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BONUS EPISODE: Shakespeare’s Hamlet opens with a seemingly straightforward question: “Who’s there?” Who’s there, indeed. The appearance of the ghost of his murdered father prompts Hamlet– and the play’s 16th-century audience– to grapple with a series of philosophical and theological questions relating to death and the afterlife. Does Purgatory exist? How does one avoid posthumous punishment? Can the deceased visit the world of the living? If so, how and why? What do the living owe the dead?
In this episode, Dr. Susan Weissman, Chair of Judaic Studies and Associate Professor at Lander College for Women, a division of Touro College, shares her extensive research and expertise on death and the afterlife in medieval Europe. Through a detailed analysis of ghost tales in the Talmud and Sefer Hasidim, a religious-ethical work by an elitist group of medieval Jewish German Pietists, Weissman shows how many beliefs and rituals of the period reflected in Shakespeare’s Hamlet were cross-culturally shared by neighbors, Jews and Christians alike.
Corrections
Hosted by Straus Center Resident Scholar Dr. Shaina Trapedo
Produced by Uri Westrich and Sam Gelman
Outro by Straus Scholar Ayelet Brown
Learn more about the Straus Center
Like the Straus Center on Facebook
Follow the Straus Center on Twitter
Follow the Straus Center on Instagram
Connect with the Straus Center on LinkedIn
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BONUS EPISODE: Shakespeare’s Hamlet opens with a seemingly straightforward question: “Who’s there?” Who’s there, indeed. The appearance of the ghost of his murdered father prompts Hamlet– and the play’s 16th-century audience– to grapple with a series of philosophical and theological questions relating to death and the afterlife. Does Purgatory exist? How does one avoid posthumous punishment? Can the deceased visit the world of the living? If so, how and why? What do the living owe the dead?
In this episode, Dr. Susan Weissman, Chair of Judaic Studies and Associate Professor at Lander College for Women, a division of Touro College, shares her extensive research and expertise on death and the afterlife in medieval Europe. Through a detailed analysis of ghost tales in the Talmud and Sefer Hasidim, a religious-ethical work by an elitist group of medieval Jewish German Pietists, Weissman shows how many beliefs and rituals of the period reflected in Shakespeare’s Hamlet were cross-culturally shared by neighbors, Jews and Christians alike.
Corrections
Hosted by Straus Center Resident Scholar Dr. Shaina Trapedo
Produced by Uri Westrich and Sam Gelman
Outro by Straus Scholar Ayelet Brown
Learn more about the Straus Center
Like the Straus Center on Facebook
Follow the Straus Center on Twitter
Follow the Straus Center on Instagram
Connect with the Straus Center on LinkedIn