RIVER iS BEAUTIFUL! Fresh off a long walk along the River Thames – over a 100 miles sweetie – so we have a London and water themed podcast, an imagined soundtrack for my new YouTube video series on the Thames Path – cos I can’t afford the rights!

And new mashups from me and others and original music as well, and some old classics, And Video Killed The Radio Star? Hope not…

WEBVTT

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Hello, welcome to Radio Clash, this is 395, called River is Beautiful, and Curse you, Totom,

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for making a Coldplay Mash.

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Making me play a Coldplay Mash.

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Well, not making me play it, but making me like Coldplay Mash.

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After I said I really can’t stand Coldplay Mashes, Totom has to go and mash the one Coldplay

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song off the one album I can stand, which is the first album, and Don’t Panic.

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Yeah, all the feels, that’s I Promise You Flowers, Don’t Panic, Miley Cyrus vs. Coldplay.

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And at the start we had the Branflakes with Fifty Four Fifty from their 2016’s Ultimate Hits, which

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I missed, I somehow missed.

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I have several, at least one Branflakes album, and yeah, somehow I didn’t know about that

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one.

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I was checking out the discography and went, “What’s this?”

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And it sounds like a best-off, but none of the tracks I’d heard before, so it’s like

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a mock best-off, but I might be wrong on that.

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And yes, it’s called River is Beautiful because I’ve been walking the Thames path, I spent

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two weeks walking a lot of the Thames path.

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I’m not going to say exactly where I ended up, because it’s a bit spoilers, spoilers

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sweetie, spoilers.

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But yeah, I walked from Yantlet, which is where the London Stone is, to quite a bit of it,

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to more than halfway, and it’s 200 miles, so a lot of walking.

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And as this is a YouTube, as this is a video for my YouTube channel, I can’t afford the

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copyright.

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I can’t afford the musical rights to any of these songs.

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So weirdly, during the whole of it, I wasn’t listening to music.

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This episode is kind of a mixture of new stuff that I really dig, and also an imagined soundtrack

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for the Thames Path series.

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It’s going to be called Thames Spring when it comes out.

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I’m just editing it at the moment.

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And yeah, there’s a lot of tracks in here that are London based and river based.

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And yes, if I could license any music, there’d be some of these in that video, but I can’t.

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So talking of London, we can play a track by Hallmighty.

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This is, surprise I’ve not played this.

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This is from 2023, Hallmighty Presents, Disco Deluxe 6.

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This is Take My Heart Back to London, Ed Sheeran versus Stormzy versus Pet Shop Boys.

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That was Hallmighty featuring Lady Tea, with his first ever original track.

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That’s ‘The Rhythm’.

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I like that a lot.

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It’s a good slice of disco, modern disco.

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And then before that we had, yeah, more of that sort of river section.

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That’s ‘Water’ featuring Clara La San by Bicep from 2022.

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Then before that Overmono with ‘BBY’ from 2029.

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And then before that we had Minor Arth

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We had two Minor Arth tracks in that mix, actually.

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There’s ‘Andromedas Teardrops’, Womack and Womacn versus Gorillaz versus D-RAM or

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DRAM, I don’t know how you say that, a very recent mashup.

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I’m not really up on Gorillaz and I’ve been hearing the odd thing that has used tracks

00:38:12.200 –> 00:38:15.000
and I’ve really liked the track they use.

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So I have one later in the podcast, which is one of those, it’s like, “Oh, actually,

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I’ve not heard that.

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I recognise that vocalist.

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I must have this.”

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And of course, you know, ‘Teardrop’ is a classic and it’s apparently namedropped in the Andromeda

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track.

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Then before that, the theme of mine is ‘Video Killed the Radio Star’, for kind of obvious

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reasons I would say, though I never was a radio star.

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Video killed the radio unknown.

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But yeah, there’s very much a thing with YouTube taking on my time that I don’t really spend

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the time.

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I should do with the podcast and other things, blog and etc. are very neglected at the moment,

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which is very bad.

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But you know, it’s kind of like, that’s the way with YouTube.

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You have to be very much all in.

