https://realtimescifi.com

1. The "Acclimation" Hypothesis:

The central argument of the source text is that the pervasive presence of extraterrestrial themes in science fiction serves as a form of subconscious preparation for the public regarding future ET contact. The author suggests that:

"That maybe all this science fiction was to prepare you the public for ET contact."

This implies a deliberate or unintentional softening of societal beliefs and expectations, making the idea of alien life and interaction less shocking and more plausible. The source posits that the government's alleged silence ("truth embargo") on the UFO/ET phenomenon has inadvertently empowered science fiction to shape public perception.

2. Gene Roddenberry and ET Contactees:

The source specifically requests an examination of Gene Roddenberry's connections to individuals claiming to have had extraterrestrial contact. This line of inquiry suggests that the creator of Star Trek, a highly influential science fiction franchise, may have been influenced by or actively engaged with the ET contactee community. Further research would be needed to substantiate any such connections and explore how they might have informed his work.

3. Early USENET Discussions and Conspiracy Theories (Circa 1980s):

The source highlights the emergence of early internet discussion groups, specifically within USENET's alt.conspiracy.area51 hierarchy in the 1980s. These online communities served as breeding grounds for alternative narratives surrounding UFOs and extraterrestrial presence.

Jon Winston and the Mt. Shasta Allegations: The text mentions an author named Jon Winston who allegedly wrote within these groups about an extraterrestrial base inside Mount Shasta and the presence of a "galactic council base" there. This exemplifies the early development of specific extraterrestrial-related conspiracy theories gaining traction online.

MJ12 Documents and Alien Autopsy Video: The source points to the appearance of the alleged MJ12 documents (purporting to be classified US government documents about UFOs and extraterrestrials) and an "alien autopsy video" on USENET during this period. The author notes that the authenticity of the autopsy video has "never been completely debunked," highlighting the lingering impact of such claims on public discourse.

These examples demonstrate how early digital spaces facilitated the spread of unconventional ideas and contributed to a growing public awareness and fascination with the possibility of extraterrestrial life and government secrecy.

4. Hollywood as a Communicator in the Absence of Official Disclosure:

The source argues that the science fiction movie and television industry has played a significant role in shaping public understanding of extraterrestrials and related concepts:

"Hollywood has shown mankind more about ETs than we have gotten from the very people who should tell us - and who DO know the truth. So perhaps science fiction has been the plan B to communicate that which cannot be communicated officially?"

This perspective suggests that science fiction, through its narratives exploring diverse alien civilizations, space travel, and potential dangers and benefits of contact, has provided a framework for the public to grapple with these complex ideas in the absence of credible official information. The source acknowledges that not all science fiction is relevant to this "acclimation," implicitly excluding "awful bad scifi."

5. Philosophical Messages in Science Fiction:

The source prompts an examination of the "philosophical messages of oneness, universal good vs evil 'lessons'" present in science fiction. Many science fiction narratives explore grand themes of cosmic unity, the interconnectedness of life, and the ethical dilemmas posed by encountering alien intelligences with potentially vastly different moral frameworks. These narratives can subtly influence viewers' perspectives on humanity's place in the universe and the potential nature of extraterrestrial interactions.