Chance and Noah were reunited in Lincoln, Nebraska over the holidays, and three hours of it was spent watching Quentin Tarantino's new time-bomb of a bottle Western. With love for the performances and camera work, they dive into "The Hateful Eight", its narrative incongruities and they ask why his trademark ultra-violence doesn't work so well in the writer/director's eighth film.

As always, a refresher on the rating system:

Good-Good = High quality, high watchability (e.g. The Departed)

Good-Bad = High quality, low watchability (e.g. Schindler's List)

Bad-Good = Low quality, high watchability (e.g. Escape from LA)

Bad-Bad = Low quality, low watchability (e.g. White Chicks)

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