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You can’t just do half cock, really.

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So that’s Mighty Mike with ‘Time Killed the Radio Star’.

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That’s Cyndi Lauper’versus ‘Buggles’.

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And before that, we had ‘Video Killed Digital Love’, Daftpunk versus ‘The Buggles’ by

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Minor Arth

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Again, another new-ish mash.

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And then before that, we had one of me that was kept an obvious with, because everyone’s

00:39:31.960 –> 00:39:35.800
doing Murder on the Dancefloor mashups because of Saltburn.

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Even though I’ve never seen Saltburn, it was for a challenge actually.

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I didn’t win the challenge, but hey, that’s ‘Murder Everywhere’ on the dancefloor.

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Sophie Ellis Bexter versus Fleetwood Mac

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Yes, me doing a Fleetwood Mac mashup.

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Surprise!

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Much surprise.

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And then before the start of that section, we had Hallmighty with ‘Take My Heart Back

00:39:54.160 –> 00:39:57.880
to London’ Ed Sheeran and ‘Stormzy’ versus Pet Shop Boys.

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Yes, I’d love to have stuff like, you know, ‘Bicep’ in my video.

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I just have to use an AI knock-offs of that kind of thing.

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Unfortunately, yes, it’s sad.

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It’s sad.

00:40:10.000 –> 00:40:18.640
So, we’re going to play another London-related track, which is ‘London Calling’ by The Clash.

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Hey, we’re Radio Clash.

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We have to play Clash tunes it’s in the rules

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And this is Phoenix City All-Stars, their version of ‘London Calling’.

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That was men, not just

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any old men, we’re just innocent men.

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Now, MEN, J.D. Samson’s band from 2011, that’s “Who Am I to Feel So Free?” which I know from

01:02:34.120 –> 01:02:38.720
Duckie I’d heard it from Duckie and I heard it again through checking out what J.D. Samson

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had been up to and I was like, “Oh, I know that song.

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Always good to play some queer indy disco.

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Always a pleasure in this podcast.”

01:02:47.480 –> 01:02:51.180
The whole thing that I always love to play is also Jungle, so we had Charla Green

01:02:51.180 –> 01:02:55.560
with Babylon Fall from 2020, not from London, from Sheffield, but yeah.

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Before that, we had some London Elektricity.

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I mean, how could we do a London podcast without some London Elektricity?

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It’s impossible.

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We can’t.

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We cannot.

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We cannot.

01:03:06.240 –> 01:03:07.240
We cannot.

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We cannot have a London podcast without London Elektricity.

01:03:08.640 –> 01:03:13.920
And that’s from 2019’s “Building Better Worlds.”

01:03:13.920 –> 01:03:15.680
That’s “Possible Worlds” featuring Inja.

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I haven’t played a remix of that, but I haven’t played the original weirdly.

01:03:19.280 –> 01:03:23.920
And then we had Oki’s “Walk Idiot, Don’t Stop.”

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You see what I did there?

01:03:25.280 –> 01:03:31.960
Hives vs. Fleetwood Mac the Oki tracks from 2023, and The Unusuals “I’m Walking,

01:03:31.960 –> 01:03:35.960
Babe” from 1965, some classic garage rock.

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I’ve played some Unusualson a podcast before, a very different one with a different vocalist,

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but that’s their other single.

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They’re like three singles, I think, or two singles.

01:03:45.400 –> 01:03:47.160
And that’s that other single.

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They’re more known for their second single, which I forget her name, but it’s quite a

01:03:51.520 –> 01:03:55.760
well-known vocalist who worked with them on their last single.

01:03:55.760 –> 01:03:59.280
I think it was their last single, one of their singles.

01:03:59.280 –> 01:04:05.480
And then before that, we had Phoenix City All-Stars with London Calling, or London Colin, as

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I always call it.

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I can hear you, Colin.

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London Colin.

01:04:10.640 –> 01:04:11.640
Yes.

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Yes.

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So, again, when I was walking down the river, there was one song that was in my head, or

01:04:19.520 –> 01:04:20.520
one statement.

