We say hello and wave goodbye to summer, holidays and camping, Autumn is here and so we have a autumnal podcast about change and endings with mashups from virtual camping with PDS Mix’s Mashup Summer Camp, and actual camping with music and chat relating to Jaunt 4 where I was walking along the Jurassic Coast.

New music from Mark David Hadley, and new-ish shiny mashups from reconthuse, Sir Hank, DJ Giac, Marc Johnce, Vixoria Drift, DJNoNo and Titus Jones with the Will It Mash chatpod, and a tune from the new Mort Garson compilation Journey to the Moon and Beyond.

Also more Nick Drake covers and focus on Jimmy Webb, the Pet Shop Boys and Elton John, 90’s trance metal covers and big beat indie remixes, Japanese Soft Cell covers and an 80’s Duckie-inspired section as Duckie goes monthly.

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Welcome to Radio Clash

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This is 388 and it’s Autumn: Everything Must Go. Yes especially those pesky leaves.

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Let us acknowledge that this passage constitutes a musical interlude

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That was Manic Street Preachers with Everything Must Go, the Chemical Brothers remix from 1996.

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And at the start, you heard Autumn, something I’ve had in the stack for a very long time.

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And that’s David Cain and Ronald Duncan from their very scary The Seasons album,

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a Radiophonic workshop.

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And yes, it is 388. I’ve come back from my hollibobs.

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And it is Autumn. Everything Must Go. Suddenly all the leaves must go.

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It’s weird. It wasn’t named that till the last minute.

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Either of them. Until stuff. Stuff has happened.

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Sometimes I have to podcast kind of as a distraction.

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A lot of my work is a distraction from what is going on in my life sometimes.

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And I have to say, this is no exception.

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So yes, you’re all a distraction, you are.

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I have to just focus on something.

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And I have to say that Chemical Brothers remix at the time, I didn’t really understand it.

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I don’t know. Maybe it’s because I hadn’t taken certain drugs then.

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But there is a certain schizophrenic dissociation, losing, just kind of falling into something,

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which I really connect with at the moment.

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Especially the lyric, I look to the future and it makes me cry.

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Because, hmm, anyway, the holiday was a success.

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Jaunt 4. I mean, kind of. I managed to damage my knee.

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I managed to stab my inflatable mattress with a pen knife accidentally on like day 2.

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I started out with 24 hours of rain.

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And I walked through lots of cow shit.

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And in the end, I just wanted to get it done.

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There was something else and I’ve forgotten it now.

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There’s three major events in it.

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Everything’s going wrong.

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But it’s done now.

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I’ve now walked the whole of the Jurassic Coast from Swanage to Exmouth.

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I’m not usually sure why.

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I’ve done quite a bit of artwork. I’ll blog about it.

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But yeah, I don’t expect one of those for a long time, unfortunately.

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And the song, when I was just thriving at Exmouth.

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And weirdly, I didn’t listen to a lot of music on that trip.

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I did a lot of walking. I did like 21 miles in one day.

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I worked out.

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I usually do that, working out how much I walk.

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Because it’s not going to rain, right?

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But that was the day when they were going to close the ranges at Lulworth for like a week.

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And so I wanted to get all my stuff done for that area around Tyneham.

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But yeah, as I came down the steps from the cliffs at Exmouth,

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which is my own destination, strangely, I mean, it was kind of getting evening.

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But there was a bunch of people doing kind of Zumba or something.

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It was some kind of exercising with kettlebells, but it’s kind of aerobic Zumba type of things.

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And the song they were playing was Freed from Desire, the 90s trance hit,

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which was a really strange thing to come down to.

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I was literally coming down to it.

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And listening to the lyrics is kind of very appropriate,

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because I was freed from my desire to walk the Jurassic coast at that very moment.

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And so here’s a very strange rock cover of it.

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That was Elton John covering Nick Drake, which, I mean, Elton John doesn’t do many covers anyway, but that’s from a Warlock sampler.

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Pre-fame, he did a whole load of songs for a record label.

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So like a kind of a demo, but kind of like to show Warlock was representing Nick Drake and a few other people.

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John Martin, I think, is on there as well, I think. There’s a few people.

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It’s got Way Too Blue, Saturday Sun, a few others from Nick Drake, which is just amazing.

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And apparently, Elton John, a while ago, sold the whole of his record collection and he kept two records.

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One was his white album signed personally from The Beatles, and the other one was that record.

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And because it’s so rare, it’s like a hundred, it’s been bootlegged, but there’s like a hundred only ever pressed.

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But it goes to show you, I think he likes that record.

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But it’s never had official release, so we might get into trouble for playing that.

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Do I care? Not really.

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Then before that, we had Jimmy Webb.

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I’ve been on another Jimmy Webb kick. I have to blame Rick Beato for that.

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I interviewed Jimmy Webb, and I watched that before I went off on holidays, I think.

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Really good interview, too short. It’s only like an hour, but it just shows you how good Jimmy Webb is and how not ego-y and very down to earth he is.

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And that’s from his mid-70s solo career.

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Of course, the date is wrong. That’s from a compilation.

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But he did an album about gliding, I think, really. He was really into his gliding.

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Apparently, after he did up, up and away, he really got into gliding.

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So there’s a picture of him gliding on the front cover, and that’s ocean in his eyes.

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It mentions things like kites.

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There’s sort of a brilliant theme throughout of flight and things like that.

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And then before that, we had from the 1980s, Typical, Bloody Typical, I think it’s 81 or 82.

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Quite the end of the Not The 9 O’clock News era.

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That was quite a bug as you get because it isn’t officially released, but it’s on an Audible thing.

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So I had to go through fun trying to convert it.

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Obviously, it’s a pisstake of Olivia Newton-John, rest in peace.

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But I was singing that while I was on holiday. I was singing it all the time.

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Typical, bloody typical.

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Because I mean, I forgot the other thing as well. I got attacked by dogs.

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So yeah, there was about three things that happened on holiday.

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It got to a point where I was like, there’s one more fucking thing I’m going home.

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Luckily there wasn’t, but yeah.

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Probably the reason why it sort of just sort of, I raced to finish it.

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I might go back to the era I did like it, what I saw, the bit I saw of Xmas.

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I love Sidmus, so I might go back, but not for a long while.

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And then before the nOt The 9 O’clock News, that was Pamela Stephenson on the vocals.

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And then before that, we had a new DJNoNo, that’s Barbara and the Jets on the Bimmelbahn.

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Bimmelbahn, yeah.

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It’s a long explanation of that track as Elton John versus Buddy Poke versus Duck Sauce.

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Now Bimmelbahn, Hallo Bimmelbahn is the original tune for Gotta Go Home by Boney M.

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Boney M used the vocal riff and basically the whole of the backing track.

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They just change the lyrics.

