The primary feature of Christian Tafdrup's work, which we must mention, was its abrupt "deviation" from a dramedy atmosphere with a few unsettling intrusions, which lasted for roughly three-quarters of the film, to a very harsh and realistic horror climate in the final act, which pushed the boundaries of what could be filmed and left the uninformed viewer in deep shock. This pattern has its roots in classics like Takashi Miike's Audition and Bryan Yuzna's Society – The Horror, both of which captivated the audience for the majority of the film before taking a severe turn at the end. A pattern that was unrepeatable due to external conditions.

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https://castbox.fm/episode/James-McAvoy-Discusses-the-New-%22Speak-No-Evil%22-Resolution-id4987315-id736998431?country=us

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