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There was a few songs that I was singing along the way.

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Weirdly not river-based, most of them.

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For some reason, I was always singing Negativland’s

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“I am a man, a man with four fingers.”

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For some reason, I just kept singing that.

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I don’t know why.

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I don’t know why.

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So I kept changing lyrics.

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“I am a man, a man with four locks.

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I am a man, a man with four rivers.

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I am a man with four pastels.”

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I was eating a lot of fruit pastels.

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With four fruit pastels, yeah.

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I ate two and a half bags of, no three and a half bags of fruit pastels.

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And I can tell you, my fruit pastel research, that the original fruit pastels are worse

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than the supermarket-owned brands.

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Even Lidl.

01:05:00.840 –> 01:05:01.840
That doesn’t make sense.

01:05:01.840 –> 01:05:06.240
But, of course, Rowntrees changed the formula, like they did with fruit gums.

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And then ours tastes like shit.

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Whereas the best one is Tesco’s.

01:05:10.600 –> 01:05:15.800
Tesco’s own fruit pastels taste fruitier than the original fruit pastels.

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And they still have that texture.

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I think it’s because they made it vegan.

01:05:20.400 –> 01:05:22.960
They made the original ones vegan.

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And so now they’re just not as nice.

01:05:24.800 –> 01:05:25.800
Sorry, vegans.

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You spoil everything.

01:05:26.800 –> 01:05:29.200
I’m going to get complaints.

01:05:29.200 –> 01:05:30.200
I don’t care.

01:05:30.200 –> 01:05:31.200
No one fucking listens to this.

01:05:31.200 –> 01:05:35.600
But yeah, so I’m not almost now listening to this.

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So what?

01:05:36.600 –> 01:05:37.600
It’s true, though.

01:05:37.600 –> 01:05:42.040
That’s nice things that have been sort of wrecked by having to change the formula because

01:05:42.040 –> 01:05:43.040
of…

01:05:43.040 –> 01:05:44.960
I mean, I get it with allergies, but it’s…

01:05:44.960 –> 01:05:45.960
Yeah.

01:05:45.960 –> 01:05:50.720
I have vegans and I have gluten tolerance and stuff.

01:05:50.720 –> 01:05:51.720
So I get it.

01:05:51.720 –> 01:05:55.480
But I don’t go around insisting everyone should change their crusty loaf.

01:05:55.480 –> 01:06:00.880
I wish there was more gluten bread, but I don’t think people should change theirs.

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But yeah, and I’ll readily agree that the gluten-free versions are dreadful.

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Well, not dreadful.

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They’re getting better.

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But sourdough is all right.

01:06:09.440 –> 01:06:13.240
But a lot of them are just like cardboard.

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And I will freely admit that.

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But yeah, whenever…

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I’ve noticed the vegan version of things.

01:06:23.280 –> 01:06:25.360
The vegan version of jelly gums.

01:06:25.360 –> 01:06:31.200
Unfortunately, I think you do need pigs or gelatin, really.

01:06:31.200 –> 01:06:34.720
It’s part of the flavor and the taste and texture.

01:06:34.720 –> 01:06:45.920
So the thing that I was saying was “Creek is beautiful” rather than saying what is the

01:06:45.920 –> 01:06:47.320
title of this podcast.

01:06:47.320 –> 01:06:48.320
River is beautiful.

01:06:48.320 –> 01:06:50.320
And so I have to play the original.

01:06:50.320 –> 01:06:51.680
So this is from Bluey.

01:06:51.680 –> 01:06:54.000
“Creek is beautiful” and it is a beautiful episode.

01:06:54.000 –> 01:06:57.720
And this is pretty much every Bluey episode.

01:06:57.720 –> 01:06:58.720
All of them actually.

01:06:58.720 –> 01:06:59.720
They are beautiful.

01:06:59.720 –> 01:07:03.320
But yeah, this is a magical paen to…

01:07:03.320 –> 01:07:08.680
Kids going outdoors and playing in the creek.

01:36:25.400 –> 01:36:28.440
It seems to be a bumper podcast for Hallmighty.

