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With the popularity of "composing by ear" with DAWs lately, I wanted to give an example of a case when using notation to help identify weaknesses in orchestral parts can still be a valuable resource and make the resulting orchestration even stronger.
By With the popularity of "composing by ear" with DAWs lately, I wanted to give an example of a case when using notation to help identify weaknesses in orchestral parts can still be a valuable resource and make the resulting orchestration even stronger.