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The original lyrics of Hallo Bimmelbahn or Bimmelbahn is weirdly about…

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Bimmelbahn is one of those trackless trains, you know, those really cute ones that go on the road.

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I was saying Land Train and Road Train, but they’re kind of big trucks.

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No, it’s one of those little things you see in theme parks.

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And it’s about someone’s lover leaving on one.

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And the lyrics are quite sad, but it’s weird.

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It’s not exactly Leaving On A Jet Plane.

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So then that became Gotta Go Home by Boney M, which was then sampled by Duck Sauce.

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And it seemed to work really well with Bennie and the Jets.

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And so did you know, no, put that together and made it all about Barbara and Bennie on the Bimmelbahn?

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Yes.

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And it is kind of inspired.

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I think when I was playing it there, I was like, actually it probably is.

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It has been sort of inspired by the track before it, which is Titus Jones featuring the Will It Mash chat pod.

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I might have helped.

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The croc days are over. Florence and the Machine versus Elton John.

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I think I suggested the Florence and the Machine.

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And also I said, hasn’t that been done before?

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And then Titus tried it.

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It was like, result, keep that. That’s brilliant.

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And so hence why it’s credited to the Will It Mash chat pod.

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He usually doesn’t do those, but you could hear that was such a good song.

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So I was like, yes.

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Hence the quack.

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You hear the Titus Jones and quack, and the quack represents the Will It Mash chat pod.

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The Will It Mash being a Twitch channel where he mashes up live on stream.

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I’m a regular on there.

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Quack.

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And yeah, that was going to be Elton John section.

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I don’t play enough Elton John.

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I play bits on mashups.

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Elton John mostly has passed me by.

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I don’t know why.

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Maybe because I never really liked Tiny Dancer.

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I’m not sure.

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Then before that, we had Lobsterdust with Bonfire Vision.

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I’m not exactly sure it’s Childish Gambino versus something.

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And I can’t remember exactly what the dubstep is.

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But yeah, I think I heard that or a version with Bonfire.

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I think it was a version with Bonfire.

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But I think I heard that on the PDSMix’s summer camp, which is just finished.

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Because it mentions a bit about summer camp.

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I think someone did a mash with it and then they played that one.

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Or I found it via that.

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I was looking for mashups using the Bonfire vocal.

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I just love that.

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I’m going to burn everything you talk about.

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Yes, I like the anger of that.

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Then before that, similarly angry.

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We have Vixoria Drift with I really like you.

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Who gives a fuck?

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A mix of Carly-Rae Jepsen, Nightwish, Lamb of God, Tate McRae,

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and sort of a cast of millions.

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I forgot somewhere else that was also in there.

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But yeah, it’s a whole bunch of things.

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And that’s from the new ish album, Vivid.

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It’s really difficult to do multi-layered.

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So to multi-mash well in a way that it flows in a narrative.

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And it’s something I’ve been working on when I do my mashups.

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It’s not all of them.

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It’s one I threw out just before I left on holiday, which was a bit like,

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but usually I try and work on that flow between the interplay.

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And a lot of multi-mashes fail on that.

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They just sound like a medley.

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And what I like about that one is that does have that interplay where things

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seem to relate to each other.

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And they’re not suddenly just switching to one thing.

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It seems like a cohesive flow.

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And there’s a couple of tracks on the album, which are like that.

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Whereas I thought the passages, there was far too much switching.

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It sort of switched back and forth.

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And it was a bit like, I’d be ready to gain something and going,

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oh, that’s really good.

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And then they just switch.

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Whereas this, it feels like it’s sort of callbacks.

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And it doesn’t feel like you just suddenly switch the channel and,

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oh, you know, bad luck.

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That’s gone.

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And then, you know, a little bit, rather than, you know,

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but then main, there’s main bits of lamb and golden and whitewish,

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nightwish and color A Jepsen and a little bit of Gaga and a little bit of this.

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I think that works better than trying to do the sort of Mighty Mike,

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Norwegian Recycling thing of you can set your clock by every 10,

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20 seconds, switch to another diva, switch to another diva, switch to another diva,

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that I’m not a fan of.

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And it’s really difficult.

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Earworm was very good at it.

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Girl Talk wasn’t.

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So it’s not an easy thing to do.

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And I really think that album is a step forward.

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That’s a good idea.

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Before that, we had Freed from Desire,

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Gala cover from We Hate You, Please Die,

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which is a brilliant name for a band.

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When was that from?

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2020.

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I think I found that on there.

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Yeah, it was a bunch of COVID related, anti-COVID covers,

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Six Sad World, Vol 1 is on Bandcamp.

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I was looking for Freed from Desire covers and I found that went perfect.

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Yeah.

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And I think that Lobsterdust is from 2011, although it’s dated 2021,

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but it’s as Extraterrestrial 2011.

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So I don’t know when the childish Gambino came out.

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It’s not that new, but who knows?

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Who knows?

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So we’re going to play some more mashups.

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Whoa.

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I know, right?

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And this is by someone digging a lot recently.

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That’s Sir Hank.

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And this is Jump Around with Big Energy.

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And I didn’t know.

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It’s one of those cases where I didn’t really know the vocal.

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And I heard it and went, oh, that’s perfect.

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That is absolutely perfect.

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You know, it’s like the combination of the two things,

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because there’s been so many Jump Around mashups,

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but not, not, not like this.

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Finally

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I have been

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looking for a track from

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Black Eye, another track

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but there was an instrumental

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sort of theme released by Mort Garson

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on a compilation a long

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time ago. I was like I couldn’t believe that

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a film scored by Mort Garson and was only

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one tune

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and finally

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on the journey to the moon

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and beyond was released very recently

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I think it was just a few months ago

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or a month ago. We have Black Eye

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end credits because I think the other one

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was like in maybe the intro

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theme. I just knew

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I’ve been searching for it for years. I was like

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Mort Garson and Black Eye on Soulseek

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yes I do still use Soulseek

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and that just popped up and went

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what what we’ve actually got a Black Eye

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you know not the

01:26:31.000 –> 01:26:33.000
just the one that was excellent

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and I do recommend the journey to the moon

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and beyond. There’s the NASA

01:26:37.000 –> 01:26:39.000
he did the official

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music to this

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moon landing

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and there’s various other things on there

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but yes it’s a bit of a mixed bag as it always

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is with Mort Garson

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but that was worth it alone

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just for that. That was beautiful. Soulful

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and kind of like almost

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disco. I mean there was a disco section

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it’s kind of a good way to end a disco section

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though what was before was Marc

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Johnce with I Can See Discoproof

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Daisies that was released literally a day

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or so ago or a couple

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days ago. It’s very new

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new shit that’s LaRoux

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Bulletproof versus Chromeo

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versus Taylor Swift versus Kylie Minogue

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a bit Tension in there. I’ve not listened to

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tension but I’ve been hearing all the queens going

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on about it so I need to listen to Tension

