Well, is there a critique of capitalism in this movie? I'll buy that for a dollar! Commentary on, among other things: Corporate malfeasance, the carceral state, the market's encroachment on bodily autonomy, disability justice, and parody of ultraviolence done in service of capital? ACAB except Robocop, that's what I say. There is also IR in this movie.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Well, is there a critique of capitalism in this movie? I'll buy that for a dollar! Commentary on, among other things: Corporate malfeasance, the carceral state, the market's encroachment on bodily autonomy, disability justice, and parody of ultraviolence done in service of capital? ACAB except Robocop, that's what I say. There is also IR in this movie. Hosted on Acast. See acast.com/privacy for more information.

Well, is there a critique of capitalism in this movie? I'll buy that for a dollar! Commentary on, among other things: Corporate malfeasance, the carceral state, the market's encroachment on bodily autonomy, disability justice, and parody of ultraviolence done in service of capital? ACAB except Robocop, that's what I say. There is also IR in this movie. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

ROBOCOP (1987)

On Space the Nation, we take our love of science fiction (and fantasy and horror) and smash it together with our professional passions: international relations (as brought to the table by Tufts University professor and Washington Post columnist Dan Drezner) and cultural criticism (as brought to the table by political columnist Ana Marie Cox). It's a highly informed but hilarious conversation that starts with an examination of a particular text (everything from Ursula K. LeGuin to the MCU, Star Trek to Colson Whitehead) and veers into current events, mental health practices and imagined conversations between Ted Cruz and the Predator. For people who like white papers and graphic novels, Chapo Trap House and what Political Science Twitter used to be.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

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On Space the Nation, we take our love of science fiction (and fantasy and horror) and smash it together with our professional passions: international relations (as brought to the table by Tufts University professor and Washington Post columnist Dan Drezner) and cultural criticism (as brought to the table by political columnist Ana Marie Cox). It's a highly informed but hilarious conversation that starts with an examination of a particular text (everything from Ursula K. LeGuin to the MCU, Star Trek to Colson Whitehead) and veers into current events, mental health practices and imagined conversations between Ted Cruz and the Predator. For people who like white papers and graphic novels, Chapo Trap House and what Political Science Twitter used to be. Hosted on Acast. See acast.com/privacy for more information.

On Space the Nation, we take our love of science fiction (and fantasy and horror) and smash it together with our professional passions: international relations (as brought to the table by Tufts University professor and Washington Post columnist Dan Drezner) and cultural criticism (as brought to the table by political columnist Ana Marie Cox). It's a highly informed but hilarious conversation that starts with an examination of a particular text (everything from Ursula K. LeGuin to the MCU, Star Trek to Colson Whitehead) and veers into current events, mental health practices and imagined conversations between Ted Cruz and the Predator. For people who like white papers and graphic novels, Chapo Trap House and what Political Science Twitter used to be. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

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ROBOCOP (1987)

ROBOCOP (1987)