She did try to appreciate his music, to understand it, but she never succeeded. Apart from when he made music for contemporary dance, because she liked dance, although she didn't like to dance. But she did like to sing, however, as much as she enjoyed the art of song. And she sang—sometimes—on her own, in the House. Until he asked her to stop. Because he found it embarrassing. The truth of it was he also wanted to sing, but he couldn't. And now she's gone, and he's still here, and their House continuously carols and hums with both their silences.

Composed by Antonin De Bemels

Arranged and produced by Thomas Turine

Mastered by Antonin Simon