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Katy Perry’s

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Daisies and Jesse Ware

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I’m not sure what the Jesse Ware is but I love the

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Katy Perry’s Daisies. The question is where’s the magic

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gone and why did we put all our

01:27:31.000 –> 01:27:33.000
dreams in the attic. Yes

01:27:33.000 –> 01:27:35.000
and then before that we had

01:27:35.000 –> 01:27:37.000
I mean you can’t have a disco section without Say

01:27:37.000 –> 01:27:39.000
She She that’s NORMA

01:27:39.000 –> 01:27:41.000
which was their response to

01:27:41.000 –> 01:27:43.000
the

01:27:43.000 –> 01:27:45.000
rolling back of the abortion laws

01:27:45.000 –> 01:27:47.000
in America. Obviously Norma

01:27:47.000 –> 01:27:49.000
is referencing Jane Roe

01:27:49.000 –> 01:27:51.000
who was Norma McCorvey

01:27:51.000 –> 01:27:53.000
who was the

01:27:53.000 –> 01:27:55.000
Jane Roe in Roe versus Wade

01:27:55.000 –> 01:27:57.000
and so as they called it

01:27:57.000 –> 01:27:59.000
Norma in capitals but it’s

01:27:59.000 –> 01:28:01.000
a good song of resistance anyway

01:28:01.000 –> 01:28:03.000
but yeah it’d be fucked at the moment

01:28:03.000 –> 01:28:05.000
and things need to change

01:28:05.000 –> 01:28:07.000
I’ve been locking horns

01:28:07.000 –> 01:28:09.000
with the Gender Critical lot

01:28:09.000 –> 01:28:11.000
on Bluesky of all places

01:28:11.000 –> 01:28:13.000
I mean they’re on Twitter, you expect that

01:28:13.000 –> 01:28:15.000
to come on Twitter but

01:28:15.000 –> 01:28:17.000
they’re on Bluesky and putting out

01:28:17.000 –> 01:28:19.000
their dumb people are going to rape you in the

01:28:19.000 –> 01:28:21.000
toilets type stuff and you’re like oh for fuck’s sake

01:28:21.000 –> 01:28:23.000
there’s a

01:28:23.000 –> 01:28:25.000
really good video series which I’ve posted on

01:28:25.000 –> 01:28:27.000
RadioClash.com by Caelan Conrad

01:28:27.000 –> 01:28:29.000
which kind of a long

01:28:29.000 –> 01:28:31.000
time ago I posted an alt-right

01:28:31.000 –> 01:28:33.000
playbook video series

01:28:33.000 –> 01:28:35.000
where they go through

01:28:35.000 –> 01:28:37.000
you know this is what they do, this is the tactics

01:28:37.000 –> 01:28:39.000
this is the strategy, this is the scripts

01:28:39.000 –> 01:28:41.000
here we are, same thing

01:28:41.000 –> 01:28:43.000
very useful, I would really recommend

01:28:43.000 –> 01:28:45.000
it’s five hours, it’s long

01:28:45.000 –> 01:28:47.000
but I think it’d be a, horrified and be

01:28:47.000 –> 01:28:49.000
very much informed into

01:28:49.000 –> 01:28:51.000
what they’re trying to do

01:28:51.000 –> 01:28:53.000
to ‘peak’ you as in that’s their word

01:28:53.000 –> 01:28:55.000
for redpilling you

01:28:55.000 –> 01:28:57.000
make people into

01:28:57.000 –> 01:28:59.000
bring them into their cult

01:28:59.000 –> 01:29:01.000
and it is really, I mean

01:29:01.000 –> 01:29:03.000
is it really a cult? No it is

01:29:03.000 –> 01:29:05.000
the person who deep dived it called it a cult

01:29:05.000 –> 01:29:07.000
and you see his information

01:29:07.000 –> 01:29:09.000
and all the receipts and all the screenshots

01:29:09.000 –> 01:29:11.000
and also when you go yeah that’s pretty culty

01:29:11.000 –> 01:29:13.000
so yeah it’s not

01:29:13.000 –> 01:29:15.000
necessarily what it seems

01:29:15.000 –> 01:29:17.000
all this sort of ‘concerned about women’

01:29:17.000 –> 01:29:19.000
their misogynists and

01:29:19.000 –> 01:29:21.000
hemophobes and transphobes and the whole lot

01:29:21.000 –> 01:29:23.000
and racists and ableists and all

01:29:23.000 –> 01:29:25.000
the whole lot of shit

01:29:25.000 –> 01:29:27.000
yes

01:29:27.000 –> 01:29:29.000
I try and do my public service

01:29:29.000 –> 01:29:31.000
by you know facing up on stuff like that

01:29:31.000 –> 01:29:33.000
because it’s an unending battle

01:29:33.000 –> 01:29:35.000
but interesting thing

01:29:35.000 –> 01:29:37.000
was is that the person just went off on me

01:29:37.000 –> 01:29:39.000
and looked truly bad

01:29:39.000 –> 01:29:41.000
which is great

01:29:41.000 –> 01:29:43.000
usually I’m the bad one for that

01:29:43.000 –> 01:29:45.000
so I’m wary of doing it because I’m like

01:29:45.000 –> 01:29:47.000
oh yeah

01:29:47.000 –> 01:29:49.000
you don’t want to kind of be able to point to you

01:29:49.000 –> 01:29:51.000
and go oh look look that’s a classic

01:29:51.000 –> 01:29:53.000
trans rights activist

01:29:53.000 –> 01:29:55.000
there we are, we can see them

01:29:55.000 –> 01:29:57.000
they just get really annoyed

01:29:57.000 –> 01:29:59.000
because I was a calm one and they’re the one who pulled out the ad homs

01:29:59.000 –> 01:30:01.000
and stuff and they’re like I win, bye

01:30:01.000 –> 01:30:03.000
I was being civil

01:30:03.000 –> 01:30:05.000
you’re a dick

01:30:05.000 –> 01:30:07.000
and you’re probably a sock puppet as well

01:30:07.000 –> 01:30:09.000
I’m pretty sure you’re not who you say you are

01:30:09.000 –> 01:30:11.000
but you know it’s so funny

01:30:11.000 –> 01:30:13.000
that we’re complaining about people masking up

01:30:13.000 –> 01:30:15.000
and they just had some random pictures

01:30:15.000 –> 01:30:17.000
of probably Antifa

01:30:17.000 –> 01:30:19.000
I think

01:30:19.000 –> 01:30:21.000
oh look at these trans rights activists hiding their face

01:30:21.000 –> 01:30:23.000
and of course on their profile no face

01:30:23.000 –> 01:30:25.000
no public information

01:30:25.000 –> 01:30:27.000
like I think you are a probably

01:30:27.000 –> 01:30:29.000
a Russian sock puppet

01:30:29.000 –> 01:30:31.000
say hi to Putin

01:30:31.000 –> 01:30:33.000
yeah

01:30:33.000 –> 01:30:35.000
and before that

01:30:35.000 –> 01:30:37.000
we had Fumboy3, Our Lips Are Sealed

01:30:37.000 –> 01:30:39.000
we had a special remix version

01:30:39.000 –> 01:30:41.000
with all the kiss from an enemy bits

01:30:41.000 –> 01:30:43.000
like was that Neville?