01:36:28.440 –> 01:36:33.160
Well I was actually planning to play the two Hallmighty tracks, and then he dropped the original

01:36:33.160 –> 01:36:35.640
tracks, so I was like, “Oh, put that in as well”

01:36:35.640 –> 01:36:41.400
That’s “Hear Me Under the Bridge,” Red Hot Chili Peppers versus K’Naan versus

01:36:41.400 –> 01:36:43.640
Robbie Williams, versus The Beatles.

01:36:43.640 –> 01:36:46.920
I must have agreed, when I first heard that, I was like, “Where’s The Beatles?

01:36:46.920 –> 01:36:47.920
Where’s The Beatles?”

01:36:47.920 –> 01:36:50.200
And it was just like, right at the end, a little bit of Hey Jude.

01:36:50.200 –> 01:36:56.080
And before that, we had the dub classic, “Kunte Kinte dub plate, version two”.

01:36:56.080 –> 01:36:59.520
Everyone plays version one, and I preferred version two actually.

01:36:59.520 –> 01:37:01.360
That’s by The Revolutionaries.

01:37:01.360 –> 01:37:05.560
And it’s weird, because the date on that is like 2007, 2009.

01:37:05.560 –> 01:37:09.600
I can’t find the original version, even though it’s from the 1970s.

01:37:09.600 –> 01:37:13.560
I can’t find it on Discogs because I can’t find what the original version, when the original

01:37:13.560 –> 01:37:15.920
version, release date was.

01:37:15.920 –> 01:37:20.800
I think I won these things that languished on dub plates, and never got properly released,

01:37:20.800 –> 01:37:22.920
commercially released.

01:37:22.920 –> 01:37:27.240
But I’ve certainly heard that organ sound in so many other things.

01:37:27.240 –> 01:37:30.440
So that organ sound was very much copied.

01:37:30.440 –> 01:37:34.000
And The Revolutionaries was the first time that Sly and Robbie got together.

01:37:34.000 –> 01:37:35.520
That was their group.

01:37:35.520 –> 01:37:36.520
Various people came and went.

01:37:36.520 –> 01:37:42.240
I think Ansel Collins was in there, and various people you all heard of came through The

01:37:42.240 –> 01:37:44.640
Revolutionaries.

01:37:44.640 –> 01:37:49.400
And before that, we had Gorillaz with the lost chord featuring Leee John.

01:37:49.400 –> 01:37:50.400
The man with three E’s

01:37:50.400 –> 01:37:52.400
Oh, it’s great to hear Leee John.

01:37:52.400 –> 01:37:54.040
I’m a big Imagination fan.

01:37:54.040 –> 01:37:56.040
I was as a child.

01:37:56.040 –> 01:37:59.840
And I heard that voice in a mashup, and I was like, “Hey, that’s Leee John.

01:37:59.840 –> 01:38:02.120
I’m pretty sure that’s Leee John on a Gorillaz track.”

01:38:02.120 –> 01:38:03.120
Yep.

01:38:03.120 –> 01:38:08.160
It was from 2020’s Song Machine Season 1, “Strange Times.”

01:38:08.160 –> 01:38:13.040
And I don’t know what that song’s about, but every song sounds better with Leee John in it.

01:38:13.040 –> 01:38:16.320
And before that, we had the headless, the headless organist.

01:38:16.320 –> 01:38:20.960
I’m not going to get very far, are they?

01:38:20.960 –> 01:38:21.960
Headless organist.

01:38:21.960 –> 01:38:22.960
Bonk.

01:38:22.960 –> 01:38:30.080
Now, the Handless Organist is Turn Your Radio On from 1984’s Truly a Miracle of God.

01:38:30.080 –> 01:38:35.880
And people describe that as an outsider album, and I don’t think it is.

01:38:35.880 –> 01:38:38.000
Having listened to it, it’s perfectly fine.

01:38:38.000 –> 01:38:41.360
I love the organ work, and I love the singing.

01:38:41.360 –> 01:38:43.160
It’s like, “Oh, it’s an outsider record.

01:38:43.160 –> 01:38:46.640
Just watch, because she’s got a disability, because she has no hands.”

