One of the enduring powerhouses of our era returns for RA.1000 with a riotous mix.

When Helena Hauff made her first RA Podcast appearance back in 2013, she was on the eve of releasing her debut production on Actress' Werkdiscs imprint. In the 12 years that have elapsed, she's become not just a household name within electronic music, but the kind of rare talent that lives in seclusion from industry tumultt.

(Hauff, enviously, has never even owned a smartphone.)

Her calling card continues to be her penchant for rough and ready EBM, electro and new wave. Her unique ability is creating a singular listening experience from disparate or out-of-favour tracks, with a raw immediacy that functions as a redress to over-choreographed modern DJing.

Her outsider approach is on show once again for RA.1000. Threaded together by strobe-lit DIY electronica, old-school acid house and corrosive machine funk that chews up the ear, the nearly two-hour set raises the bar once again.

In the sci-fi themed first half, Hauff drops two Cybotron tracks, nodding to Juan Atkins' blueprint for electro. You'll also hear "Riot" by Underground Resistance, the definitive mission statement for a world ablaze. This is musical anarchism, executed to the highest degree.

Find the tracklist and interview at ra.co/podcast/1017. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

The arena-conquering duo glide from gritty rave to skyscraping arpeggios on RA.1000, a mix many years in the making.

A new name undeniably entered the pantheon of major electronic live acts over the past decade: next to Faithless, The Prodigy and The Chemical Brothers, now sit @feelmybicep.

The Belfast duo's music doesn't half reach for the stars: a melodic blend of ambient, breakbeat, trance and tech house, able to turn the biggest arenas into intimate affairs.

If anything, mainstream success, BRIT Award nominations and mammoth dance crossovers like "Glue" have only hardened Andy Ferguson and Matt McBriar's resolve to keep innovating.

Their prized blog, running for nearly as long as the RA Podcast, regularly platforms upcoming artists. And you won't find many festival headliners releasing climate change-themed records with Indigenous artists, as they did recently on Takkuuk.

RA.1000 exists in that spirit. After many polite declines, and before a year off to usher in the next era, Bicep come through at the last: from dub techno and screwface breaks to São Paulo garage, before a tide of signature synths floods the zone. Stadium-sized intimacy at its finest.

@feelmybicep

Find the tracklist and interview at ra.co/podcast/1015. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be? For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein.

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

Seven and a half exhilarating hours from one of modern club's sharpest.

Tim Reaper's mammoth entry for RA.1000 is all about range. You thought the Future Retro London boss was just a jungle and hardcore head? Think again.

The mix's infinite-scroll tracklist (the longest we've ever published in full!) includes a who's who of top-rate producers, from A Guy Called Gerald and Cari Lekebusch to Batu, Mia Koden and the one and only Shackleton.

Opening with weighty grime and ending on head-spinning drum & bass, the mix journeys through US club, wobbly dubstep, classic techno and, of course, many shades of jungle. Rather than go the easy route, the Londoner approached the assignment with the curiosity, integrity and vulnerability of fellow shapeshifters like dBridge, Calibre and ASC.

"The idea was to represent other styles of electronic music that I've been a bit self-conscious about openly expressing my interest in," he told RA.

RA.1000 isn't just another side of Tim Reaper's artistry: thankfully for us, it feels like only the beginning.

@tim-reaper

Find the interview and tracklist at ra.co/podcast/1012. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe.

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela" to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

RA.1000 continues with the pride of Palestine's techno scene, Sama' Abdulhadi.

What makes the sound of resistance? For Palestinian DJ and producer Sama' Abdulhadi, it's the freedom to explore her artistic expression in all its authenticity and complexity. What stands out in her mix for our 1000th celebration is defiant energy, the kind that galvanises more than just dance floors.

Born in Ramallah but a student of Beirut's underground scene, Abdulhadi plays charging, self-assured techno, as calibrated for basement parties as for conquering festival main stages.

Her sets are powerful journeys through moods, tempos and stimuli, connected by a deep sense of love. A love for the music, the craft, the soil from which Abdulhadi grew. It's a love we've explored in a cover story, a film and now one of our ten RA.1000 mixes.

As Abdulhadi notes in her accompanying interview, her entry to the series forms a link back to another "pride and joy of Palestine," with Bethlehem-descending Nicolás Jaar's entry on RA.500. Yet ten years on, the landscape is altered beyond all recognition.

As we all watch the ongoing destruction of Palestinian land, this mix is an unequivocal reminder that we cannot look away. It continues techno's decades-old lineage as vital resistance music.

@sama_abdulhadi

Find the tracklist and interview at ra.co/podcast/1010. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co.

RA.1000 launches with Theo Parrish, live at fabric: a vanishingly rare club mix from the king of deep crates and impossible transitions.

There are DJ sets and then there are Theo sets. No matter how many times you've caught him in action, every time still feels like the first. Running hot, levels smoking, isolator working over time. You think you know dance music? Think again.

Parrish's long-awaited debut on the RA Podcast is a milestone for the series, one we've sought for over 15 years. So it was only right that Theo led off our 1000th celebrations, the first of ten mixes this week. Recorded live at fabric last December as part of RA's collaborative party with the London club for their 25th anniversary, this three-hour segment documents the crescendo of his eight-hour marathon.