01:30:43.000 –> 01:30:45.000
and that’s played because I went to Duckie

01:30:45.000 –> 01:30:47.000
I went to the last Duckie

01:30:47.000 –> 01:30:49.000
the last weekly Duckie

01:30:49.000 –> 01:30:51.000
ever I think

01:30:51.000 –> 01:30:53.000
they’ve stopped doing the weekly things

01:30:53.000 –> 01:30:55.000
and they’ve now gone to monthly

01:30:55.000 –> 01:30:57.000
which is kind of an end of their era

01:30:57.000 –> 01:30:59.000
and they ended on the track before

01:30:59.000 –> 01:31:01.000
though not that version

01:31:01.000 –> 01:31:03.000
they ended on sOft Cell’s Say Hello Wave Goodbye

01:31:03.000 –> 01:31:05.000
but also they played Our Lips Are Sealed

01:31:05.000 –> 01:31:07.000
and that is a

01:31:07.000 –> 01:31:09.000
for me listening to the lyrics

01:31:09.000 –> 01:31:11.000
I love the lyrics

01:31:11.000 –> 01:31:13.000
‘there is a weapon to our defence silence’

01:31:13.000 –> 01:31:15.000
and there I go to Duckie

01:31:15.000 –> 01:31:17.000
and I don’t really speak to anyone

01:31:17.000 –> 01:31:19.000
I just dance

01:31:19.000 –> 01:31:21.000
I try and have a good time

01:31:21.000 –> 01:31:23.000
and it’s slightly weird

01:31:23.000 –> 01:31:25.000
I had a good conversation afterwards

01:31:25.000 –> 01:31:27.000
with an Irish bear actually

01:31:27.000 –> 01:31:29.000
weirdly in the park

01:31:29.000 –> 01:31:31.000
but yeah

01:31:31.000 –> 01:31:33.000
the way it is with that place

01:31:33.000 –> 01:31:35.000
and not really fitting in

01:31:35.000 –> 01:31:37.000
but then kind of that is a power

01:31:37.000 –> 01:31:39.000
in a way as well

01:31:39.000 –> 01:31:41.000
and then before that we had Salon Music

01:31:41.000 –> 01:31:43.000
with Say Hello Wave Goodbye

01:31:43.000 –> 01:31:45.000
and yes

01:31:45.000 –> 01:31:47.000
that is Sparks in there

01:31:47.000 –> 01:31:49.000
around 1988 they visited Japan

01:31:49.000 –> 01:31:51.000
and we were fans of Salon Music

01:31:51.000 –> 01:31:53.000
cut from the album O Boy

01:31:53.000 –> 01:31:55.000
and they did that cover

01:31:55.000 –> 01:31:57.000
and they appear in the middle of it

01:31:57.000 –> 01:31:59.000
but Salon were more

01:31:59.000 –> 01:32:01.000
kind of shoegazy

01:32:01.000 –> 01:32:03.000
I would say shoegazy rock

01:32:03.000 –> 01:32:05.000
that’s a little bit pop for them

01:32:05.000 –> 01:32:07.000
but I like it a lot

01:32:07.000 –> 01:32:09.000
then before that we had an old remix

01:32:09.000 –> 01:32:11.000
that’s from 2007

01:32:11.000 –> 01:32:13.000
that’s Copycat with Enjoy or Leave in Silence

01:32:13.000 –> 01:32:15.000
it’s a Depeche Mode vs Depeche Mode mashup

01:32:15.000 –> 01:32:17.000
but you don’t get anyone

01:32:17.000 –> 01:32:19.000
doing mashups of Leave in Silence

01:32:19.000 –> 01:32:21.000
so I’m playing it

01:32:21.000 –> 01:32:23.000
because I mean there was a whole 80’s section there

01:32:23.000 –> 01:32:25.000
a random 80’s section

01:32:25.000 –> 01:32:27.000
but yeah you just

01:32:27.000 –> 01:32:29.000
you get loads of Enjoy the Silence

01:32:29.000 –> 01:32:31.000
and no Leave In Silence mashups

01:32:31.000 –> 01:32:33.000
even though it’s a perfect thing

01:32:33.000 –> 01:32:35.000
yeah to sort of mash the two together

01:32:35.000 –> 01:32:37.000
but also why does everyone mash

01:32:37.000 –> 01:32:39.000
Personal Jesus

01:32:39.000 –> 01:32:41.000
Enjoy the Silence

01:32:41.000 –> 01:32:43.000
usually just enjoy the Silence actually

01:32:43.000 –> 01:32:45.000
and maybe Just Can’t Get Enough

01:32:45.000 –> 01:32:47.000
it’s kind of annoying as a Depeche Mode fan

01:32:47.000 –> 01:32:49.000
that people don’t mash other songs so much

01:32:49.000 –> 01:32:51.000
a few people do

01:32:51.000 –> 01:32:53.000
you know who you are

01:32:53.000 –> 01:32:55.000
but not so many general mashups

01:32:55.000 –> 01:32:57.000
which is a bit sad

01:32:57.000 –> 01:32:59.000
and when a new album comes out

01:32:59.000 –> 01:33:01.000
there’s a few of those

01:33:01.000 –> 01:33:03.000
but yeah it’s always kind of the same

01:33:03.000 –> 01:33:05.000
3, 2, 3 Personal Jesus, Enjoy the Silence

01:33:05.000 –> 01:33:07.000
Just Can’t Get Enough

01:33:07.000 –> 01:33:09.000
so it’s nice to hear

01:33:09.000 –> 01:33:11.000
a rarely mashed song

01:33:11.000 –> 01:33:13.000
and very strange I have to say

01:33:13.000 –> 01:33:15.000
it’s kind of a bit of a remix

01:33:15.000 –> 01:33:17.000
and some very strange off beats in there

01:33:17.000 –> 01:33:19.000
it was an interesting one to mix

01:33:19.000 –> 01:33:21.000
then before that

01:33:21.000 –> 01:33:23.000
we had Pet Shop Boys I’m Not Scared

01:33:23.000 –> 01:33:25.000
from Introspective

01:33:25.000 –> 01:33:27.000
1968 which is their

01:33:27.000 –> 01:33:29.000
version of the

01:33:29.000 –> 01:33:31.000
Patsy Kensit 8th Wonder

01:33:31.000 –> 01:33:33.000
hit and I actually prefer

01:33:33.000 –> 01:33:35.000
it very much sums up the time

01:33:35.000 –> 01:33:37.000
they’ve got these 1968

01:33:37.000 –> 01:33:39.000
sort of French student protests

01:33:39.000 –> 01:33:41.000
in there and

01:33:41.000 –> 01:33:43.000
yeah I went on a Pet Shop Boys kick

01:33:43.000 –> 01:33:45.000
and you’ll hear some more Pet Shop Boys in a little bit

01:33:45.000 –> 01:33:47.000
I’m not sure why

01:33:47.000 –> 01:33:49.000
it’s kind of just

01:33:49.000 –> 01:33:51.000
regularly do that

01:33:51.000 –> 01:33:53.000
check out what they’re up to

01:33:53.000 –> 01:33:55.000
stuff is, what the older stuff is

01:33:55.000 –> 01:33:57.000
and I was like I haven’t played

01:33:57.000 –> 01:33:59.000
I’m Not Scared by Pet Shop Boys in the podcast

01:33:59.000 –> 01:34:01.000
I was like why, why?