01:38:46.640 –> 01:38:48.840
It’s like, that’s a bit weird.

01:38:48.840 –> 01:38:50.160
No, it’s not.

01:38:50.160 –> 01:38:52.520
It has to be a bit more than that.

01:38:52.520 –> 01:38:56.360
But still, I really like that song, despite the Christian bits.

01:38:56.360 –> 01:38:59.400
It’s just the, “Turn your radio on.”

01:38:59.400 –> 01:39:00.400
It’s good.

01:39:00.400 –> 01:39:06.280
And then before that, we had Billy No-Mates with Saboteur Forcefield from 2023’s Cacti.

01:39:06.280 –> 01:39:10.080
It’s probably the only podcast that went from Billy No-Mates to the Handless Organist,

01:39:10.080 –> 01:39:11.080
I can tell you.

01:39:11.080 –> 01:39:16.640
Then before that, we had a kind of a London section, but not necessarily a happy London

01:39:16.640 –> 01:39:17.640
section.

01:39:17.640 –> 01:39:19.880
It started out happy.

01:39:19.880 –> 01:39:25.720
So we had Kae Tempest with Bad Place for a Good Time, and that was the last single that they

01:39:25.720 –> 01:39:27.800
did for Big Dada.

01:39:27.800 –> 01:39:32.120
That was the last independent single from 2015.

01:39:32.120 –> 01:39:37.160
And then they joined the big bad UMG, unfortunately.

01:39:37.160 –> 01:39:43.000
And before that, we had Solange with Cranes in the Sky from 2016’s A Seat at the Table.

01:39:43.000 –> 01:39:47.240
And I questioned myself about doing this, because it harmonically works so well.

01:39:47.240 –> 01:39:52.040
But I really didn’t want to cramp on the style of Bluey’s and Joff Bush’s.

01:39:52.040 –> 01:39:53.360
“The creek is beautiful.”

01:39:53.360 –> 01:39:55.880
But then I was like, that is basically my walk.

01:39:55.880 –> 01:40:00.760
It was, you’d see a beautiful creek, a beautiful river, and then you turn the corner and there

01:40:00.760 –> 01:40:04.840
would be cranes and the usual London bullshit.

01:40:04.840 –> 01:40:10.720
And so that was why I was like, yeah, I’ll keep it in, because it’s kind of that duality

01:40:10.720 –> 01:40:13.840
is what’s in my video series.

01:40:13.840 –> 01:40:17.840
To come, he’s very much that ugly next to beautiful.

01:40:17.840 –> 01:40:20.680
And the ugly is beautiful and the beautiful is ugly, you know, that kind of thing.

01:40:20.680 –> 01:40:21.680
That’s London.

01:40:21.680 –> 01:40:24.200
It’s all jostled together, the good and the bad.

01:40:24.200 –> 01:40:29.000
And yes, as you might have guessed, my walk didn’t go badly.

01:40:29.000 –> 01:40:34.360
It didn’t, unfortunately, because of flooding, didn’t actually get where I wanted it to be,

01:40:34.360 –> 01:40:35.360
which was depressing.

01:40:35.360 –> 01:40:38.800
But it’s funny, it was Easter and it was like, well, I can’t walk on water.

01:40:38.800 –> 01:40:39.800
I’m not Jesus.

01:40:39.800 –> 01:40:44.320
So I’m going to go back and finish, well, less than half, I think it is.

01:40:44.320 –> 01:40:47.880
I’m totted it up, but it’s definitely more than half.

01:40:47.880 –> 01:40:57.080
Look at the latter bit when it’s summer and it’s less of a stressy thing, because I just

01:40:57.080 –> 01:41:02.080
ended up walking on roads and like walking roads, taking a path in, finding it flooded,

01:41:02.080 –> 01:41:03.800
you know, and it’s like I did take water through socks.

01:41:03.800 –> 01:41:08.200
I was fording across things, but the problem is you can’t hike in wellies.

01:41:08.200 –> 01:41:09.760
So it was a debate.

