکنیم: You’ll Never Walk Alone و جایگاه آن در فرهنگ هواداری لیورپول، موسیقی لیگ قهرمانان اروپا و الهام آن از Zadok the Priest اثر هندل، آریای Nessun Dorma از اپرای Turandot پوچینی و ارتباط آن با جام جهانی ۱۹۹۰ ایتالیا، و همچنین Abide with Me و Yma o Hyd بهعنوان نمونههایی از آوازهای جمعی در فوتبال
نسخهٔ تصویری این اپیزود در یوتیوب EasyWonder در دسترس است.
اینستاگرام پادکست: classicbaz.podcast
Music / Audio Credits
This episode includes musical works and recorded performances discussed in the context of commentary, criticism, education, and cultural analysis:
* “You’ll Never Walk Alone” Music by Richard Rodgers, lyrics by Oscar Hammerstein II. From the musical Carousel (1945). Performed by The Melbourne Gay & Lesbian Chorus, conducted by Drew Downing. Discussed in relation to football supporters’ collective singing and Liverpool fan culture.
* Ludwig van Beethoven — Symphony No. 9 in D minor, Op. 125, “Choral” — Final Movement Performed by The London Symphony Orchestra and London Symphony Chorus, conducted by Leopold Stokowski. Discussed in relation to the role of the chorus as a collective voice in classical music.
* George Frideric Handel — “Zadok the Priest” Performed by The Netherlands Baroque Orchestra, conducted by Sir David Willcocks. Discussed in relation to the musical inspiration behind the UEFA Champions League music.
* UEFA Champions League music Composed by Tony Britten, inspired by Handel’s Zadok the Priest. Discussed as one of the best-known examples of classical-style music in modern football culture.
* Giacomo Puccini — “Nessun Dorma” from Turandot Performed by Jerald Treston, with The Tower Symphony Orchestra of Italy, conducted by Francesco Mungoletto. From the album Bravissimo! released by Everest Records. Discussed in relation to the memory of the 1990 FIFA World Cup in Italy.
* “Abide with Me” Lyrics by Henry Francis Lyte; music commonly sung to the tune “Eventide” by William Henry Monk. Performance by Mary-Jess, with The Band of the Blues and Royals, from the 2012 FA Cup Final at Wembley Stadium. Discussed in relation to football tradition, collective memory, and the FA Cup Final.
* “Yma o Hyd” Written and performed by Dafydd Iwan. Discussed in relation to Welsh football supporters, collective identity, language, culture, and stadium singing.
Copyright / Fair Dealing Notice
This episode is produced for educational, critical, and cultural commentary purposes. The musical works, recordings, performances, images, and audiovisual materials referred to or included in this episode are discussed as part of an analysis of the relationship between football, collective singing, classical music, opera, and cultural memory.
All rights remain with their respective composers, lyricists, performers, publishers, record labels, broadcasters, organisations, and copyright holders. Any use of copyrighted material is intended to support commentary, criticism, review, teaching, and cultural analysis. Attribution is provided for identification and documentation purposes.
No ownership is claimed over third-party copyrighted material. If any rights holder has concerns about the use of their material in this episode, please contact us so the matter can be reviewed.