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The provided sources consist primarily of an abstract for a journal article, "Ranavalona I of Madagascar: African Jezebel or Patriot?", alongside a lengthy list of related academic publications, mainly authored by Gwyn Campbell, on the history of Madagascar. The main article abstract proposes a critical re-evaluation of Queen Ranavalona I, who is conventionally portrayed as a brutal, xenophobic ruler, contrasting her with her supposedly enlightened predecessor, King Radama I; instead, the author argues her policies were rational measures to protect Madagascar from European imperialism. The extensive list of recommended and related publications further suggests a scholarly focus on Madagascan history, including themes of imperial rivalry, the slave trade, female rule, and the influence of European missionaries and agents during the nineteenth century. The collection of texts highlights a sophisticated academic effort to re-examine this critical period in the island nation's past, often challenging established colonial-era narratives.
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By Paul AndersonThe provided sources consist primarily of an abstract for a journal article, "Ranavalona I of Madagascar: African Jezebel or Patriot?", alongside a lengthy list of related academic publications, mainly authored by Gwyn Campbell, on the history of Madagascar. The main article abstract proposes a critical re-evaluation of Queen Ranavalona I, who is conventionally portrayed as a brutal, xenophobic ruler, contrasting her with her supposedly enlightened predecessor, King Radama I; instead, the author argues her policies were rational measures to protect Madagascar from European imperialism. The extensive list of recommended and related publications further suggests a scholarly focus on Madagascan history, including themes of imperial rivalry, the slave trade, female rule, and the influence of European missionaries and agents during the nineteenth century. The collection of texts highlights a sophisticated academic effort to re-examine this critical period in the island nation's past, often challenging established colonial-era narratives.
"Please comment "