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A synthesizer the size of an entire room from the dawn of the age of computing lives at Columbia University’s Prentice Hall. Why has it been preserved all of these years and why was it even constructed, given the great expense and the fact that it had only one function. Music Librarian Nick Patterson shares the story behind the birth of electronic music and its connections to early computing here at Columbia.
Transcript:
Material Culture
The intro music is “Brit Pop” by Scott Holmes.
Intro:
PODCAST INTRO:
RCA Mark II Synthesizer music
RCA Mark II Synthesizer
Kun:
Welcome to our podcast.
Rodrigo:
Hi, my name’s Rodrigo.
Kun:
I’m Kun. Do you hear that? Do you believe this song generated by a machine?
It’s a synthesizer, and we are very happy to invite Nick Patterson to talk about it.
Hi Nick, could you give us an overview of the synthesizer?
Nick:
The RCA Mark II Synthesizer which is currently still, although not working, housed up at Princeton upon 125th street, was installed there in Princeton in 1959, and you noticed it was Mark II, so there had been Mark I had been constructed not here by RCA labs, by the engineers: Harry Olsen and Herbert LR. The synthesizer, as you can see from this photo I brought here and probably can find others online, is a room-sized affair. It basically takes up an entire room plus some corners of a large classroom.
Rodrigo:
So Nick said that the machine was like thirty feet long, and we saw the picture that it took up a whole room like (most people are familiar with the pictures of computers) IBM computers, how big they were early in the 1950s, the synthesizer looked similar to that, it was huge bagel metal case. But I don’t know if it justifies. I mean th
By Columbia University LibrariesA synthesizer the size of an entire room from the dawn of the age of computing lives at Columbia University’s Prentice Hall. Why has it been preserved all of these years and why was it even constructed, given the great expense and the fact that it had only one function. Music Librarian Nick Patterson shares the story behind the birth of electronic music and its connections to early computing here at Columbia.
Transcript:
Material Culture
The intro music is “Brit Pop” by Scott Holmes.
Intro:
PODCAST INTRO:
RCA Mark II Synthesizer music
RCA Mark II Synthesizer
Kun:
Welcome to our podcast.
Rodrigo:
Hi, my name’s Rodrigo.
Kun:
I’m Kun. Do you hear that? Do you believe this song generated by a machine?
It’s a synthesizer, and we are very happy to invite Nick Patterson to talk about it.
Hi Nick, could you give us an overview of the synthesizer?
Nick:
The RCA Mark II Synthesizer which is currently still, although not working, housed up at Princeton upon 125th street, was installed there in Princeton in 1959, and you noticed it was Mark II, so there had been Mark I had been constructed not here by RCA labs, by the engineers: Harry Olsen and Herbert LR. The synthesizer, as you can see from this photo I brought here and probably can find others online, is a room-sized affair. It basically takes up an entire room plus some corners of a large classroom.
Rodrigo:
So Nick said that the machine was like thirty feet long, and we saw the picture that it took up a whole room like (most people are familiar with the pictures of computers) IBM computers, how big they were early in the 1950s, the synthesizer looked similar to that, it was huge bagel metal case. But I don’t know if it justifies. I mean th