01:41:09.760 –> 01:41:13.560
I should have took wellies, but then it was like, well, there’d be another thing to carry.

01:41:13.560 –> 01:41:15.200
Some of the bits are impossible to afford.

01:41:15.200 –> 01:41:20.120
Like I got to this thing which I’ve jumped before or around.

01:41:20.120 –> 01:41:24.800
So sort of like this sort of bit, which is like a break in the bank.

01:41:24.800 –> 01:41:28.040
And it was, I actually put my pole and I was like, should I walk through this?

01:41:28.040 –> 01:41:30.200
And it was like, kept going down and down and down.

01:41:30.200 –> 01:41:31.200
I was more than waist deep.

01:41:31.200 –> 01:41:33.200
I was like, no.

01:41:33.200 –> 01:41:38.320
And the field was completely flooded going into unless I sort of forded that.

01:41:38.320 –> 01:41:41.520
And I was like, no.

01:41:41.520 –> 01:41:45.560
So there was a few things like that, but I did, I did ford quite a lot of them and

01:41:45.560 –> 01:41:48.440
I got, got my feet wet quite a few times.

01:41:48.440 –> 01:41:51.360
It got to a point where I don’t need wellies.

01:41:51.360 –> 01:41:52.360
I need waders.

01:41:52.360 –> 01:41:54.200
It’s too deep.

01:41:54.200 –> 01:41:56.200
And so then I was like, no, it’s just silly.

01:41:56.200 –> 01:42:00.160
I was fed up of camping by roads and walking along roads.

01:42:00.160 –> 01:42:03.000
It was just, it was just too stressy.

01:42:03.000 –> 01:42:05.520
Lots of bad places and lots of good places.

01:42:05.520 –> 01:42:06.520
Well, then one.

01:42:06.520 –> 01:42:09.760
But yeah, I’m going to play a track by Working Men’s Club.

01:42:09.760 –> 01:42:10.760
I love this greatly.

01:42:10.760 –> 01:42:13.360
It doesn’t really fit for the rest of it.

01:42:13.360 –> 01:42:15.880
It’s very sort of new wave.

01:42:15.880 –> 01:42:19.160
This is Circumference.

02:12:38.840 –> 02:12:42.520
I almost didn’t make the ending because I fell asleep to my own mashup, which is, I’m

02:12:42.520 –> 02:12:45.080
not sure that’s a good thing or a bad thing.

02:12:45.080 –> 02:12:49.080
That TBC aka Instamatic with Whisper Forever

02:12:49.080 –> 02:12:51.000
George Michael versus the Spice Girls

02:12:51.000 –> 02:12:55.120
I always wanted to do a mashup with Viva Forever.

02:12:55.120 –> 02:12:59.480
I’m not a massive Spice Girls fan, but I do like the feel of that.

02:12:59.480 –> 02:13:02.520
I mean, it was like a whole Geri leaving at that point.

02:13:02.520 –> 02:13:05.960
And you know, I don’t know.

02:13:05.960 –> 02:13:07.520
There’s a whole kind of feel of that.

02:13:07.520 –> 02:13:11.480
Even though it’s supposed to be like the end of a summer romance.

02:13:11.480 –> 02:13:13.960
It’s quite a sad song.

02:13:13.960 –> 02:13:17.680
Then before that, we had Goldie and the Gingerbreads with Walking in Different Circles.

02:13:17.680 –> 02:13:22.680
That’s some classic psych sort of garage from 1967.

02:13:22.680 –> 02:13:27.560
And before that, we had iWillBattle with Feeling Beautiful Good Things, Benson Boone

02:13:27.560 –> 02:13:28.720
versus Muse.

02:13:28.720 –> 02:13:31.520
I didn’t know the Benson Boone song at all.

02:13:31.520 –> 02:13:36.080
It’s always a good sign of a mashup when you really connect to a mashup, but you don’t

02:13:36.080 –> 02:13:37.080
know one of the songs.

02:13:37.080 –> 02:13:40.640
And you’re kind of like, it just works.

02:13:40.640 –> 02:13:45.880
I’ve not heard the original version of the Benson Boone track at all.