01:34:01.000 –> 01:34:03.000
it is one of my favourite songs of all time

01:34:03.000 –> 01:34:05.000
and then before that

01:34:05.000 –> 01:34:07.000
we had DJ Giac with West Heathens

01:34:07.000 –> 01:34:09.000
Twenty One Pilots vs Pet Shop Boys

01:34:09.000 –> 01:34:11.000
that’s the

01:34:11.000 –> 01:34:13.000
special slow down version

01:34:13.000 –> 01:34:15.000
of Pet Shop Boys

01:34:15.000 –> 01:34:17.000
by the Shanti Capturing the Light

01:34:17.000 –> 01:34:19.000
of Down Remix I looked it up

01:34:19.000 –> 01:34:21.000
on Remix.audio

01:34:21.000 –> 01:34:23.000
and that sort of slow groove

01:34:23.000 –> 01:34:25.000
and then at the start we had

01:34:25.000 –> 01:34:27.000
again a sort of an 80s thing

01:34:27.000 –> 01:34:29.000
because although

01:34:29.000 –> 01:34:31.000
House of Pain vs Latto doesn’t sound very 80s

01:34:31.000 –> 01:34:33.000
Latto sampled Tom Tom Club

01:34:33.000 –> 01:34:35.000
more than sampled like Interpolated

01:34:35.000 –> 01:34:37.000
did a whole vocal thing with it

01:34:37.000 –> 01:34:39.000
Big Dick Energy

01:34:39.000 –> 01:34:41.000
although I think that’s the polite version

01:34:41.000 –> 01:34:43.000
Big Big Energy

01:34:43.000 –> 01:34:45.000
and as she explained Big Dick Energy

01:34:45.000 –> 01:34:47.000
is for everyone

01:34:47.000 –> 01:34:49.000
not necessarily those with dicks

01:34:49.000 –> 01:34:51.000
but I kind of

01:34:51.000 –> 01:34:53.000
I wouldn’t say I didn’t know that track

01:34:53.000 –> 01:34:55.000
I kind of came across it at some point

01:34:55.000 –> 01:34:57.000
but I’ve forgotten about it

01:34:57.000 –> 01:34:59.000
and it works so well with

01:34:59.000 –> 01:35:01.000
House of Pain Jump Around

01:35:01.000 –> 01:35:03.000
Jump Around with Big Dick Energy

01:35:03.000 –> 01:35:05.000
yes

01:35:05.000 –> 01:35:07.000
jump around with Big Dick Energy

01:35:07.000 –> 01:35:09.000
but that’s the G-rated version

01:35:09.000 –> 01:35:11.000
so I’m going to go more

01:35:11.000 –> 01:35:13.000
into a track, a new track

01:35:13.000 –> 01:35:15.000
by Mark

01:35:15.000 –> 01:35:17.000
David Hadley

01:35:17.000 –> 01:35:19.000
all of them out, you can find it on

01:35:19.000 –> 01:35:21.000
Bandcamp

01:35:21.000 –> 01:35:23.000
is it Sound by Mark, I think it’s called

01:35:23.000 –> 01:35:25.000
yeah soundbymark

01:35:25.000 –> 01:35:27.000
on Bandcamp.com

01:35:27.000 –> 01:35:29.000
and it’s a new album called Through Trains

01:35:29.000 –> 01:35:31.000
although interestingly the one

01:35:31.000 –> 01:35:33.000
one of the ones, not this one

01:35:33.000 –> 01:35:35.000
but one of the ones I heard

01:35:35.000 –> 01:35:37.000
remind me more of sailing on my dad’s boat

01:35:37.000 –> 01:35:39.000
apparently my dad was just sold

01:35:39.000 –> 01:35:41.000
I didn’t realize he’d sold his boat

01:35:41.000 –> 01:35:43.000
which is a bit sad

01:35:43.000 –> 01:35:45.000
but this is a bit more of a darker one

01:35:45.000 –> 01:35:47.000
and this is Echoes

01:35:47.000 –> 01:35:49.000
off the album

02:17:05.000 –> 02:17:07.000
That was Brown Dust

02:17:07.000 –> 02:17:09.000
yes that is the name of the band

02:17:09.000 –> 02:17:11.000
terrible name

02:17:11.000 –> 02:17:13.000
with Autumn from

02:17:13.000 –> 02:17:15.000
1972

02:17:15.000 –> 02:17:17.000
I don’t know if that’s a cover or not

02:17:17.000 –> 02:17:19.000
but it seemed appropriate for the end of summer

02:17:19.000 –> 02:17:21.000
in the start of autumn

02:17:21.000 –> 02:17:23.000
and then before that we had

02:17:23.000 –> 02:17:25.000
Cara Dillon from Cara Dillon

02:17:25.000 –> 02:17:27.000
2001 that’s I Am A Youth That’s

02:17:27.000 –> 02:17:29.000
Inclined To Ramble and I am

02:17:29.000 –> 02:17:31.000
well I’m not a youth I’m an old man

02:17:31.000 –> 02:17:33.000
that’s inclined to ramble but

02:17:33.000 –> 02:17:35.000
yeah

02:17:35.000 –> 02:17:37.000
that’s such a beautiful song it moves me to tears that song

