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Join us as we ask distinguished poet, critic, and translator Rosanna Warren about her literary autobiography, the state of literary criticism, and the role of the poet-critic. Rosanna discusses her literary and painterly childhood in France and her unusual path through the academy; the capaciousness of English in particular; past literary movements like deconstruction and New Criticism, as well as the eclecticism of our current moment; and the "sacred cannibalism" of literary influence. Rosanna concludes by reading her poem "A New Year" (a "train poem", as she explains).
By Nicholas Bellinson and Khafiz KerimovJoin us as we ask distinguished poet, critic, and translator Rosanna Warren about her literary autobiography, the state of literary criticism, and the role of the poet-critic. Rosanna discusses her literary and painterly childhood in France and her unusual path through the academy; the capaciousness of English in particular; past literary movements like deconstruction and New Criticism, as well as the eclecticism of our current moment; and the "sacred cannibalism" of literary influence. Rosanna concludes by reading her poem "A New Year" (a "train poem", as she explains).