02:13:45.880 –> 02:13:50.280
So I don’t know it, but yeah, it just works really well.

02:13:50.280 –> 02:13:56.640
And then before that, we had ah! Alan Hurley with Black Frog Peace One.

02:13:56.640 –> 02:14:00.280
Again, I think that’s one of my favorite mashups of the year.

02:14:00.280 –> 02:14:03.440
That’s the Doors versus Thom Yorke.

02:14:03.440 –> 02:14:05.440
And I don’t know.

02:14:05.440 –> 02:14:10.200
You know, in some senses, I suppose, Radiohead, Tom York versus the Doors might be slightly

02:14:10.200 –> 02:14:11.960
obvious, but it’s not really.

02:14:11.960 –> 02:14:15.920
It feels very intertwined.

02:14:15.920 –> 02:14:22.640
It’s certainly not an obvious choice, the two songs together, but they work so well.

02:14:22.640 –> 02:14:25.160
So that’s the important thing.

02:14:25.160 –> 02:14:28.840
And then before that, we had Danny Macabre with Vampire Creep.

02:14:28.840 –> 02:14:30.920
There’s Olivia Rodrigo versus Radiohead.

02:14:30.920 –> 02:14:36.440
I question myself whether to put that in because the Radiohead is too fast, that really weird

02:14:36.440 –> 02:14:37.880
break in it.

02:14:37.880 –> 02:14:43.400
And I don’t know why the extra drums sound odd, but the combination is brilliant.

02:14:43.400 –> 02:14:51.840
The Vampire Olivia Rodrigo versus Creep, it’s kind of like more than half of a good

02:14:51.840 –> 02:14:54.040
mashup is the song selection.

02:14:54.040 –> 02:15:00.040
The Alan Hurley as well is like the one from iWillBattle.

02:15:00.040 –> 02:15:03.960
The two things just meshing.

02:15:03.960 –> 02:15:05.800
And that’s kind of more than half the battle.

02:15:05.800 –> 02:15:09.480
It’s just choosing two things that sync together really well.

02:15:09.480 –> 02:15:15.360
At the end of the day, the technical side is not as important as having two good tracks

02:15:15.360 –> 02:15:17.840
that work really well together.

02:15:17.840 –> 02:15:19.520
You can kind of overlook some of the bits.

02:15:19.520 –> 02:15:20.520
It’s like, “Hmm.”

02:15:20.520 –> 02:15:24.280
That’s still, yeah, I don’t know if that’s going on with that first break, but anyway,

02:15:24.280 –> 02:15:25.400
first drop.

02:15:25.400 –> 02:15:28.360
And then before that, we had Totom’s.

02:15:28.360 –> 02:15:33.320
Everybody would drown and You’d Too Y.O.U.D. Too.

02:15:33.320 –> 02:15:39.160
How to Destroy Angels versus Billie Eilish versus Culoe Da Song.

02:15:39.160 –> 02:15:44.600
I don’t know the How to Destroy Angels or the Culoe Da Song, but it just works so

02:15:44.600 –> 02:15:45.600
well.

02:15:45.600 –> 02:15:49.040
I know the Billie Eilish and it just is a complete mood.

02:15:49.040 –> 02:15:50.720
A complete mood.

02:15:50.720 –> 02:15:52.560
Hashtag vibe.

02:15:52.560 –> 02:15:57.800
Then before that, we had Working Men’s Club with Circumference.

02:15:57.800 –> 02:15:59.560
And as you might have guessed, that’s selection.

02:15:59.560 –> 02:16:02.640
Yeah, not exactly happy, happy, joy, joy.

02:16:02.640 –> 02:16:05.720
My mental health has been a bit weird since I got back.

02:16:05.720 –> 02:16:08.520
I think it’s just sitting indoors editing.

02:16:08.520 –> 02:16:13.880
I edited the South Downs Way Part 3 last week and now I’m working on the editing for the

02:16:13.880 –> 02:16:17.240
Thames Path stuff and just going through all my old photographs.

02:16:17.240 –> 02:16:20.200
And it’s just been a bit of a kind of like a drudge I think.