02:17:37.000 –> 02:17:39.000
it’s a very very old

02:17:39.000 –> 02:17:41.000
18th century

02:17:41.000 –> 02:17:43.000
I think Scottish tune

02:17:43.000 –> 02:17:45.000
Scottish Irish

02:17:45.000 –> 02:17:47.000
yeah it is a very old traditional tune

02:17:47.000 –> 02:17:49.000
then before that we had

02:17:49.000 –> 02:17:51.000
Lil Peep

02:17:51.000 –> 02:17:53.000
with Life Is Beautiful

02:17:53.000 –> 02:17:55.000
which came out after he died I think

02:17:55.000 –> 02:17:57.000
from Come Over When You’re Sober Part 2

02:17:57.000 –> 02:17:59.000
I have to say I kind of avoided

02:17:59.000 –> 02:18:01.000
I knew of Lil Peep

02:18:01.000 –> 02:18:03.000
because vice articles

02:18:03.000 –> 02:18:05.000
and all these people talking about

02:18:05.000 –> 02:18:07.000
this new person

02:18:07.000 –> 02:18:09.000
but there does seem to be a bunch of

02:18:09.000 –> 02:18:11.000
I’m really just getting older

02:18:11.000 –> 02:18:13.000
but a bunch of rappers that died

02:18:13.000 –> 02:18:15.000
before they even really made it

02:18:15.000 –> 02:18:17.000
I had a few mixtapes or one album

02:18:17.000 –> 02:18:19.000
and then they were gone

02:18:19.000 –> 02:18:21.000
and he’s one of those

02:18:21.000 –> 02:18:23.000
referenced a lot of Cobain

02:18:23.000 –> 02:18:25.000
it’s all a bit kind of

02:18:25.000 –> 02:18:27.000
worryingly self perpetuating

02:18:27.000 –> 02:18:29.000
when someone’s idolising Cobain

02:18:29.000 –> 02:18:31.000
and then they die young themselves

02:18:31.000 –> 02:18:33.000
it’s not the 27 club anymore

02:18:33.000 –> 02:18:35.000
it’s like the 21 club or the

02:18:35.000 –> 02:18:37.000
19 club or the 22 club isn’t it

02:18:37.000 –> 02:18:39.000
the 27 grandad compared to

02:18:39.000 –> 02:18:41.000
some of these

02:18:41.000 –> 02:18:43.000
and before that we had

02:18:43.000 –> 02:18:45.000
Stick In The Wheel With Parasite

02:18:45.000 –> 02:18:47.000
which is from

02:18:47.000 –> 02:18:49.000
I’ve been trying not to play all of The Endless

02:18:49.000 –> 02:18:51.000
Coloured Ways

02:18:51.000 –> 02:18:53.000
The Songs of Nick Drake compilation

02:18:53.000 –> 02:18:55.000
but it is one of my favourites

02:18:55.000 –> 02:18:57.000
even though it’s so bleak and it is a bleak song

02:18:57.000 –> 02:18:59.000
it’s hard listening

02:18:59.000 –> 02:19:01.000
and then before that we had Fissunix

02:19:01.000 –> 02:19:03.000
with Is Schubert A Crime

02:19:03.000 –> 02:19:05.000
Sade versus

02:19:05.000 –> 02:19:07.000
Thylacine

02:19:07.000 –> 02:19:09.000
who did that

02:19:09.000 –> 02:19:11.000
originally Wendy Carlos thing

02:19:11.000 –> 02:19:13.000
but also William Orbit

02:19:13.000 –> 02:19:15.000
of taking a bunch of

02:19:15.000 –> 02:19:17.000
classical tunes

02:19:17.000 –> 02:19:19.000
and doing some ambient

02:19:19.000 –> 02:19:21.000
trance music with it

02:19:21.000 –> 02:19:23.000
that works very well

02:19:23.000 –> 02:19:25.000
there isn’t enough Schubert in mashups

02:19:25.000 –> 02:19:27.000
I do like to

02:19:27.000 –> 02:19:29.000
as I said it before

02:19:29.000 –> 02:19:31.000
I do like to creep

02:19:31.000 –> 02:19:33.000
sneak classical music

02:19:33.000 –> 02:19:35.000
into things

02:19:35.000 –> 02:19:37.000
it’s like a spoonful of sugar just underneath the door

