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Reginald Hudlin breaks down the stories behind three culture-shifting lanes: writing Black Panther at Marvel, building Marshall with Chadwick Boseman, and the real origin of House Party. He shares what Eddie Murphy taught him about comedy (“go for the joke”), why passion is the difference between a smart move and a timeless hit, and how one night of inspiration turned into a classic.
Hudlin walks through how his love of comics led to his Black Panther run—and why he believed a sci-fi scale story could change the ceiling for Black storytelling long before the billion-dollar moment arrived. He opens up about producing Marshall, why that specific Thurgood case was the right movie (and why the courtroom setup made it uniquely cinematic), and what Chadwick was like behind the scenes—down to the integrity that made people protect him and speak about him differently. On the film side, Hudlin revisits Boomerang and the mindset of directing comedy at the highest level, then closes with the House Party origin story: hearing Luther Vandross, seeing the movie in his head, and banging out pages on the spot—plus what it took to grind a student film into a real launchpad.
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By Shawn Stockman4.9
167167 ratings
Reginald Hudlin breaks down the stories behind three culture-shifting lanes: writing Black Panther at Marvel, building Marshall with Chadwick Boseman, and the real origin of House Party. He shares what Eddie Murphy taught him about comedy (“go for the joke”), why passion is the difference between a smart move and a timeless hit, and how one night of inspiration turned into a classic.
Hudlin walks through how his love of comics led to his Black Panther run—and why he believed a sci-fi scale story could change the ceiling for Black storytelling long before the billion-dollar moment arrived. He opens up about producing Marshall, why that specific Thurgood case was the right movie (and why the courtroom setup made it uniquely cinematic), and what Chadwick was like behind the scenes—down to the integrity that made people protect him and speak about him differently. On the film side, Hudlin revisits Boomerang and the mindset of directing comedy at the highest level, then closes with the House Party origin story: hearing Luther Vandross, seeing the movie in his head, and banging out pages on the spot—plus what it took to grind a student film into a real launchpad.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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