02:16:20.200 –> 02:16:26.440
But luckily I’m going out next weekend on another collaboration trip in Felixstowe and

02:16:26.440 –> 02:16:27.440
Harwich.

02:16:27.440 –> 02:16:31.040
So it’s a coast I don’t know well, walking around the estuary.

02:16:31.040 –> 02:16:34.920
Yeah, that should be hopefully good.

02:16:34.920 –> 02:16:35.920
Hopefully interesting.

02:16:35.920 –> 02:16:38.400
But yeah, I think really getting out would be good for me.

02:16:38.400 –> 02:16:43.360
I’ve been trying to keep myself busy because yeah, things have been a bit like, I think

02:16:43.360 –> 02:16:48.080
it’s just probably because I’m about to reach 51.

02:16:48.080 –> 02:16:51.440
It’s always weird about that sort of time and so looking at my achievements and the

02:16:51.440 –> 02:16:55.320
YouTube channel and stuff and just thinking it’s not really where I want it to be.

02:16:55.320 –> 02:16:59.520
I mean, that’s what the two week walk thing was about was just a bit like, you know, I’m

02:16:59.520 –> 02:17:02.760
going to do something big and sort of really push it.

02:17:02.760 –> 02:17:05.760
But it’s a lot of work, a lot of footage.

02:17:05.760 –> 02:17:06.760
A lot of editing.

02:17:06.760 –> 02:17:11.360
I don’t know how long the series hopefully won’t be daily.

02:17:11.360 –> 02:17:14.080
If it’s daily, it’s going to be 12 parts, which is right.

02:17:14.080 –> 02:17:15.080
That’s crazy.

02:17:15.080 –> 02:17:17.880
I’m hoping to do it every couple of days.

02:17:17.880 –> 02:17:21.760
My computer is having to use external drives and stuff.

02:17:21.760 –> 02:17:22.760
Computer’s fall on it.

02:17:22.760 –> 02:17:26.400
It’s just like, a lot of tech issues.

02:17:26.400 –> 02:17:30.000
I’ve been going through all my old photographs and that’s quite fun.

02:17:30.000 –> 02:17:32.840
But also the scanner won’t scan the slides.

02:17:32.840 –> 02:17:37.640
So I can’t include any of the slides unless I get the other scanner in and it’s all that

02:17:37.640 –> 02:17:38.640
sort of stuff.

02:17:38.640 –> 02:17:43.440
It’s just like, oh, so yeah, there’s a lot of that going on and it’s not helping.

02:17:43.440 –> 02:17:45.040
So I hope you’re all well.

02:17:45.040 –> 02:17:50.760
I’m going to play out with a classic from Lee Spoons, 10,000 Spoons.

02:17:50.760 –> 02:17:57.520
Again, I think I heard this on his Megabllast radio show from Noisebox Radio.

02:17:57.520 –> 02:17:58.880
I think it was that.

02:17:58.880 –> 02:18:00.520
I think he played on that.

02:18:00.520 –> 02:18:01.520
I had not heard it before.

02:18:01.520 –> 02:18:03.440
It’s from way back in the day.

02:18:03.440 –> 02:18:08.640
And I have to say, I love it, but it does have that weird kind of, because I’m pretty sure,

02:18:08.640 –> 02:18:13.440
I’m really not sure what time signatures Charots of Fire is in.

02:18:13.440 –> 02:18:18.000
And I think it’s kind of a weird kind of almost Waltz time.

02:18:18.000 –> 02:18:19.160
I’m not sure.

02:18:19.160 –> 02:18:20.160
So there an element of that.

02:18:20.160 –> 02:18:24.800
But even that, it just, it does, it does work even though bits are on like, yeah, where

02:18:24.800 –> 02:18:27.080
is the snare there?

02:18:27.080 –> 02:18:29.920
So this is Chariots Killed The Radio Star, Buggles.

02:18:29.920 –> 02:18:32.240
Yeah, again, Buggles versus Vangelis.

02:18:32.240 –> 02:18:35.600
Speak to you soon.