02:19:37.000 –> 02:19:39.000
for a little bit of classical music

02:19:39.000 –> 02:19:41.000
and yeah we just sort of sneak it in there

02:19:41.000 –> 02:19:43.000
take all the posh things and sort of

02:19:43.000 –> 02:19:45.000
put them in the liquidiser

02:19:45.000 –> 02:19:47.000
and put them into milkshake secretly

02:19:47.000 –> 02:19:49.000
that’s what we like to do

02:19:49.000 –> 02:19:51.000
a little bit of art around here

02:19:51.000 –> 02:19:53.000
and then before that we had Pet Shop Boys Invisible

02:19:53.000 –> 02:19:55.000
which is from Elysium

02:19:55.000 –> 02:19:57.000
from 2017

02:19:57.000 –> 02:19:59.000
well that was

02:19:59.000 –> 02:20:01.000
at least it was Further Listening than 2017

02:20:01.000 –> 02:20:03.000
but I think it was actually 2011 or 2012

02:20:03.000 –> 02:20:05.000
something like that

02:20:05.000 –> 02:20:07.000
some point in the 11’s

02:20:07.000 –> 02:20:09.000
and that is about

02:20:09.000 –> 02:20:11.000
basically being gay

02:20:11.000 –> 02:20:13.000
and over 50 and being invisible and gay bars

02:20:13.000 –> 02:20:15.000
which you know obviously

02:20:15.000 –> 02:20:17.000
I just talked about Duckie

02:20:17.000 –> 02:20:19.000
and that sort of thing of where

02:20:19.000 –> 02:20:21.000
yeah it’s a younger generation

02:20:21.000 –> 02:20:23.000
you don’t exist it’s like an invisibility cloak

02:20:23.000 –> 02:20:25.000
it happens to older women

02:20:25.000 –> 02:20:27.000
it happens to gay men

02:20:27.000 –> 02:20:29.000
they’re just like hello we’re over here no

02:20:29.000 –> 02:20:31.000
they actually literally bump into me as if like I’m

02:20:31.000 –> 02:20:33.000
that’s when it gets a bit much

02:20:33.000 –> 02:20:35.000
when they actually walk into you as if like

02:20:35.000 –> 02:20:37.000
you are literally invisible

02:20:37.000 –> 02:20:39.000
that’s like

02:20:39.000 –> 02:20:41.000
hmm and I’m not your target market

02:20:41.000 –> 02:20:43.000
and I’m not interested in 20 year olds either

02:20:43.000 –> 02:20:45.000
so you know it works best ways

02:20:45.000 –> 02:20:47.000
it’s a bit offensive when they’re like

02:20:47.000 –> 02:20:49.000
it’s to walk into you as if like you

02:20:49.000 –> 02:20:51.000
aren’t even there

02:20:51.000 –> 02:20:53.000
and scowl at you like it’s your fault

02:20:53.000 –> 02:20:55.000
it’s like I’m not the one who’s completely

02:20:55.000 –> 02:20:57.000
twatted

02:20:57.000 –> 02:20:59.000
then before that we had The Arrangement

02:20:59.000 –> 02:21:01.000
by Joni Mitchell from

02:21:01.000 –> 02:21:03.000
1970’s Ladies of the Canyon

02:21:03.000 –> 02:21:05.000
there’s two songs there

02:21:05.000 –> 02:21:07.000
very linked well there’s like three

02:21:07.000 –> 02:21:09.000
I suppose Invisible

02:21:09.000 –> 02:21:11.000
The Arrangement which is about

02:21:11.000 –> 02:21:13.000
how people sort of sell

02:21:13.000 –> 02:21:15.000
their dreams down the river

02:21:15.000 –> 02:21:17.000
for a life in the suburbs

02:21:17.000 –> 02:21:19.000
and then before that

02:21:19.000 –> 02:21:21.000
Jimmy Webb’s song Pocketful of Keys

02:21:21.000 –> 02:21:23.000
I wanted to play Thelma Houston

02:21:23.000 –> 02:21:25.000
because Thelma Houston before she was all Disco

02:21:25.000 –> 02:21:27.000
she did an album with

02:21:27.000 –> 02:21:29.000
Jimmy Webb but I can’t because

02:21:29.000 –> 02:21:31.000
I guess who big bad

02:21:31.000 –> 02:21:33.000
record company but

02:21:33.000 –> 02:21:35.000
that version isn’t

02:21:35.000 –> 02:21:37.000
and I think it’s more interesting and more

02:21:37.000 –> 02:21:39.000
not really well known that Doug Ashton

02:21:39.000 –> 02:21:41.000
with Pocketful of Keys from

02:21:41.000 –> 02:21:43.000
1977’s Empty Without You

02:21:43.000 –> 02:21:45.000
and Pocketful of Keys

02:21:45.000 –> 02:21:47.000
is all about a similar sort of alienation

02:21:47.000 –> 02:21:49.000
I love the fact that it’s like

02:21:49.000 –> 02:21:51.000
jangle the Pocketful of Keys

02:21:51.000 –> 02:21:53.000
makes the spider scuttle away

02:21:53.000 –> 02:21:55.000
you just get a very visible idea that

02:21:55.000 –> 02:21:57.000
there’s nothing in the mailbox

02:21:57.000 –> 02:21:59.000
it hasn’t been for a long time for the spiders

02:21:59.000 –> 02:22:01.000
in there

02:22:01.000 –> 02:22:03.000
very lonely existence

02:22:03.000 –> 02:22:05.000
then before that

02:22:05.000 –> 02:22:07.000
interestingly from the album called 1977

02:22:07.000 –> 02:22:09.000
I don’t remember there’s a link there

02:22:09.000 –> 02:22:11.000
that’s Music’s Éire

02:22:11.000 –> 02:22:13.000
and yeah I’m liking

02:22:13.000 –> 02:22:15.000
what I’m hearing from that album

02:22:15.000 –> 02:22:17.000
and at the start of the section we heard

02:22:17.000 –> 02:22:19.000
Echoes Mark David Hadley

02:22:19.000 –> 02:22:21.000
from the recent album Through Trains

02:22:21.000 –> 02:22:23.000
Check It Out

02:22:23.000 –> 02:22:25.000
I need to feature it on the

02:22:25.000 –> 02:22:27.000
I’m very bad at featuring things on blogs

02:22:27.000 –> 02:22:29.000
I launched it when I was away

02:22:29.000 –> 02:22:31.000
but there’s two or three I specifically like

02:22:31.000 –> 02:22:33.000
and there’ll be one of two to

02:22:33.000 –> 02:22:35.000
play in future podcasts

02:22:35.000 –> 02:22:37.000
and thank you Mark for giving me a copy of that

02:22:37.000 –> 02:22:39.000
and I hope

02:22:39.000 –> 02:22:41.000
people go and check it out because

02:22:41.000 –> 02:22:43.000
Mark is

02:22:43.000 –> 02:22:45.000
I’ve said so many times before

02:22:45.000 –> 02:22:47.000
someone I’m out on my art degree

02:22:47.000 –> 02:22:49.000
and has always been a musician

02:22:49.000 –> 02:22:51.000
and into making

02:22:51.000 –> 02:22:53.000
sound sculptures

02:22:53.000 –> 02:22:55.000
and sound pieces

02:22:55.000 –> 02:22:57.000
and musical pieces

02:22:57.000 –> 02:22:59.000
is very talented I have

02:22:59.000 –> 02:23:01.000
there’s a couple of people I knew

02:23:01.000 –> 02:23:03.000
you work with musically

02:23:03.000 –> 02:23:05.000
Sean was the other one

02:23:05.000 –> 02:23:07.000
who was just so talented musically

02:23:07.000 –> 02:23:09.000
it was quite spooky

02:23:09.000 –> 02:23:11.000
there I am

02:23:11.000 –> 02:23:13.000
playing one finger keyboard

02:23:13.000 –> 02:23:15.000
not saying I was in a band

02:23:15.000 –> 02:23:17.000
but the closest thing I came to being in a band

02:23:17.000 –> 02:23:19.000
I suppose working on experimental music

02:23:19.000 –> 02:23:21.000
the Nether Edge Experimental Music Collective

02:23:21.000 –> 02:23:23.000
N-E-E-M-C

02:23:23.000 –> 02:23:25.000
yes there’s more clanging

02:23:25.000 –> 02:23:27.000
more clanging things than

02:23:27.000 –> 02:23:29.000
music making but I mean

02:23:29.000 –> 02:23:31.000
some people like my Reality Engine stuff

02:23:31.000 –> 02:23:33.000
which is all over at my bank

02:23:33.000 –> 02:23:35.000
realityengine.co.uk

02:23:35.000 –> 02:23:37.000
if you dig back past the mashups

02:23:37.000 –> 02:23:39.000
you will see the

02:23:39.000 –> 02:23:41.000
hidden da Vinci Code

02:23:41.000 –> 02:23:43.000
style

02:23:43.000 –> 02:23:45.000
underneath the altar and you will see

02:23:45.000 –> 02:23:47.000
my previous incarnation as Reality Engine

02:23:47.000 –> 02:23:49.000
which is where I was doing experimental music

02:23:49.000 –> 02:23:51.000
and ambient music

02:23:51.000 –> 02:23:53.000
I don’t usually do it

02:23:53.000 –> 02:23:55.000
I haven’t done it for a long time

02:23:55.000 –> 02:23:57.000
I’ve done any original pieces

02:23:57.000 –> 02:23:59.000
it’s just when it’s a mood thing

02:23:59.000 –> 02:24:01.000
and I think weirdly doing mashups

02:24:01.000 –> 02:24:03.000
and music production in mashups

02:24:03.000 –> 02:24:05.000
even though it’s not my music

02:24:05.000 –> 02:24:07.000
it kind of doesn’t really scratch that edge

02:24:07.000 –> 02:24:09.000
but it kind of means that

02:24:09.000 –> 02:24:11.000
you know I’m busy doing that

02:24:11.000 –> 02:24:13.000
I don’t really get to do the original stuff

02:24:13.000 –> 02:24:15.000
which is a shame

02:24:15.000 –> 02:24:17.000
it’s very much a mood thing to me

02:24:17.000 –> 02:24:19.000
and it’s very much where I’m playing around

02:24:19.000 –> 02:24:21.000
bored very quickly

02:24:21.000 –> 02:24:23.000
and I tend to do

02:24:23.000 –> 02:24:25.000
original sort of one minute, two minute pieces

02:24:25.000 –> 02:24:27.000
and I’m not really interested in extending them

02:24:27.000 –> 02:24:29.000
it goes oh that’ll be really good as a full piece

02:24:29.000 –> 02:24:31.000
and I’m like no it’s

02:24:31.000 –> 02:24:33.000
perfect as it is

02:24:33.000 –> 02:24:35.000
it just documents a little time when I was playing around with something

