These sculptures take this dynamic as both the essential human drama, and as our essential refuge from it. In the same way that a work of architecture shelters and becomes alive with the activity that fills it, these sculptures are perceptual environments that hold a continuous transformation of light and space. Reflections in mirrors create a world that extends into the immaterial. Subtler reflections in glass create infinities within infinities. To point at the endless, the works use abrupt truncation.

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