The Detroit legend doesn't release mixes often, and when he does, they're usually studio recordings: think NTS shows, his 100% Detroit edition of DJ-Kicks or classic tapes Body (1997) and Methods of Movement (2020). A capture of the Sound Signature boss on the dancefloor is hard to come back. On RA.1000, you'll hear Theo in his element.

Sure, there's galvanising build-ups and crowd-pleasers, but laced throughout a Parrish beatdown are rarities designed to shock the system. In a business dominated by image-driven marketing, the vinyl master towers above thanks to a relentless hunger for lustrous melodies, moods and textures of all stripes, which he and he alone can fold into an inspiring and exhilarating joyride.

On RA.1000, blissful reggae precedes new wave disco; '80s R&B morphs into synthy techno; bleepy Chicago jack makes way for a poignant vocal ballad. Theo, once again, proves that anything and everything is possible with the right records.

@theoparrish @fabric @soundsignaturedetroit @crownruler

Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at 1000.ra.co

Part four of RA.999: the sound of shared history, courtesy of two legends of minimal house in full flow.

A lot can happen in 20 years. Especially in dance music, where movements rise, collide and dissolve at dizzying speed. It takes conviction, dynamism and a formidable record collection to stay the course.

That’s why Margaret Dygas and Sonja Moonear have remained such enduring underground favourites. Step into one of their sets, solo or side by side, and an assured calm takes over the floor. You're in the sleekest, safest hands imaginable.

Recorded live at fabric's 25th birthday, their RA.999 captures that feeling perfectly. High-tempo, irresistibly groovy and full of quiet authority, it marks a return to the series for both: Moonear with RA.520, and Dygas with the fourth-ever RA Podcast all the way back in 2006.

They also gave rare interviews, reflecting on a deep musical connection that began in 2007, the legacy of minimal and lessons from a life spent in DJ booths the world over.

"I felt excited and lucky to be invited so early in what I now see as a much longer journey," wrote Dygas. "Music holds memories in its frequencies, and the right track can transport you instantly to a past version of yourself. That’s powerful. That’s the kind of power I respect." Amen.

@moonear

@margaret

Read the full interview at ra.co/podcast/1008

Part three of RA.999: a celebration of soulful footwork and the timeless influence of DJ Rashad.

As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days. First up was 1morning and Regal86, then Prosumer and Peach. Today, we turn our eyes to Chicago, with two of footwork staples, DJ Spinn and Manny, taking the reins of the third installment of RA.999 (both make their RA Podcast debut).

Ten years ago, Teklife Records was founded, following the untimely death of DJ Rashad in 2014. His collaborators started the label to honor the Chicago-born producer’s musical genius and continue his legacy of soulful footwork. Its first release would be Afterlife, a compilation of unreleased Rashad material that, in the words of Pitchfork, "captured the spirit of familial connection and experimentation integral to the Teklife crew."

Listening to RA.999, it doesn't take long for any footwork fan to realise that this is an hour-long homage to Rashad's phenomenal discography. The first lyric we hear is "Throw your L's up for Rashad!" on "L's UP FOR RASHAD," and a string of Rashad classics follow, many of which Spinn and Manny collaborated on. It's a that reminder you of not just how staggeringly talented Rashad was, but how central collaboration was, and still is, to the Teklife project

Although many of these songs are more than a decade old, not one song sounds out of place in 2025. This is an emotional, riveting listen documenting the work of the best to do it in footwork. Back then, Rashad was the future, and he still is.

@deejay-manny-2

@dj-spinn-1

@teklife57

Find the tracklist at ra.co/podcast/1007

Part two of RA.999: two NYC Downlow favourites go back-to-back for the first time with a jubilant homage to classic house.

The RA Podcast launched 19 years ago in 2006, making it one of the world's longest-running online mix series. As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days with a cohort of artists who've left a singular mark on electronic music over the past few decades. The chemistry and legacy of these duos make for something very special—and worthy of such a huge milestone.

First up was 1morning and Regal86 with a live recording from New York's Bossa Nova. Next up? We move to NYC Downlow, and who better to capture Glastonbury's beloved queer utopia than Prosumer and Peach, going back-to-back for the first time.

If house is your thing, then Prosumer and Peach going one-for-one on the decks is nothing short of a treat. With Glastonbury still just about in the rearview mirror, this mix captures the spirit of NYC Downlow. If you're familiar, you'll know this means steamy euphoria all-night long, sweat dripping from the ceiling and an intoxicating feeling in the humid air.

And Prosumer is a true Downlow darling—a treasured custodian and storyteller of dance music who delivered his first RA Podcast way back in 2007. "If a record doesn't move me emotionally or physically, I won't play it out," he said at the time, befitting of the impeccable curation and irresistible body groove that became his trademarks. He is, in the words of the Johnny Dangerous track in the mix, the "King of Clubs."

For Peach, RA.999 marks a full-circle moment: Prosumer's 2019 closing set in the Downlow is one of her all-time Glastonbury memories. Since her first RA Podcast in 2021, the London-based artist has only grown more in-demand, with sets that typically traverse the house and techno lexicon—and occasionally R&B—with a distinctly peppy energy. "Neither of us are afraid to go deep," she said about playing with Prosumer. "We just had fun with it."

@ohpeach

@prosumer

Read the full interview at ra.co/podcast/1006