02:24:35.000 –> 02:24:37.000
I like that

02:24:37.000 –> 02:24:39.000
it’s like why is it

02:24:39.000 –> 02:24:41.000
say something in five minutes you can say in one minute

02:24:41.000 –> 02:24:43.000
you know, seriously, punk

02:24:43.000 –> 02:24:45.000
hello

02:24:45.000 –> 02:24:47.000
so as I mentioned about the

02:24:47.000 –> 02:24:49.000
Summer Camp

02:24:49.000 –> 02:24:51.000
they just finished last night

02:24:51.000 –> 02:24:53.000
and this is a mashup that was created for that

02:24:53.000 –> 02:24:55.000
DJNono created a mashup for

02:24:55.000 –> 02:24:57.000
the summer camp

02:24:57.000 –> 02:24:59.000
the summer is coming in one

02:24:59.000 –> 02:25:01.000
very recommend and there’s a few others that were played

02:25:01.000 –> 02:25:03.000
which might have been like compilation because I think PDSMix

02:25:03.000 –> 02:25:05.000
is going to order a compilation of

02:25:05.000 –> 02:25:07.000
the mashups for Mashup Summer Camp

02:25:07.000 –> 02:25:09.000
which would be good and apparently next year

02:25:09.000 –> 02:25:11.000
it’s going to start earlier and it’s going to be a longer thing

02:25:11.000 –> 02:25:13.000
and I think

02:25:13.000 –> 02:25:15.000
it could start in August partly to fill the whole

02:25:15.000 –> 02:25:17.000
space

02:25:17.000 –> 02:25:19.000
created by

02:25:19.000 –> 02:25:21.000
Adriana being away I think she’s going to be back soon

02:25:21.000 –> 02:25:23.000
but

02:25:23.000 –> 02:25:25.000
apparently it’s going to be a longer thing and it’s going to be good I think

02:25:25.000 –> 02:25:27.000
I think it’ll be good to build on that

02:25:27.000 –> 02:25:29.000
because it was a little bit hurried and of course I was actually away camping

02:25:29.000 –> 02:25:31.000
which is

02:25:31.000 –> 02:25:33.000
very hard to be involved in mashup summer camp

02:25:33.000 –> 02:25:35.000
virtual camp was actually real camping

02:25:35.000 –> 02:25:37.000
that probably won’t be a problem

02:25:37.000 –> 02:25:39.000
next year

02:25:39.000 –> 02:25:41.000
so this is a great mashup

02:25:41.000 –> 02:25:43.000
by reconthuse and it’s kind of

02:25:43.000 –> 02:25:45.000
a similar thing to the whole

02:25:45.000 –> 02:25:47.000
this whole podcast which has been like the end of summer

02:25:47.000 –> 02:25:49.000
sort of endings

02:25:49.000 –> 02:25:51.000
I mean it’s kind of funny how I started

02:25:51.000 –> 02:25:53.000
with everything must go because

02:25:53.000 –> 02:25:55.000
Everything Must Go when I moved

02:25:55.000 –> 02:25:57.000
out of

02:25:57.000 –> 02:25:59.000
my old flat in 2016

02:25:59.000 –> 02:26:01.000
that’s what I labeled

02:26:01.000 –> 02:26:03.000
that post was Everything Must Go

02:26:03.000 –> 02:26:05.000
because I was selling all my stuff on ebay

02:26:05.000 –> 02:26:07.000
and there was another

02:26:07.000 –> 02:26:09.000
major life change oh the thing

02:26:09.000 –> 02:26:11.000
with my

02:26:11.000 –> 02:26:13.000
2008 having to

02:26:13.000 –> 02:26:15.000
empty the childhood home against

02:26:15.000 –> 02:26:17.000
I used the song in one of the Child

02:26:17.000 –> 02:26:19.000
hood’s End videos

02:26:19.000 –> 02:26:21.000
so it’s a song

02:26:21.000 –> 02:26:23.000
which has kind of haunted me

02:26:23.000 –> 02:26:25.000
through various life changes

02:26:25.000 –> 02:26:27.000
and there’s another one coming

02:26:27.000 –> 02:26:29.000
so yeah it’s

02:26:29.000 –> 02:26:31.000
sort of this autumn theme and an ending theme

02:26:31.000 –> 02:26:33.000
or chain work and not ending

02:26:33.000 –> 02:26:35.000
it’s more of a change theme everything must go

02:26:35.000 –> 02:26:37.000
it’s not necessarily a negative song

02:26:37.000 –> 02:26:39.000
it was obviously a post

02:26:39.000 –> 02:26:41.000
Richie’s disappearance of the

02:26:41.000 –> 02:26:43.000
Manics but the song is also saying

02:26:43.000 –> 02:26:45.000
this is going to change

02:26:45.000 –> 02:26:47.000
to the fans which is the intention

02:26:47.000 –> 02:26:49.000
it’s not necessarily negative it’s more like

02:26:49.000 –> 02:26:51.000
you know we need to clear out everything

02:26:51.000 –> 02:26:53.000
to start again or do something different

02:26:53.000 –> 02:26:55.000
and that’s how I feel at the moment so

02:26:55.000 –> 02:26:57.000
yeah watch this space

02:26:57.000 –> 02:26:59.000
so this is a song by reconthuse

02:26:59.000 –> 02:27:01.000
and there aren’t enough Dusty Springfield mashups

02:27:01.000 –> 02:27:03.000
I can say it right here

02:27:03.000 –> 02:27:05.000
there needs to be more Dusty Springfield mashups

02:27:05.000 –> 02:27:07.000
this Summer Camp Is Over

02:27:07.000 –> 02:27:09.000
and it’s versus the Lightning

02:27:09.000 –> 02:27:11.000
Thief cast versus The Neighborhood

02:27:11.000 –> 02:27:13.000
I don’t know the backing so much but I know the dusty

02:27:13.000 –> 02:27:15.000
and

02:27:15.000 –> 02:27:17.000
yeah I’ll speak to you soon