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This week’s show has a lot of movie-related stuff going on. I’m not sure why—I swear, it wasn’t intentional (at least, not consciously; what my subconscious does is no business of mine). Songs from cult/popular/crap eighties movies (one each), plus a Disney movie tune, because, well, why not? Maybe everybody does want to be a cat. Or, you know, vice-versa.
There’s also the usual assortment of covers & quirky WTF-type numbers; Nazareth (“Love Hurts,” “Hair of the Dog”) does a song by Crazy Horse (Neil Young’s backup band—whose impressive levels of scraggly scruffiness make Neil himself look clean-cut & debonair), Johnny Cash sorta covers/re-composes a Ramblin’ Jack Elliott song, & Rotary Connection (who you might remember from last week) do their version of “Soul Man,” which inspires nothing so much as the question, “But—wait, huh?”
Finally, loyal longtime listeners (& if you’re in the Triple-L Club, this week’s password is in the knothole of the third tree from the left next to where they used to keep the bikes) will note that not only have I found yet another song by Indeep (which, I think, will be the last; not counting an instrumental B-side which I’m sure will get its turn someday) as well as, gallingly enough, another version—in my own collection, no less; a criminal oversight, conceptually speaking—of “If You Go Away.” & I think this might be the first Moroder-free week in a while. Not that I’m tired of him (far from it), but I guess we all need a break from time to time.
Revolutionary Plastics Hour: Volume Thirty-One
Nazareth—Beggar’s Day (Crazy Horse)
By Revolutionary Plastics Hour5
11 ratings
This week’s show has a lot of movie-related stuff going on. I’m not sure why—I swear, it wasn’t intentional (at least, not consciously; what my subconscious does is no business of mine). Songs from cult/popular/crap eighties movies (one each), plus a Disney movie tune, because, well, why not? Maybe everybody does want to be a cat. Or, you know, vice-versa.
There’s also the usual assortment of covers & quirky WTF-type numbers; Nazareth (“Love Hurts,” “Hair of the Dog”) does a song by Crazy Horse (Neil Young’s backup band—whose impressive levels of scraggly scruffiness make Neil himself look clean-cut & debonair), Johnny Cash sorta covers/re-composes a Ramblin’ Jack Elliott song, & Rotary Connection (who you might remember from last week) do their version of “Soul Man,” which inspires nothing so much as the question, “But—wait, huh?”
Finally, loyal longtime listeners (& if you’re in the Triple-L Club, this week’s password is in the knothole of the third tree from the left next to where they used to keep the bikes) will note that not only have I found yet another song by Indeep (which, I think, will be the last; not counting an instrumental B-side which I’m sure will get its turn someday) as well as, gallingly enough, another version—in my own collection, no less; a criminal oversight, conceptually speaking—of “If You Go Away.” & I think this might be the first Moroder-free week in a while. Not that I’m tired of him (far from it), but I guess we all need a break from time to time.
Revolutionary Plastics Hour: Volume Thirty-One
Nazareth—Beggar’s Day (Crazy Horse)