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Do the liturgical musical settings we use in the Mass correspond to the description given by the Second Vatican Council – that they are to be a “new part in the musical heritage of the Church, not unworthy of its past”? Do they radiate the holiness, beauty, and universality which have characterized this heritage?
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Do the liturgical musical settings we use in the Mass correspond to the description given by the Second Vatican Council – that they are to be a “new part in the musical heritage of the Church, not unworthy of its past”? Do they radiate the holiness, beauty, and universality which have characterized this heritage?